8 items found
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An extraordinary run of English mahogany-veneered ship’s panelling
POAAn extraordinary run of English mahogany-veneered ship’s panelling
five large sections of curved parcel gilt panels, each comprising two short panels above two large rectangular fielded panels, a chair rail - richly relief-carved with a running guilloche moulding, and two short panels below (some as hidden cupboard doors), with a plain skirting, the vertical intervals panelled with low mouldings in corresponding registers; the fielded panels quartered and book-match veneered, the raised mouldings carved with lambrequin ornament, stamped to the rear "Mellier & Co."POA -
An extraordinary run of English walnut-veneered ship’s panelling
£16,500 the lotAn extraordinary run of English walnut-veneered ship’s panelling
two large sections of panelling, each centred with a rectangle - quartered with book-matched veneer - and flanked by a pair of smaller rectangles, similarly veneered and incorporated within pronounced raised bead-and-reel carved mouldings, plus two further sections of panelling similar but with the central panel omitted, to make a ten metre run and some other associated parts,£16,500 the lot -
A vast English pine room divider – an eleven-leaf movable panelled wall,
£12,000A vast English pine room divider – an eleven-leaf movable panelled wall,
ten leaves with three raised and fielded panels to each side, one panel blind, most hinged to both edges, four with facility for track suspension with a bogeyed dolly to the top edge, the closing pair with recessed door furniture,£12,000 -
A George III style pine panelled room
£12,000 + VATA George III style pine panelled room
the raised and fielded panels with a carved cornice with foliate and dentil registers above a chair rail and conforming dado, the 46 1/2' run incorporating an arched niche with carved spandrels, shelves to the coved interior above a lower cupboard as well as an arched four panel doorway,
£12,000 + VAT -
An English giltwood and mahogany-veneered tapestry frame
£4,600An English giltwood and mahogany-veneered tapestry frame
the rectangular frame with a carved running guilloche moulding and square leafy paterae to each corner£4,600 -
An unusual run of Victorian pine balcony parapet panelling,
£4,335 the lotAn unusual run of Victorian pine balcony parapet panelling,
in four sections, vertically mitred to form two "corners", each panel cut with rectangular apertures screened with fret-cut pierced Indian-inspired ornament (later back-boarded to make "blind"), egg and dart and other mouldings run the length of the panelling, indications that the mouldings ran around an integral clock, that brackets enabled metal stanchions either for book-rests, hand-rail or safety screens, a hatch enabled ladder access,£4,335 the lot -
A section of English medieval plank & muntin oak partition wall
£3,000A section of English medieval plank & muntin oak partition wall
comprising eleven planks, flat to one side, convex to the other, to be installed alternating and lapped to form a wall,£3,000 -
Large framed hardwood panels
£250 each
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800