17 items found
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A Victorian carved oak pulpit
£7,200A Victorian carved oak pulpit
the hexagonal section podium carved to four sides with pierced arcades and gothic ornament and raised on six hexagonal section posts, together with a framed reproduction of the Waterhouse drawings for the pulpit (held at The RIBA Library),£7,200 -
Nineteenth century carved mahogany chest
£6,500Nineteenth century carved mahogany chest
the front centred by a cartouche composed of c-scrolls and foliage, flanked by foliate panels, the sides with large lacquered brass carry handles and further foliate panels, on blind fret-cut trellis frieze with rectangular paterae to each corner, above rocaille apron, exuberantly carved throughout in choice timber, some minor losses.£6,500 -
An Indian carved teak bed head
£1,950An Indian carved teak bed head
the upper section with four pierced arcades, carved in relief with dense foliate ornament£1,950 -
Mid-twentieth century steel wine cage,
£1,250 -
A Victorian Gothic ebonised oak pedestal
£765A Victorian Gothic ebonised oak pedestal
octagonal in plan with arcades of pierced tracery supporting the top and mid platforms,£765 -
Pair of gilt-brass wall brackets,
£500 the pair -
A mid-Victorian cast-iron umbrella stand,
£475A mid-Victorian cast-iron umbrella stand,
the pierced back cast as a dolphin and trident, flanked by pilasters supporting the shaped hoop above the drip-tray with removable pan,£475 -
A late Victorian cast-iron umbrella stand,
£435A late Victorian cast-iron umbrella stand,
the back panel a depiction in relief of a Boer War era British infantryman, the legend below reading 'THE MAN IN KHAKI'; complete, overpainted in black gloss with some loss to paint,£435 -
Victorian brass and iron umbrella stand
£375Victorian brass and iron umbrella stand
intended for use in a corner, with brass finials, c.1890£375 -
A mid-Victorian decoupage screen
£355A mid-Victorian decoupage screen
three sections - canvas and timber overlaid with hand-cut and pasted printed images£355 -
William Tonks and Sons brass and iron umbrella stand
£350William Tonks and Sons brass and iron umbrella stand
with removable drip tray, with various stamps to the underside.£350 -
Silver communion dishes on stands,
£350 eachSilver communion dishes on stands,
both engraved with sunburst detail and crucifix to centre. One is dated 1878, the other 1877. 285g£350 each -
Early twentieth century continental glass display dome,
£200
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800