Art, Prints & Sculpture
Explore the full breadth of our decorative Works of Art. We have everything from numbered runs of prints and lithographs to original paintings and sketches. We specialise in London maps, including tube maps and plans of the City. Also lithographs by renowned Twentieth Century artists. You will find three dimensional sculpture in marble, bronze, plaster and more. Taxidermy and trophies are found alongside driftwood and weathervanes. Those in need of more functional pieces will discover shopkeepers and trade sign boards.
860 items found
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An English plaster bust of a Shepherd
£860An English plaster bust of a Shepherd
the male with wavy heir and his head turned slightly to his left, modelled wearing a tunic and raised on a waisted socle, the bust bearing the mould maker's mark "Brucciani & Co. London" to the rear and their model number "2348" to the front,£860 -
Self portrait with a cigarette, by Sheila Steafel
£850 -
Little Boy Blue pantomime poster,
£3,900£850 -
Dick Whittington pantomime poster,
£3,900£850Dick Whittington pantomime poster,
A framed pantomime poster featuring Dick Whittington poster,£3,900£850 -
Harry seated by Sheila Steafel,
£800Harry seated by Sheila Steafel,
Framed study of the artist's then husband, Harry H. Corbett c1959£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Apollon' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Baigneuse dans les Roseaux' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Coquelicots' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'La Negresse' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Acanthes' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Femmes et Singes' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
A French carved wood horse’s head,
£780 -
A mounted buffalo horn trophy
£780 -
‘Fashion 69’ illuminated sign,
£1,150£750 -
Pair of late 18th century silk embroidered pictures
£720Pair of late 18th century silk embroidered pictures
Two oval 18th century silk embroidered pictures depicting a Peacock and a Pheasant, from the short-lived print-sellers and framers Darling and Thompson. Presented in the original gilt frames£720 -
An English plaster architectural relief-plaque,
£685An English plaster architectural relief-plaque,
the rectangular plaque cast in relief with a ribbon-tied drapery swag, tasseled to its edge, the plaque cast in two halves and framed with a moulded border,£685 -
An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
£685An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
the elderly bearded gentleman with his head turned slightly to his right, and wearing a berrettino on his head and the collars of the mozetto around his neck,£685 -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
Snakes by Albertus Seba (1665-1736)
£680 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£680 each -
A cast plaster relief depicting classical figures with a tethered bull
£680A cast plaster relief depicting classical figures with a tethered bull
Cast at LASSCO Three Pigeons by Peter Hone. This relief plaque was cast from a Coade stone original – we have two similar available. Peter Hone bought the plaques from Miles D’Agar at the Furniture Cave some years ago. They are now in the collection of Sir Jacob Rothschild, We can’t find reference to the original manufacture of this design at Coade. They are undoubtedly drawn from a classical source – they look to be part of a Panathanaic frieze – and bear similarities to the Coade frieze at Ickworth House in Suffolk. The frieze designs at Ickworth were drawn from Flaxman’s illustrations to Homer. Research continues. See Alison Kelly “Mrs Coade’s Stone”, Self Publishing Asscn. 1990, pp175-7.£680 -
Pregnant Lady, by Sheila Steafel
£650 -
Harry reading by Sheila Steafel
£650Harry reading by Sheila Steafel
Oil sketch on masonite board of Harry H. Corbett, signed and dated 59. Framed£650 -
1960s oil-on-canvas of Dungeness Beach,
£650 -
England and France, after William Hogarth published c1805
£650 the setEngland and France, after William Hogarth published c1805
William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.
Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.
In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."
£650 the set -
An English plaster portrait bust of a Florentine man in a slashed tunic
£645An English plaster portrait bust of a Florentine man in a slashed tunic
the young bearded gentleman naturalisitically modelled attired in a slashed tunic and raised on a socle,
£645 -
An English plaster bust of Rinaldo della Luna
£645An English plaster bust of Rinaldo della Luna
the gaunt male with head turned to sinester, wearing a pleated tunic, with an indistinct description on the plinth "RINALDODELLA LVNA . ETATIS . ANNO XXVII OPVS MINI NE. MCCCCLXI" and bearing the Brucciani model number 2929,£645 -
Seratonin – a steel molecular sculpture
£640Seratonin – a steel molecular sculpture
the polished spheres and rods of the molecule C10H12N2O held on a single suspension point,£640 -
An English plaster cast of a clam shell
£640An English plaster cast of a clam shell
the detailed cast shell with encrusted texture raised on low plinth base,£640 -
An English relief cast plaster plaque of men leading a bull
£640An English relief cast plaster plaque of men leading a bull
the rectangular panel, in the style of an antique metope,£640 -
Patinated bronze model of a seated cherub,
£625 -
Fructose – a steel molecular sculpture
£600Fructose – a steel molecular sculpture
the polished spheres and rods of the molecule C6H12O6 held on a single suspension point,£600 -
Caffeine – a steel molecular sculpture
£600Caffeine – a steel molecular sculpture
the polished spheres and rods of the molecule C8H10N4O2 held on a single suspension point,£600 -
The George Inn, Borough High Street
£600The George Inn, Borough High Street
Typical heavy impasto work of Ben Maile painted in 1969. Framed£600 -
Self portrait, by Sheila Steafel
£600 -
Self portrait as a Renaissance Lady, by Sheila Steafel
£600 -
Seated gentleman by Sheila Steafel
£600Seated gentleman by Sheila Steafel
Early work dated from the 1950's. Sketch of the same subject verso. Framed£600 -
Views of Rome by Luigi Rossini
£600 each -
Views of Rome by Luigi Rossini
£600 each -
The head of a Young Athlete,
£595The head of a Young Athlete,
the young male with curly hair, almost certainly from a statue, mounted on an Ashburton marble block,£595 -
A ten point red deer stag’s head trophy
£595 -
Palace of Westminster
£580Palace of Westminster
Bert Pugh (1904-2001) sometimes known as Sullivan Pugh, born in Kilmarnock, Ayrshire. When he was young his family moved to London, where he spent much of his life, joining the Chelsea Art Club. Pugh studied for three years at a building school, at 17 becoming an architectural and ecclesiastical draughtsman, church craftsman and woodcarver, afterwards designing bookplates and practising calligraphy. While owning a commercial art studio in the Strand, he spent evenings studying from life and painting and began to exhibit in the capital. Pugh also spent some time as a commercial artist with the advertising agency J. Walter Thompson.£580 -
A New and Accurate Plan of London, Westminster and Borough… London
£580A New and Accurate Plan of London, Westminster and Borough… London
Robert Sayer (1725–1794) was a leading publisher and seller of prints, maps and maritime charts in 18th century Britain.£580 -
Black Hill, by Gordon House
£575 eachBlack Hill, by Gordon House
Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.£575 each -
Black Hill, Pages, by Gordon House
£575 eachBlack Hill, Pages, by Gordon House
Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.£575 each -
Black Hill, Rostra, by Gordon House
£575 eachBlack Hill, Rostra, by Gordon House
Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.£575 each -
Black Hill, Work Shop, by Gordon House
£575 eachBlack Hill, Work Shop, by Gordon House
Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.£575 each -
A cast plaster section of foliate scroll frieze
£560 -
Strand-on-the-Green by Hubert Williams (1905-1989)
£550Strand-on-the-Green by Hubert Williams (1905-1989)
Strand-on-the-Green. Hubert Williams was an accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed£550 -
Plaster bust of Milton
£550 -
An English cast plaster relief panel,
£545An English cast plaster relief panel,
the richly ornamented frieze cast with an acanthus clasp issuing four successive fruiting and flowering acanthus scrolls,£545 -
Aspirin – a steel molecular sculpture
£530Aspirin – a steel molecular sculpture
the polished spheres and rods of the molecule C9H8O4 held on a single suspension point,£530 -
The Cornfield by John Constable
£520The Cornfield by John Constable
Mezzotint by David Lucas printed for a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. Much foxing on the border. Framed£520 -
A large English library globe,
£520A large English library globe,
the 19" globe with chromed semi-meridian, mounted on a turned, stained beechwood base, marked and stained with age and use,£520 -
Vitamin C – a steel molecular sculpture
£500Vitamin C – a steel molecular sculpture
the polished spheres and rods of the molecule C6H8O6 held on a single suspension point,£500 -
Set of four Victorian lion’s masks
£500 the set -
Nineteenth century portrait of Mrs Taylor
£950£495Nineteenth century portrait of Mrs Taylor
oil on canvas in period gilt frame by Rowley of Kensington. Mrs Taylor was wife of Major Taylor and aunt of Elizabeth Bray.£950£495 -
An English cast plaster of the head and fore-paws of “The Eygptian Lion”,
£485An English cast plaster of the head and fore-paws of “The Eygptian Lion”,
the lioness with bulbous eyes and soporific expression, flanked by large paws, can be wall-hung,£485 -
Collingwood Street, Blackfriars by Hubert Williams (1905-1989)
£480Collingwood Street, Blackfriars by Hubert Williams (1905-1989)
Collingwood Street, Blackfriars. Hubert Williams was an accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed£480 -
Easter Monday or the Cockney Hunt, by Thomas Rowlandson (1757–1827),
£480Easter Monday or the Cockney Hunt, by Thomas Rowlandson (1757–1827),
dated July 14, 1817. Framed£480 -
Original 1862 map of the City of London,
£480 -
Elm number nine 2019
£480Elm number nine 2019
This drawing is one of a series of drawings that represented each of trees of ‘Nine Elms’ in Vauxhall, created to celebrate the planting of two new elms in 2018.£480 -
Vallinin – a steel molecular sculpture
£475Vallinin – a steel molecular sculpture
the polished spheres and rods of the molecule C8H8O3 held on a single suspension point,£475 -
A late Victorian carved Bath stone amorino head
£475A late Victorian carved Bath stone amorino head
turning slightly, delicately carved in limestone with curly locks and with flanking cherubic wings, emerging from a backing block,£475 -
A late Victorian carved Bath stone amorino head
£475A late Victorian carved Bath stone amorino head
turning slightly, delicately carved in limestone with curly locks and with flanking cherubic wings, emerging from a backing block,£475 -
A late Victorian carved Bath stone amorino head
£475A late Victorian carved Bath stone amorino head
turning slightly, delicately carved in limestone with curly locks and with flanking cherubic wings, emerging from a backing block,£475 -
A late Victorian carved Bath stone amorino head
£475A late Victorian carved Bath stone amorino head
turning slightly, delicately carved in limestone with curly locks and with flanking cherubic wings, emerging from a backing block,£475 -
Gilt-bronze model of Ceres,
£475Gilt-bronze model of Ceres,
modelled seated holding torch aloft in one hand and with a sheaf of wheat in the other, on plinth base. Italian, nineteenth century.£475 -
The head of Cleopatra VII (or a Ptolemaic lady),
£465The head of Cleopatra VII (or a Ptolemaic lady),
the female head, her hair elaborately coiffured, the head mounted on a block of Ashburton marble,£465 -
Sir Henry Irving
£450 -
The Customs House by Thomas Bush Hardy
£450The Customs House by Thomas Bush Hardy
Showing the Pool of London with the Customs House. Signed, framed in dark wood.£450 -
Still-life of Fruit
£450 -
Tower Bridge by Roland Langmaid RA
£450Tower Bridge by Roland Langmaid RA
A highly accomplished engraver, painter in oils and watercolours Roland Langmaid joined the Royal Navy in 1910 and went to sea at the beginning of the World War I serving at the Dardenelles in HMS “Agamemnon” where he made official sketches for landings. After the war Langmaid studied at the Royal Academy Schools and the Royal College of Art.£450 -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
George Braque lithograph published for Verve, vol. VIII No 31/32
£450 eachGeorge Braque lithograph published for Verve, vol. VIII No 31/32
Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.£450 each -
Bacon’s large print map of London,
£450Bacon’s large print map of London,
A large print map of London and suburbs published by G. W Bacon & Co. ltd.£450 -
An Art Deco composition stone lion mask,
£450 -
Nineteenth century bronze of the Heroic Putti,
£650£450Nineteenth century bronze of the Heroic Putti,
modelled holding shield and sword aloft on circular Aswan marble plinth base, possibly German, after the originals from the Mariensäule column in Munich by Ferdinand Murmann.£650£450 -
One of a series of plans and drawings referred to in the third report from the select committee upon the improvement of the Port of London
£450One of a series of plans and drawings referred to in the third report from the select committee upon the improvement of the Port of London
A framed print showing Plate XXI - "Copy of a design by Sir Christopher Wren, for re-building the City of London after the Great Fire in 1666, from an original in the library of All-Soul's College, Oxford"£450 -
A hand-worked copper tray of intricate design,
£430A hand-worked copper tray of intricate design,
of octagonal form, pressed, pierced, punched and chased with varied foliate motifs,£430 -
Kingston by Hubert Williams (1905-1989)
£425Kingston by Hubert Williams (1905-1989)
Chalk drawing of Kingston Bridge beautifully capturing the passage of traffic and people. Signed. Framed£425 -
An English plaster relief-cast figurative roundel,
£425An English plaster relief-cast figurative roundel,
the seated female figure modelled in relief proffering grapes to a needy putto,£425 -
All Hallows, Barking by the Tower by Hubert Williams (1905-1989)
£420All Hallows, Barking by the Tower by Hubert Williams (1905-1989)
All Hallows, Barking by the Tower. Hubert Williams was an accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed£420 -
Steeple of St Mary-Le-Bow, Cheapside by Hubert Williams (1905-1989)
£420Steeple of St Mary-Le-Bow, Cheapside by Hubert Williams (1905-1989)
Steeple of St Mary-Le-Bow, Cheapside. Hubert Williams was an accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed£420
Featured Items
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An Edwardian stained glass church window depicting Moses
£3,540An Edwardian stained glass church window depicting Moses
the rectangular leaded panel of the standing bearded figure with a spectacular halo, wearing long robes and bearing the two stone tablets numbered for The Commandments, the figure dropped into a field of obscured-glass rectangular panes and mounted in a steel frame,£3,540 -
An Edwardian stained glass church window depicting David playing the harp for Saul
£1,950An Edwardian stained glass church window depicting David playing the harp for Saul
the rectangular leaded panel of the crouching David playing his harp, while the throned Saul and his retinue are captivated by the music; the group dropped into a field of obscured-glass rectangular panes and mounted in a steel frame,£1,950 -
An Edwardian stained glass church window depicting Moses presenting the Commandments to the Israelites
£1,950An Edwardian stained glass church window depicting Moses presenting the Commandments to the Israelites
the rectangular leaded panel of the standing bearded figure with a spectacular halo, attired in robes and carrying the tablets numbered for The Commandments, a group listen on; the group dropped into a field of obscured-glass rectangular panes and mounted in a steel frame,£1,950 -
A noteworthy pair of Edwardian stained glass church windows depicting Calvin and Knox – the great Reformers
£12,000A noteworthy pair of Edwardian stained glass church windows depicting Calvin and Knox – the great Reformers
each rectangular leaded panel depicting the respective bearded theologian carrying a book, wearing long fur-lined robes and standing within a decorated interior framed with gothic tracery and mounted in a steel frame; the Calvin panel bearing the artist's signature for the series: "Designed and Executed by Andrew Stoddart, The Studio, Long Row, Nottingham",£12,000