Latest Stock
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1920s brass escutcheons
£40 the set -
An Eighteenth Century Chinese Vase, Kangxi period.
£200An Eighteenth Century Chinese Vase, Kangxi period.
Having a flared wide rim with painted flower design, leading to slender body decorated with flower and leaf designs above stylised garden pagoda scene on a stepped base. Minor chips to the rim.£200 -
Victorian Saint Anne marble curb fender
£250 -
Set of four Empire style twin wall lights
£1,500 the set of four lightsSet of four Empire style twin wall lights
with flaming torches surmounting the tapered and reeded bodies. Re-wired and PAT tested.£1,500 the set of four lights -
George III style iron hobgrate
£950George III style iron hobgrate
the shaped and railed basket flanked by panels cast in relief depicting female statues amidst drapes of bellflowers.£950 -
Nineteenth century converted gas lantern,
£1,750Nineteenth century converted gas lantern,
with gothic fretwork banding above and below the tapered body. Now wired for electricity.£1,750 -
Nineteenth century overmantel mirror,
£3,000Nineteenth century overmantel mirror,
giltwood and composition, the frame elaborately formed of vines laden with grapes, surmounted by foliate cresting, with some losses to the composition, the plate-glass with heavy foxing.£3,000 -
A Small Blue and White transfer printed gold fish bowl.
£120A Small Blue and White transfer printed gold fish bowl.
The late nineteenth century European made porcelain bowl, produced to mimic a Chinese gold fish bowl. The wide rim designed to stop fish escaping, is decorated with blue flower heads, above a bulbous body decorated with layered flower designs. The mark on the base in the form of a simple windmill could indicate the piece was produced in Holland.£120 -
Early nineteenth century style gilt-brass hall lantern
£1,950Early nineteenth century style gilt-brass hall lantern
with scrolled bracket supports and anthemion clasps to each vertex, the three light light fitting suspended within the glazed body. Re-wired and PAT tested.£1,950 -
Small reclaimed brass chandeliers
£400 each -
Reclaimed brass Flemish chandelier
£1,200 -
Nineteenth century Verde Tinos fireplace,
£8,000Nineteenth century Verde Tinos fireplace,
the frieze centred with cartouche and trails of flowers carved in relief, raised on scrolled jambs.£8,000 -
A Victorian cast iron tiled “Parson’s grate”,
£1,180A Victorian cast iron tiled “Parson’s grate”,
the facade cast with diapered cross-hatchings in relief, interspersed with various polyform “mon”, each incorporating geometric flowerheads, the reeded border framing the rectangular aperture above the reeded rails and flanked with a pair of tiled reflector plates (no firebrick salvaged as is usual with Jeckyll stoves),£1,180 -
A Victorian cast iron “Parson’s grate”,
£675A Victorian cast iron “Parson’s grate”,
the facade cast with diapered cross-hatchings in relief, interspersed with various polyform “mon”, each incorporating Japanese inspired naturalistic plant forms and blossoming boughs, the reeded border framing the rectangular aperture with pierced fretwork to the corners above the wavy reeded rails (no firebrick salvaged as is usual with Jeckyll stoves),£675 -
Elegant nineteenth century English fossiliferous chimneypiece
£5,000Elegant nineteenth century English fossiliferous chimneypiece
of simple form with elongated corbels, carved in native limestone from the Radstock/Pomphlett mines of Plymouth, with an unusual abundance of fossils.£5,000 -
Antique Persian carpet,
£1,200Antique Persian carpet,
with worn and faded rust and blue ground, with start motif to the border. Cleaned and ready to lay.£1,200 -
George III fire grate
£5,750George III fire grate
with urn finials and serpentine railed basket, the fretwork apron with bands of Vitruvian scrollwork, the tapered standards with ball feet, c.1780.£5,750 -
George II iron and steel fire grate,
£6,250George II iron and steel fire grate,
the swept and scrolled sides joined by straight wrought bars, with fine fretwork apron on baluster standards. Restoration/refinishing included if deemed necessary – please enquire.£6,250 -
Large silver plated beef trolley
£15,000Large silver plated beef trolley
the roll-top lid opening to reveal carving board and three sauce vessels, with three oil burners below, all raised on slender cabriole legs with castors. Can be hand polished if required. Early twentieth century.£15,000 -
‘Old English’ Regency style fireplace
£3,200‘Old English’ Regency style fireplace
with elegant reeded mouldings throughout, the frieze centred by relief carved tablet depicting a tazza draped in fabric.£3,200 -
A vintage Tabriz rug,
£380A vintage Tabriz rug,
the all-over design of red flowerheads on an unusual cerulean blue ground within a triple border, the broad ivory stripe with flowers picked out in pink and light blue, low all over with the foundation fibres showing, wear to edges, cleaned,£380 -
An antique Tabriz rug,
£580An antique Tabriz rug,
the field of herati design on indigo ground with a central ivory medallion and framing spandrels within the foliate red border, low all over with wear to edges, a stitched restoration to the field, cleaned,£580 -
High Tide, Tenby.
£280High Tide, Tenby.
A framed aquatint by the English painter and printmaker James Priddey FRSA showing a group of small boats and fishing craft huddled beside the sea wall of Tenby harbour on the Pembrokeshire coast.£280 -
Large Dutch style brass chandelier,
£4,500Large Dutch style brass chandelier,
the baluster stem with vase to the middle issuing three tiers of arms, PAT tested. En-suite with stock #s 79282 & 77444.£4,500 -
Large Dutch style brass chandelier,
£4,500Large Dutch style brass chandelier,
the baluster stem with vase to the middle issuing three tiers of arms, PAT tested. En-suite with stock #s 79283 & 77444.£4,500 -
Set of five brass double hooks,
£350 the set -
Pair of gilt candle sconces
£750 -
Pair of twentieth century giltwood cornucopia
£600 -
Nineteenth century copper and brass log bin
£1,250Nineteenth century copper and brass log bin
the copper with historic patches, later adapted with lion’s paw feet and mask handles.£1,250 -
Pair of antique ‘Doulton ‘stoneware urns and pedestals,
£2,800 the pairPair of antique ‘Doulton ‘stoneware urns and pedestals,
of squat form with gadrooned body, the fielded plinths with egg and dart and guilloche bands.£2,800 the pair -
Pair of patinated brass column lamps,
£650 -
Acanthine carved gilt pelmet
£950 -
Set of three pressed copper door knobs
£250 the set -
Set of antique beehive door knobs
£450 the setSet of antique beehive door knobs
ebony with brass collars, sold as a set of three pairs.£450 the set -
Pair of twentieth century gilt brackets
£850 -
Set of patinated ‘Capstan’ door knobs
£1,100 the setSet of patinated ‘Capstan’ door knobs
nine pairs in total. Please enquire for polishing quote if required.£1,100 the set -
Pair of twentieth century gilt wall brackets
£850 -
An old galvanised watering can
£75 -
An old galvanised watering can
£75 -
An old galvanised watering can
£75 -
An old galvanised watering can
£75 -
Four large Industrial steel stacking grab boxes
£156 the fourFour large Industrial steel stacking grab boxes
each tapered cuboid box with drop handles to each short side and internal stops to allow each to stack, rather than nest,£156 the four -
A quantity of Industrial steel stacking grab boxes
£25 eachA quantity of Industrial steel stacking grab boxes
each tapered cuboid box with drop handles to each side and internal stops to allow each to stack, rather than nest,£25 each -
A quantity of Industrial steel stacking grab boxes
£22 eachA quantity of Industrial steel stacking grab boxes
each tapered cuboid box with drop handles to each side and internal stops to allow each to stack, rather than nest,£22 each -
A Victorian cast-iron bootscraper,
£180A Victorian cast-iron bootscraper,
the singular foliate upstand supporting a blade, mounted in a quatrefoil moulded drip tray£180 -
A Victorian cast-iron bootscraper,
£300 -
English decorative lead window boxes
£175 eachEnglish decorative lead window boxes
each long cuboid planter decorated to all four sides with relief castings£175 each -
A wrought iron over-door fanlight
£420A wrought iron over-door fanlight
the demi-lune window way (not glazed) constructed in rectangular bar as scrolls around a central circlet,£420 -
An French cast iron fireback
£525An French cast iron fireback
the rectangular plate with arched top above a field of relief cast rococo ornament forming a leafy cartouche,£525 -
Matched pair of French Empire side chairs,
£1,200Matched pair of French Empire side chairs,
The dark stained soft wood framed side chairs, each having a central anthemion design to top rail, flanked by horizonal volutes, one chair has wreath details the other with flower designs. The flower heads and stylized anthemion motifs continue to the s-c scroll padded arms that issue from the stuffed leather backs. The stuffed ample leather seat with shaped and carved aprons, supported on sabre back legs and carved legs to the front. French circa 1810.£1,200 -
Nineteenth century Devonian limestone chimneypiece,
£3,000Nineteenth century Devonian limestone chimneypiece,
with plain corbels to the jambs, the shelf original but of a slightly darker grade of stone.£3,000 -
Antique gilt-brass wall applique
£250 -
Pair of large Victorian curtain pole brackets
£500Pair of large Victorian curtain pole brackets
to house a pole of up to 70mm diameter. Wall projection from 27cm – 34cm.£500 -
The Age of Innocence
£3,800The Age of Innocence
A 19th Century genre painting in oils after Sir Joshua Reynolds originally entitled A Little Girl but better known as The Age of Innocence. A barefooted small child in a white dress is shown seated in a sylvan bower. Set in fine, ornate, carved and gilded Maratta frame with scalloped corners.£3,800 -
Pair of nineteenth century bronze figures of Harvest and Plenty,
£1,250 -
Edwardian opaline light
£300 -
French gilt-brass Rococo lantern
£2,200French gilt-brass Rococo lantern
each shaped panel headed by scallop shell mount, the elaborate five-light suspended fitment re-wired and PAT tested.£2,200 -
French Louis XVI style Carrara marble chimneypiece
£5,750French Louis XVI style Carrara marble chimneypiece
the frieze carved in relief with branches of laurel lied with a ribbon, the curved and stop-fluted jambs surmounted by square paterae blocks.£5,750 -
French gilt-brass cylindrical hall lantern
£2,250 -
Nineteenth century Devonian limestone column,
£2,200Nineteenth century Devonian limestone column,
the fluted shaft on plinth base. Likely a variety of Petitor.£2,200 -
Nineteenth century engraved steel and iron fire grate,
£5,250Nineteenth century engraved steel and iron fire grate,
with pierced serpentine fret and bold urn finials.£5,250 -
An English carrara marble chimneypiece
£6,125An English carrara marble chimneypiece
the rectangular shelf with canted corners and under-moulding above the plain frieze and jambs, with a bead running around the aperture and raised on block feet, together with a heavily moulded curb fender en suite£6,125 -
Edwardian opaline pendant light
£300 -
Portrait of a Lady in White Silk
£2,600Portrait of a Lady in White Silk
Late 18th Century portrait of a lady in white silk in the manner of Sir Thomas Lawrence. Set against a red backdrop within a massy gilt and carved french style frame with scoop sides decorated with flat interlacing husk-and-leaf pattern and heavy applied corners of shell-and-foliage,£2,600 -
An English aluminium and steel railway luggage rack
£350An English aluminium and steel railway luggage rack
two graduated shelves angled to hold luggage to the carriage wall,£350 -
King George V Silver Jubilee – George Charlton
£6,500King George V Silver Jubilee – George Charlton
A signed, oil on canvas view of the Royal procession along the Embankment during the Silver Jubilee of King George V in 1935. The 1902 State Landau carrying the King and Queen Mary is shown passing between the steps of the City of London School and the River Thames. This stretch of the Thames, originally known as Blackfriars Reach, was renamed King’s Reach in honour of the Sovereign in his Jubilee Year. The form of Joseph Cubitt’s historic Blackfriars Railway Bridge of 1864 (demolished 1985) can just be made out between the road bridge of 1869 and the rail bridge of 1886 by John Wolfe Barry and Henry Marc Brunel. The scholars of the City of London School can be seen waving and craning to catch a glimpse of the Royal couple as the carriage processes from St Pauls Cathedral to Buckingham Palace. The City of London School departed this site at Blackfriars in 1984 and the former school building now houses the British and European headquarters of the Financiers J.P. Morgan.£6,500 -
A George III lead pump hopper
£375A George III lead pump hopper
the box top with leafy ornament and cylindrical spout raised on a tapered up-pipe£375 -
A near pair of George III lead pump hoppers
£580A near pair of George III lead pump hoppers
each with a box top with leafy ornament and cylindrical spout raised on a tapered up-pipe£580 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
An English lead figure of a boy fishing
£1,165An English lead figure of a boy fishing
clutching his catch in a net, a dropped fish at his feet, craning to look into the water,£1,165 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500