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Prints

Bring life and colour to an interior with the inclusion of prints and art. Our selection provides a broad variety of lithographs and printed imagery. We specialise in natural history, plant and animal prints. Also collections of contemporary art including mid twentieth century artists like Picasso, Matisse and Braque. We also focus on maps of London including our local area Vauxhall, Central London and the River Thames.

855 items found

Page 1 of 9
  • LASSCO Voucher

    LASSCO Gift card

    £25£3,000 Stock code: giftcard
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    LASSCO Gift card

    Redeemable online or at any of the LASSCO stores, our gift cards are the perfect present for anyone. The LASSCO Gift Card is emailed to the recipient on a day of your choosing and they will know its from you as soon as they receive it. Need a present delivered today? Just select the amount you want to send, complete your order and the rest is taken care of.
    Stock code: giftcard
    £25£3,000
  • A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints

    £2,800 the set of eight Stock code: P01308
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    A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints

    A Rake’s Progress is a series of eight satirical engravings depicting what Hogarth called ‘modern moral subjects’.The series tells the story of Tom Rakewell, a man who inherits a fortune from his city merchant father only to fritter it away on an extravagant lifestyle which ultimately leads to his downfall.  
    Dimensions: 56cm (22") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01308
    £2,800 the set of eight
  • Little Boy Blue pantomime poster,-0

    Little Boy Blue pantomime poster

    £1,850 Stock code: 31700
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    Little Boy Blue pantomime poster

    A framed pantomime poster featuring Little Boy Blue,
    Dimensions: 228cm (89¾") High, 167cm (65¾") Wide, 3cm (1¼") Deep
    Stock code: 31700
    £1,850
  • Dick Whittington pantomime poster,-0

    Dick Whittington pantomime poster,

    £1,850 Stock code: 31701
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    Dick Whittington pantomime poster,

    A framed pantomime poster featuring Dick Whittington poster,
    Dimensions: 228cm (89¾") High, 107cm (42¼") Wide, 3cm (1¼") Deep
    Stock code: 31701
    £1,850
  • La Mosca Roja, Political Caricatures.

    £1,800 Stock code: AD1605
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    La Mosca Roja, Political Caricatures.

    A set of 68 original large Spanish political cartoon posters satirising various obscure and ephemeral political moments in the middle period of the Bourbon Restoration in The Kingdom of Spain. Sold as a complete decorative set.
    Dimensions: 80cm (31½") High, 100cm (39¼") Wide, Various sizes
    Stock code: AD1605
    £1,800
  • Henri Matisse, Nu Bleu I

    £1,750 each Stock code: P01225 K
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    Henri Matisse, Nu Bleu I

    The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'
    Dimensions: 61cm (24") High, 52cm (20½") Wide, 2.5cm (1") Deep
    Stock code: P01225 K
    £1,750 each
  • Henri Matisse, Nu Bleu II

    £1,750 each Stock code: P01225 G
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    Henri Matisse, Nu Bleu II

    The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'
    Dimensions: 61cm (24") High, 52cm (20½") Wide, 2.5cm (1") Deep
    Stock code: P01225 G
    £1,750 each
  • Henri Matisse, Nu Bleu IV

    £1,750 each Stock code: P01225 A
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    Henri Matisse, Nu Bleu IV

    The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'
    Dimensions: 61cm (24") High, 52cm (20½") Wide, 2.5cm (1") Deep
    Stock code: P01225 A
    £1,750 each
  • Henri Matisse, Nu Bleu X

    £1,750 each Stock code: P01225 D
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    Henri Matisse, Nu Bleu X

    The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'
    Dimensions: 61cm (24") High, 52cm (20½") Wide, 2.5cm (1") Deep
    Stock code: P01225 D
    £1,750 each
  • Henri Matisse, Nu Bleu V

    £1,750 each Stock code: P01225 E
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    Henri Matisse, Nu Bleu V

    The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'
    Dimensions: 61cm (24") High, 52cm (20½") Wide, 2.5cm (1") Deep
    Stock code: P01225 E
    £1,750 each
  • Henri Matisse, Nu Bleu VIII

    £1,750 each Stock code: P01225 L
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    Henri Matisse, Nu Bleu VIII

    The foreword states: 'This double number of Verve is entirely dedicated to the last works of Matisse - 1950-1954. Reproduced in colour lithography, these works have been realised by the artist with papers coloured in gouache, cut with scissors and pasted. They are shown here with drawings executed at the same time or during the preceding period. Matisse composed the cover specially for this volume. These first lithographic plates were printed during the year 1954 under his direction. The printing of the lithographs in colour by Mourlot Frères and that of the photogravure reproductions and the typography by the master printers Draeger Frères, was completed in Paris on the 28th day of July 1958.'
    Dimensions: 61cm (24") High, 52cm (20½") Wide, 2.5cm (1") Deep
    Stock code: P01225 L
    £1,750 each
  • William Powell Frith ‘The Derby Day’

    £1,450 Stock code: AD1510
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    William Powell Frith ‘The Derby Day’

    hand coloured engraving
    Dimensions: 64.5cm (25½") High, 124cm (48¾") Wide, 3cm (1¼") Deep
    Stock code: AD1510
    £1,450
  • The Pool, Whistler,

    £1,200 Stock code: AD1581
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    The Pool, Whistler,

    A framed black-line etching by the American artist and engraver James MacNeil Whistler showing the Pool of London. Taken from  'A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects', otherwise referred to as The Thames Set, the pictures were created over a period of 12 years starting in 1859 and finally published as a complete set by Ellis & Green in London in 1871.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1581
    £1,200
  • Henry Rushbury, St. Pauls from the North,

    £1,200 Stock code: AD1554 A
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    Henry Rushbury, St. Pauls from the North,

    A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1554 A
    £1,200
  • A set of four English prints-0

    A set of four English prints

    £920 the set of four Stock code: 25336
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    A set of four English prints

    each depicting four apostles or evangelists,

    Dimensions: 49cm (19¼") High, 38cm (15") Wide
    Stock code: 25336
    £920 the set of four
  • Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059 XXX
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059 XXX
    £900 each
  • Ramsgate Sands by William Powell Frith

    £900 Stock code: AD1398
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    Ramsgate Sands by William Powell Frith

    Original steel engraving published 1854. Presented in a gilt frame with lower margin title, trimmed to the image area
    Dimensions: 69cm (27¼") High, 117cm (46") Wide, 5cm (2") Deep
    Stock code: AD1398
    £900
  • Verve, 'The Last Works of Henri Matisse',-0

    Verve, ‘The Last Works of Henri Matisse’,

    £900 Stock code: 32465k
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    Verve, ‘The Last Works of Henri Matisse’,

    'Decoration - Masques' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.
    Dimensions: 46cm (18") High, 107cm (42¼") Wide
    Stock code: 32465k
    £900
  • Verve, 'The Last Works of Henri Matisse',-0

    Verve, ‘The Last Works of Henri Matisse’,

    £900 Stock code: 32465j
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    Verve, ‘The Last Works of Henri Matisse’,

    'Decoration - Fruits' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'.
    Dimensions: 46cm (18") High, 107cm (42¼") Wide
    Stock code: 32465j
    £900
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AZ
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AZ
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AX
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AX
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AS
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AS
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AP
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AP
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AN
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AN
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AB
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AB
    £900 each
  • Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821-0

    Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821

    £900 Stock code: P00791
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    Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821

    Reverse glass printing is a process whereby a print is transferred to a sheet of glass, varnished and coloured to resemble an oil painting.

    The Prince of Wales, son of King George III was introduced to his potential bride, Caroline of Brunswick out of need for money as he was in great debt. Caroline famously, short, fat, ugly and never changed her undergarments, and rarely washed. Her body odour was overwhelming.

    Caroline was very popular with the London public whilst King George was not. Every day when attending the House of Lords her coach was escorted by the cheering mob. George IV’s Coronation was to be the 29th April 1821 but Caroline was told that she would not be taking part in it. Undaunted Caroline arrived at the door of Westminster Abbey on the day demanding to be admitted, but the doors were slammed in her face.

    She died 19 days after her frustrated attempt to get into the Abbey and was buried in Brunswick, and on her coffin was inscribed… ‘CAROLINE THE INJURED QUEEN OF ENGLAND’.

    Dimensions: 32cm (12½") High, 42cm (16½") Wide, 3cm (1¼") Deep
    Stock code: P00791
    £900
  • Aquatint of Randalls Mill by John Clevelly

    Randalls Mill by John Clevely,

    £900 Stock code: p00573
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    Randalls Mill by John Clevely,

    published circa 1787.
    Dimensions: 51cm (20") High, 67.5cm (26½") Wide
    Stock code: p00573
    £900
  • The Strand, William Walcot

    £850 Stock code: AD1587
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    The Strand, William Walcot

    Framed and mounted black line etching by the artist-engraver William Walcot showing the The Strand during the construction of the Aldwych in 1924. Issued as part of Walcot's London Set at the height of his success.
    Dimensions: 29cm (11½") High, 42cm (16½") Wide, 1cm (0½") Thick
    Stock code: AD1587
    £850
  • The Army and Navy Nelson & Wellington,

    £850 Stock code: AD1589
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    The Army and Navy Nelson & Wellington,

    A hand coloured engraving By S.W. Reynolds after a painting by John Prescott Knight showing the only meeting between Arthur Wellesley Duke of Wellington and Admiral Lord Horatio Nelson, which took place in September, 1805 at the Colonial Office on Downing Street in London.
    Dimensions: 99.5cm (39¼") High, 80.5cm (31¾") Wide, 2cm (0¾") Deep
    Stock code: AD1589
    £850
  • A General Prospect of Vaux Hall Gardens. Shewing at one View the disposition of the whole Gardens. Vüe Détaillee des Jardins de Vaux Hall.

    £850 Stock code: P01259
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    A General Prospect of Vaux Hall Gardens. Shewing at one View the disposition of the whole Gardens. Vüe Détaillee des Jardins de Vaux Hall.

    Originally engraved by William Simpkins (fl.1784-1825) for Owen Manning and William Bray’s “History and Antiquities of Surrey” (1804-1814).
    Dimensions: 45cm (17¾") High, 57cm (22½") Wide, 4cm (1½") Deep
    Stock code: P01259
    £850
  • W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    £850 Stock code: AD1536 A
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    W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931) showing Old Waterloo Bridge from the Surrey shore with three steam Toshers working on the Lambeth Reach of the River Thames. Mounted and in its original frame. Old Waterloo bridge, designed and built by the engineer John Rennie was built in 1827 and stood until 1924 when the increased scour of the river, caused by the removal of the many-piered Old London Bridge, made necessary its dismantling and replacement. Signed by the artist in pencil in he margin.
    Dimensions: 36.2cm (14¼") High, 51cm (20") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 A
    £850
  • W. L Wylie R. A., Sugar boats Greenwich Reach,

    £850 Stock code: AD1536 B
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    W. L Wylie R. A., Sugar boats Greenwich Reach,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931). Signed in pencil by the artist "A view of Greenwich from the Isle of Dogs (i.e. the north-west) with figures, probably local boys, swimming off the beach in the foreground around a small lighter. The Royal Naval College is to the left and the Royal Observatory high in the background above the Park and the riverside town centre of Greenwich proper. In the centre cargo ships are unloading sugar into lighters alongside, in the deep-water mooring tier between Greenwich and Deptford. The atmosphere beyond over the shoreline is one of industrial haze through which a Thames barge, chimneys and a crane can be seen. Astern of the ships small steamers cluster off Greenwich Pier." National Maritime Museum listing.
    Dimensions: 29.5cm (11½") High, 47.8cm (18¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 B
    £850
  • Alderney Street by J. M. Whistler

    £850 Stock code: AD1551 1
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    Alderney Street by J. M. Whistler

    A mounted black line etching in original frame by James McNeill Whistler printed in black ink on ivory laid paper. First published in the "Gazette des Beaux-Arts," in 1881 it depicts Alderney Street in Pimlico. First state of two. The sparing using of line and sketch-like quality in the image reflects an adherence to the theories of Frances Seymour Hayden, the champion and initiator of the late 19th Century 'Etching Revival', who advocated the use of a "learned omission". According to this theory the fewer lines there were on a plate, "the greater would be the thought and creativity residing in each line". This would later be relevant to the thought of the Impressionist movement. A copy is kept at the Metropolitan Museum of Art in New York.
    Dimensions: 35.8cm (14") High, 30.5cm (12") Wide, 1.7cm (0¾") Deep
    Stock code: AD1551 1
    £850
  • The Reconstruction of Piccadilly, William Walcot

    £840 Stock code: AD1590
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    The Reconstruction of Piccadilly, William Walcot

    Framed and mounted black line etching by the artist-engraver William Walcot showing the rebuilding of Picadilly Circus and the Swan and Edgar building following destruction by Zeppelin raid in 1917. Issued as part of Walcot's London Set in 1924
    Dimensions: 28cm (11") High, 42cm (16½") Wide
    Stock code: AD1590
    £840
  • Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 H
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    Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 H
    £800
  • Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800
  • Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 C
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    Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 C
    £800
  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 D
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    Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 D
    £800
  • Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 C
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    Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 C
    £800
  • Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 B
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 B
    £800
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • Napoleon-Le-Grand

    £800 Stock code: P01307
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    Napoleon-Le-Grand

    Jean-Charles Pellerin (1756 - 1836) was a French illustrator, artist, and printer. Born in Epinal, France.
    Dimensions: 67.5cm (26½") High, 47.5cm (18¾") Wide, 3cm (1¼") Deep
    Stock code: P01307
    £800
  • Verve, 'The Last Works of Henri Matisse',-0

    Verve, ‘The Last Works of Henri Matisse’,

    £800 Stock code: 32465g
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    Verve, ‘The Last Works of Henri Matisse’,

    'Baigneuse dans les Roseaux' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.
    Dimensions: 46cm (18") High, 64cm (25¼") Wide
    Stock code: 32465g
    £800
  • Verve, 'The Last Works of Henri Matisse',-0

    Verve, ‘The Last Works of Henri Matisse’,

    £800 Stock code: 32465e
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    Verve, ‘The Last Works of Henri Matisse’,

    'Coquelicots' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.
    Dimensions: 46cm (18") High, 64cm (25¼") Wide
    Stock code: 32465e
    £800
  • Verve, 'The Last Works of Henri Matisse',-0

    Verve, ‘The Last Works of Henri Matisse’,

    £800 Stock code: 32465d
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    Verve, ‘The Last Works of Henri Matisse’,

    'La Negresse' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.
    Dimensions: 46cm (18") High, 64cm (25¼") Wide
    Stock code: 32465d
    £800
  • Verve, 'The Last Works of Henri Matisse',-0

    Verve, ‘The Last Works of Henri Matisse’,

    £800 Stock code: 32465b
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    Verve, ‘The Last Works of Henri Matisse’,

    'Acanthes' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.
    Dimensions: 46cm (18") High, 64cm (25¼") Wide
    Stock code: 32465b
    £800
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X N
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X N
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X M
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X M
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X L
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X L
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X K
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X K
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X I
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X I
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X G
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X G
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X F
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X F
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X D
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X D
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X A
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X A
    £795 each
  • The Battle at La Hogue

    £750 Stock code: AD1614
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    The Battle at La Hogue

    A large framed and mounted black line engraving by William Wollett afer the painting by Benjamin West showing the Anglo-Dutch naval victory at La Hogue off the coast of Normandy in 1692. " Standing in a boat at the left ... Vice Admiral George Rooke embodies heroic command with his upright posture and raised sword... Beached in the center distance is the French flagship, the Royal Sun. Actually burned and sunk a few days before this encounter, the Royal Sun is here deliberately refloated -- only to be run against the cliffs so that West might symbolize the French defeat." U.S. National Gallery of Art, Washington D.C.
    Dimensions: 71cm (28") High, 84cm (33") Wide, 34cm (13½") Deep
    Stock code: AD1614
    £750
  • Nathaniel Sparks, The Clock Tower, St. Pauls,

    £750 Stock code: AD1557 C
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    Nathaniel Sparks, The Clock Tower, St. Pauls,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby  in 1893 and is still maintained by them to this day. Signed by the artist on the plate.    
    Dimensions: 57cm (22½") High, 40.7cm (16") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 C
    £750
  • Our Fathers, To The Memory of the Nameless Killed and Wounded

    £725 the pair Stock code: AD1512
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    Our Fathers, To The Memory of the Nameless Killed and Wounded

    A set of four etchings in two frames depicting ships of war and life at sea in English history By William Wylie and accompanied by the words of Cpt. Ronald Hopwood's poem Our Fathers. William Lionel Wylie was the most distinguished marine artist of the late nineteenth and early twentieth centuries. He became almost a painter laureate to the Royal Navy, so much so that during his funeral, in a scene reminiscent of Nelson's state funeral in 1806, his body was rowed up Portsmouth Harbour in a naval cutter past battleships with dipped colours and bugles calling and quaysides lined with dockyard workers. Similarly Captain Ronald A Hopwood was described as the poet laureate of the Royal Navy by Time Magazine in 1941. His most enduring work, The Laws of the Navy, became and remains a sort of Works and Days primer for naval life, both inspiring and edifying seamen in the ways of the senior service.  After the Battle of Jutland in 1916 when the press was critical of an apparent failure by the Royal Navy to achieve a clear victory against the Imperial German Navy the Times of London published The Old Ways, a poem by Hopwood and within this was a further poem, Our Fathers which was first written during the naval manoeuvres of 1913. Wyllie, we are told, was much taken with the verses and he arranged to illustrate them with the agreement of their author as a memorial of sorts to the dead (and perhaps as an apologia for the living) of the Battle of Jutland. The seaplane depicted appears to be a short type 184 used at Gallipoli where it became the first aircraft in the world to attack an enemy ship with an air-launched torpedo. The Battleship in the next image is of the King George V class and likely to be based on HMS Audacious, which Wylie had studied previously. The poem and illustrative etchings then go back in time to the navy of Elizabeth I's time. The sailing ships depicted are galleons of the type which chased the Spanish Armada out of the channel, a scene depicted at the bottom of the first print. The second framed picture depicts naval exercises and gunnery practice, with a galleon being scraped and caulked by hand on a secluded beach in the Spanish Main. It concludes with a scene of high-technology Super-Dreadnoughts of the Queen Elizabeth class - a naval nominative choice which perhaps inspires the scheme of the whole work of reflection.
    Dimensions: 42cm (16½") High, 55cm (21¾") Wide, 2.3cm (1") Deep
    Stock code: AD1512
    £725 the pair
  • Poplar

    £650 Stock code: AD1609
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    Poplar

    An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.
    Dimensions: 50cm (19¾") High, 42cm (16½") Wide, 2cm (0¾") Thick
    Stock code: AD1609
    £650
  • St. James’s Church Clerkenwell

    £650 Stock code: AD1611
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    St. James’s Church Clerkenwell

    A framed and mounted black line etching by the English artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968) depicting St James's Church Clerkenwell. Signed in pencil by the artist. Clerkenwell contained a notorious slum at the turn of the 20h Century and was the setting for George Gissing's Novel, The Netherworld - "Opposite, the shapes of poverty-eaten houses and grimy workshops stood huddling in the obscurity. From near at hand came shrill voices of children chasing each other about – children playing at midnight between slum and gaol!"
    Dimensions: 1cm (0½") Wide
    Stock code: AD1611
    £650
  • Lambeth Bridge With Shipping

    £650 Stock code: AD1604
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    Lambeth Bridge With Shipping

    Pedestrians idle on the parapet of Old Lambeth Bridge while a steam tug passes beneath the central arch towing a Thames barge. Warehouses, wharves and houses line the Westminster shore. A Framed and mounted mixed media sketch by the artist Hubert Williams showing Old Lambeth Bridge prior to it's demolition in 1928. Signed on the plate by the artist.  
    Dimensions: 46cm (18") High, 56cm (22") Wide, 2.2cm (0¾") Deep
    Stock code: AD1604
    £650
  • Admiral Lord Nelson at Copenhagen,

    £650 Stock code: AD1588
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    Admiral Lord Nelson at Copenhagen,

    A framed mezzotint engraving of Admiral Lord Nelson at the battle of Copenhagen by Charles Turner, after John Hoppner. From the collection of Sir John Malcolm Fraser, 1st Baronet, journalist, Royal Naval captain, and vice-chairman of the Conservative Party.
    Dimensions: 72cm (28¼") High, 49.5cm (19½") Wide
    Stock code: AD1588
    £650
  • England and France, after William Hogarth published c1805-0

    England and France, after William Hogarth published c1805

    £650 the set Stock code: P00802
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    England and France, after William Hogarth published c1805

    William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.

    Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.

    In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."

    Dimensions: 56cm (22") High, 62cm (24½") Wide, 2cm (0¾") Deep
    Stock code: P00802
    £650 the set
  • St. Paul’s Cathedral from Cannon Street

    £625 Stock code: AD1520
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    St. Paul’s Cathedral from Cannon Street

    A famed drypoint engraving of a bomb-damaged St Pauls viewed from Cannon Street dated 1942 by the War Artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968). Signed and dated by the artist.
    Dimensions: 43cm (17") High, 57.5cm (22¾") Wide, 1.2cm (0½") Deep
    Stock code: AD1520
    £625
  • Captain Sir Christopher Cole,

    £605 Stock code: AD1583
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    Captain Sir Christopher Cole,

    A framed portrait engraving by George H Phillips from the painting by William Owen R.A. showing the Naval Officer an statesman Captain Sir Christopher Cole.
    Dimensions: 72cm (28¼") High, 56cm (22") Wide
    Stock code: AD1583
    £605
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 F
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    Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 F
    £600
  • Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 E
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    Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 E
    £600
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 A
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    The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 A
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600
  • Vue D’une partie du Voxhal de Londres

    £600 Stock code: P01287
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    Vue D’une partie du Voxhal de Londres

    The Temple of Comus was named… after the god of cheer and good food. The building, which, although primarily devoted to dining, allowed for the appreciation of the arts and music as well as polite conversation in civilised surroundings. Initially, the building was “classical in style, with a colonnade of Ionic columns supporting a straight entablature, topped with urn finials; the semicircle flowed in a smooth curve out of the straight colonnade of the northern range of supper-boxes.” However, the designer also incorporated Gothic arches and “broad-ramped scrolls that acted as buttresses for the dome” and other unorthodox details. “The apparent breaking of architectural rules, mingling different styles in the same building, was deliberate and entirely typical of the unorthodox design of the English Rococo, which aimed to create playful, light-hearted works.”

    Dimensions: 37.5cm (14¾") High, 50.5cm (20") Wide, 3cm (1¼") Deep
    Stock code: P01287
    £600
  • Princely Piety, or the worshippers at Wanstead,

    £595 Stock code: A080
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    Princely Piety, or the worshippers at Wanstead,

    A hand-coloured etching by the caricaturist George Cruikshank depicting the wooing of a wealthy young heiress by a cast of reprobate suitors. Upon the death of her only brother James at the age of 11 in 1805 Catherine Tylney-Long became the richest commoner in England in her own right. At the tender of of 16 the 'Wiltshire Heiress' had come into a fortune of nearly £30,000,000 in today's money. This made the poor girl a prime target for every fortune hunter and indebted rake in England who wished to clear his creditors. The law as it stood in the early 19th Century had degenerated to such a degree that, under the principle of coverture, it denied a married woman any property at all in her own right while her legal existence as a feme covert was entirely subsumed in that of her husband. This left the wealthy orphan daughter of Sir James Tylney long, 7th Baronet in a difficult and precarious position, caught between the social stigma attached to unmarried womanhood and the appeals of a host of insinuating cads seeking her hand in marriage. Here Cruikshank depicts the many and assorted indigent suitors for the hand of the wealthy heiress. To the left of the dais are shown Lord Kilworth and William Wesley-Pole, later 4th Earl of Mornington a dissipated Anglo-Irish nobleman, who dueled over the courtship of Catherine. Kneeling at the foot of the steps we may also see the figure of Romeo Coates, unintentionally comic actor and 'improver' of Shakespeare included apparently 'not because of his pretensions, but his boasts and wishes'. Above him we see the fop and jobbing playwright, Sir Lumley Skeffington laying his poetic efforts at the feet of the heiress. On the right hand we see The Duke of Clarence, later William IV who by this point had debts of many hundreds of thousands of pounds holding back Baron-de-Geramb, a Spanish military adventurer and suspected Napoleonic spy who later became a Trappist monk where he used his position as procurator-general of that ancient order to defray his personal expenses. Above the Duke we see reproving the figure of Mrs Jordan, his 'common-law' wife with whom he had fathered many children at his retreat of Bushey Park. The farcical presentation of the situation belies it's tragic outcome. Perhaps cajoled by just such unkind insinuations as are repeated in this caricature Catherine would choose the worst-of-the-bunch, William Wesley-Pole, as her preferred suitor. William Wesley-Pole-Tylney-Long, as he became by Royal Licence in 1812, was an unredeemed rake and not only abused and impoverished his saintly young wife but also passed her a debilitating infection and caused her family seat at Wanstead House to be demolished and sold for salvage. After a short and unhappy marriage Catherine died at the age of only 35 after receiving a final brutal letter from her estranged husband, the contents of which apparently caused her to have some form of seizure. Frustrated in his efforts to gain custody of their son William, on whom the family fortune had devolved, William Pole Tylney-Long-Wellesley, 4th Earl of Mornington (the final name by which he was known) died in 1857 unwept, unhonoured and unsung if also unrepentant. His obituary in the Morning Star described him as "A spendthrift, a profligate, and a gambler in his youth, he became debauched in his manhood... redeemed by no single virtue, adorned by no single grace, his life gone out even without a flicker of repentance".
    Dimensions: 32.5cm (12¾") High, 51.5cm (20¼") Wide
    Stock code: A080
    £595
  • Black Hill, by Gordon House

    £575 each Stock code: P01061 F
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    Black Hill, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 F
    £575 each
  • Black Hill, Pages, by Gordon House

    £575 each Stock code: P01061 H
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    Black Hill, Pages, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 H
    £575 each
  • Black Hill, Rostra, by Gordon House

    £575 each Stock code: P01061 D
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    Black Hill, Rostra, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 D
    £575 each
  • Black Hill, Work Shop, by Gordon House

    £575 each Stock code: P01061 A
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    Black Hill, Work Shop, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 A
    £575 each
  • Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    £570 Stock code: AD1557 A
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    Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.
    Dimensions: 59.1cm (23¼") High, 39.9cm (15¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 A
    £570
  • Buildings & Boats

    £550 Stock code: AD1610
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    Buildings & Boats

    A framed and mounted black line etching by the artist-engraver Norman Jones RWS RE RSMA, showing a riverside wharf scene in the Lower Pool of the River Thames, possibly corresponding to the river frontage of Narrow Street, Limehouse. Signed in pencil by the artist.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1610
    £550
  • Frederick Farrell, St. Margarets Church, Westminster,

    £550 Stock code: AD1555 D
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    Frederick Farrell, St. Margarets Church, Westminster,

    A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.
    Dimensions: 45.5cm (18") High, 35.1cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 D
    £550
  • Charles Watson, Chelsea

    £550 Stock code: AD1559
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    Charles Watson, Chelsea

    A framed and mounted etching by the English artist Charles Watson (1846-1927) depicting the foreshore at Chelsea with two barges at low tide. In the distance is shown the tower of Chelsea Old Church and a part of Old Battersea Bridge, replaced in 1890. The vantage is from close to the current site of the Chelsea Yacht and Boat Yard. Signed on the plate.
    Dimensions: 31cm (12¼") High, 41cm (16¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1559
    £550
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 J
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 J
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 G
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 G
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 F
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 F
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 E
    Add to Wishlist

    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 E
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 D
    Add to Wishlist

    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 D
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 B
    Add to Wishlist

    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 B
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 A
    Add to Wishlist

    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 A
    £540 each
  • ‘A Young Poodle, but not one of the Sagacious Breed’

    £520 Stock code: P01296
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    ‘A Young Poodle, but not one of the Sagacious Breed’

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01296
    £520
  • A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.

    £520 Stock code: P01295
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    A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01295
    £520
  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 P
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 P
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 O
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 O
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 N
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 N
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 M
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 M
    £500

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  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
    Add to Wishlist

    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 C
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    Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 C
    £800
  • Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 B
    Add to Wishlist

    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 B
    £800