
Art, Prints & Sculpture
Explore the full breadth of our decorative Works of Art. We have everything from numbered runs of prints and lithographs to original paintings and sketches. We specialise in London maps, including tube maps and plans of the City. Also lithographs by renowned Twentieth Century artists. You will find three dimensional sculpture in marble, bronze, plaster and more. Taxidermy and trophies are found alongside driftwood and weathervanes. Those in need of more functional pieces will discover shopkeepers and trade sign boards.
1396 items found
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Nineteenth century bronze of Napoleon Bonaparte,
£1,000 -
Cattle Drinking, George Charlton
£975Cattle Drinking, George Charlton
A farmyard scene by the artist George Charlton. The painter George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.£975 -
The Collector by Dan Hillier (1973-2024)
£950The Collector by Dan Hillier (1973-2024)
Dan Hillier captured the zeitgeist of the early noughties with his collages that combined Victorian source materials with human, animal, and arcane elements into mysterious surreal art works. Born in Oxfordshire he went on to study Illustration and Graphic Arts at Anglia Ruskin University in Cambridge, later living and working in Stoke Newington, London. Beginning to sell his prints from a market stall in East London he eventually attracting the attention of prestigious gallerists and commercial collaborators like Shakespeare’s Globe, Marc Jacobs, Louis Vuitton and the National Theatre. Dan's distinctive art graced the opening titles of the 2018 BBC drama series Requiem. He moved to Dartmoor in 2022 to be closer to his family and nature but sadly, Dan Hillier passed away in 2024 following a short illness.£950 -
“Still-life with Apples and a Ginger Jar” by Gladys Marguerite Baker (1889-1959)
£950“Still-life with Apples and a Ginger Jar” by Gladys Marguerite Baker (1889-1959)
London artist, educated at Queen’s College, St John’s Wood Art School and Royal Academy Schools, winning a silver medal for composition there. Showed at RBA, RI, NPS, in the provinces and America and frequently at RA, finally in 1947.£950 -
Middlesex by R.W. Seale, c1760
£950Middlesex by R.W. Seale, c1760
Title: 'To the Most Noble / Thomas Holles Pelham / Duke of NEWCASTLE. / Lord Lieutenant of Middlesex & Westminster, His Majesty's / Principal Secretary of State, Chancellor of the University / of Cambridge, & Knight of the Most Noble Order of y e GARTER. / This MAP of the COUNTY of MIDDLESEX / is Dedicated by his grace's most humble Servant / R.W. Seale.£950 -
Weathered antique stone head.
£950Weathered antique stone head.
possibly a Saint by repute, removed from a bomb damaged Church near Sandwich Kent after the WWII. Early nineteenth century.£950 -
Pair of nineteenth century bronze figures of Harvest and Plenty,
£950 -
A charming terracotta figure of a monk
£945A charming terracotta figure of a monk
the standing male in habit and cloak, carrying a bible in one hand and grasping his robes in the other, his chin slightly raised and his eyes half-closed in a pensive mood,£945 -
Edwardian oil on canvas of a reclining lady,
£925 -
A set of four English prints
£920 the set of four -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
George Charlton Self Portrait
£900George Charlton Self Portrait
An early pencil self portrait by the artist George Charlton. The painter George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.£900 -
Ramsgate Sands by William Powell Frith
£900Ramsgate Sands by William Powell Frith
Original steel engraving published 1854. Presented in a gilt frame with lower margin title, trimmed to the image area£900 -
French Riviera Garden, by George Charlton,
£900French Riviera Garden, by George Charlton,
Intimate scene of a lady sitting at a table in a garden on the French Riviera. Oil-on-board. Framed£900 -
Verve, ‘The Last Works of Henri Matisse’,
£900Verve, ‘The Last Works of Henri Matisse’,
'Decoration - Masques' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£900 -
Verve, ‘The Last Works of Henri Matisse’,
£900Verve, ‘The Last Works of Henri Matisse’,
'Decoration - Fruits' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'.£900 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821
£900Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821
Reverse glass printing is a process whereby a print is transferred to a sheet of glass, varnished and coloured to resemble an oil painting.
The Prince of Wales, son of King George III was introduced to his potential bride, Caroline of Brunswick out of need for money as he was in great debt. Caroline famously, short, fat, ugly and never changed her undergarments, and rarely washed. Her body odour was overwhelming.
Caroline was very popular with the London public whilst King George was not. Every day when attending the House of Lords her coach was escorted by the cheering mob. George IV’s Coronation was to be the 29th April 1821 but Caroline was told that she would not be taking part in it. Undaunted Caroline arrived at the door of Westminster Abbey on the day demanding to be admitted, but the doors were slammed in her face.
She died 19 days after her frustrated attempt to get into the Abbey and was buried in Brunswick, and on her coffin was inscribed… ‘CAROLINE THE INJURED QUEEN OF ENGLAND’.
£900 -
Randalls Mill by John Clevely,
£900 -
Grocery and Provisions shopkeepers signboards
£900 each,Grocery and Provisions shopkeepers signboards
The Brilliant Sign Co were the foremost suppliers of shop signboards from their inception in 1888 through their innovative use of V-sectioned copper lettering, as used in this run supplied to the firm ‘G.T Morgan’. This development superceded the incised wooden letter and meant that a less skilled labour force could complete the work in less time. These boards were discovered under the fascia of the Liberal Democrat's offices in Felsham Road, Putney. ‘Brilliant Signs Ltd’£900 each, -
Amazonamachy: A Classical plaster figural frieze relief,
£875Amazonamachy: A Classical plaster figural frieze relief,
the frieze modelled with battling figures - armed Greeks in helms with shields and Amazons in chitons, a rearing horse and two prone figures, all cast in deep relief£875 -
An English plaster bust of a Shepherd
£860An English plaster bust of a Shepherd
the male with wavy heir and his head turned slightly to his left, modelled wearing a tunic and raised on a waisted socle, the bust bearing the mould maker's mark "Brucciani & Co. London" to the rear and their model number "2348" to the front,£860 -
Coco de Mer nut
£850 -
The Strand, William Walcot
£850The Strand, William Walcot
Framed and mounted black line etching by the artist-engraver William Walcot showing the The Strand during the construction of the Aldwych in 1924. Issued as part of Walcot's London Set at the height of his success.£850 -
The Army and Navy Nelson & Wellington,
£850The Army and Navy Nelson & Wellington,
A hand coloured engraving By S.W. Reynolds after a painting by John Prescott Knight showing the only meeting between Arthur Wellesley Duke of Wellington and Admiral Lord Horatio Nelson, which took place in September, 1805 at the Colonial Office on Downing Street in London.£850 -
Evening Eros by Michael Quirke
£850Evening Eros by Michael Quirke
A framed oil painting depicting a night scene around London's Picadilly Circus with the Shaftesbury Memorial, 'Eros', silhouetted against the famous illumnated signage. Signed by the artist.£850 -
A General Prospect of Vaux Hall Gardens. Shewing at one View the disposition of the whole Gardens. Vüe Détaillee des Jardins de Vaux Hall.
£850A General Prospect of Vaux Hall Gardens. Shewing at one View the disposition of the whole Gardens. Vüe Détaillee des Jardins de Vaux Hall.
Originally engraved by William Simpkins (fl.1784-1825) for Owen Manning and William Bray’s “History and Antiquities of Surrey” (1804-1814).£850 -
W. L Wylie R. A., Old Waterloo Bridge from the South Bank,
£850W. L Wylie R. A., Old Waterloo Bridge from the South Bank,
An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931) showing Old Waterloo Bridge from the Surrey shore with three steam Toshers working on the Lambeth Reach of the River Thames. Mounted and in its original frame. Old Waterloo bridge, designed and built by the engineer John Rennie was built in 1827 and stood until 1924 when the increased scour of the river, caused by the removal of the many-piered Old London Bridge, made necessary its dismantling and replacement. Signed by the artist in pencil in he margin.£850 -
W. L Wylie R. A., Sugar boats Greenwich Reach,
£850W. L Wylie R. A., Sugar boats Greenwich Reach,
An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931). Signed in pencil by the artist "A view of Greenwich from the Isle of Dogs (i.e. the north-west) with figures, probably local boys, swimming off the beach in the foreground around a small lighter. The Royal Naval College is to the left and the Royal Observatory high in the background above the Park and the riverside town centre of Greenwich proper. In the centre cargo ships are unloading sugar into lighters alongside, in the deep-water mooring tier between Greenwich and Deptford. The atmosphere beyond over the shoreline is one of industrial haze through which a Thames barge, chimneys and a crane can be seen. Astern of the ships small steamers cluster off Greenwich Pier." National Maritime Museum listing.£850 -
A nineteenth century carved diorama of a theatrical scene.
£850A nineteenth century carved diorama of a theatrical scene.
The carved red lacquered shaped box giving wonderful perspective of the fourteen characters on stage, a combination of dignitaries and warriors, ready to battle, the whole scene is overlooked by a dominating warrior, the proscenium arch flanked by lanterns and further figures. Some minor loses. Qing Dynasty (1636-1911)£850 -
Picturesque Views on the River Thames by Samuel Ireland, 1792
£850Picturesque Views on the River Thames by Samuel Ireland, 1792
2 Volumes of 209 and 258 pages with 52 aquatint plates picturing views along the river Thames including Blenheim Castle, Windsor Castle, London bridges, Westminster Abbey, and The Royal Naval Hospital at Greenwich. Original half calf, marbled binding of 1792, rubbed and worn with faint spotting. Samuel Ireland produced a series of these scenic views of British rivers at the end of the 18th Century as the fear of French invasion prompted a national turn towards patriotic and contemplative representations of domestic subjects.£850 -
The Reconstruction of Piccadilly, William Walcot
£840The Reconstruction of Piccadilly, William Walcot
Framed and mounted black line etching by the artist-engraver William Walcot showing the rebuilding of Picadilly Circus and the Swan and Edgar building following destruction by Zeppelin raid in 1917. Issued as part of Walcot's London Set in 1924.£840 -
An oil on board landscape by Fyffe Christie,
£820An oil on board landscape by Fyffe Christie,
The depiction of rolling fields and animated sky realised in scrapes, dabs and flourishes of the palette knife, presented in a painted pine frame with gilt slip, signed bottom right,£820 -
An English cased scratch-built timber model of “The Guiding Star”
£820An English cased scratch-built timber model of “The Guiding Star”
the three-masted clipper, sails stowed, depicted on a naturalistic swell, the glazed case with stop-chamfered mouldings,£820 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Napoleon-Le-Grand
£800Napoleon-Le-Grand
Jean-Charles Pellerin (1756 - 1836) was a French illustrator, artist, and printer. Born in Epinal, France.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Coquelicots' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'La Negresse' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Acanthes' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
A French carved wood horse’s head,
£780 -
A mounted buffalo horn trophy
£780 -
Large oak lion mask,
£775 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a kneeling male figure. A muscular figure is shown full length and semi-seated in the Epitrapezios pose recalling the Seated Herakles of Lysippus, mentioned by the Roman poets Martial and Statius, a copy of which is held in the Metropolitan Museum of Art in New York.£750 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a male figure. The muscular figure is shown full length and front-on, contraposto, with arm upraised in a pose recollecting the Laocoon or Michaelangelo's Punishment of Tityus, now in the Royal Collecion.£750 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a kneeling male figure. The muscular figure is shown full length and front-on in a serpentine pose recalling the Laocoon and Michaelangelo's Punishment of Titus, now in the Royal Collecion.£750 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a female figure. The figure drawn full length and shown in half profile draws on the classical topos of the Bathing Venus as expressed most famously in the Farnese and Borghese Venuses as well as the Lely Venus, now held in the Royal Collection.£750 -
Early nineteenth century nude study,
£750Early nineteenth century nude study,
An early nineteenth century framed charcoal life-study of a male figure. The figure is shown heroically nude, from the front, in a full length, slightly serpentina pose with the right arm radiating from the torso. The composition is depicted contraposto and leaning on a spear or staff. The pose depicted is shows a slightly adapted and altered rendering of the famous Doryphorus, or Spear-Barer of Polykleitos. Polykleitos was known as the best sculptor of men in the ancient world, with the primary subjects of his works being male athletes with idealised body proportions. He was interested most chiefly in the mathematical proportions of the human form, which led him to write an essay the famous Kanon, on the proportions of humans. The Doryphoros is an illustration of his writings in Kanon on the symmetry between the body parts£750 -
Early nineteenth century nude study,
£750Early nineteenth century nude study,
An early nineteenth century framed charcoal life-study of a female figure. The figure, shown side-on, models the Pudica pose, an affected posture of chaste virtue, inherited from classical art.£750 -
Early nineteenth century nude study,
£750Early nineteenth century nude study,
An early nineteenth century framed charcoal life-study of a male figure. The figure is shown heroically nude, from the front, in a full length, adlocutio pose, contraposto and grasping a shaft or baton. The pose is a famous one in Classical Art, said to embody power, control and leadership, and its most famous example is the Augusto di Prima Porta in the Vatican Museums in Rome.£750 -
Early nineteenth century nude study,
£750Early nineteenth century nude study,
An early nineteenth century framed charcoal life-study of a male figure. The figure is shown from behind in full length, contraposto, with developed musculature and a sinuous, dramatic, figura serpentina recollecting the Dancing Faun of the Uffizi, and the famous Farnese Hercules.£750 -
The Battle at La Hogue
£750The Battle at La Hogue
A large framed and mounted black line engraving by William Wollett afer the painting by Benjamin West showing the Anglo-Dutch naval victory at La Hogue off the coast of Normandy in 1692. " Standing in a boat at the left ... Vice Admiral George Rooke embodies heroic command with his upright posture and raised sword... Beached in the center distance is the French flagship, the Royal Sun. Actually burned and sunk a few days before this encounter, the Royal Sun is here deliberately refloated -- only to be run against the cliffs so that West might symbolize the French defeat." U.S. National Gallery of Art, Washington D.C.£750 -
Blue Bicycle by Gary Sargeant
£750Blue Bicycle by Gary Sargeant
Framed oil on panel painting of a blue bicycle in the foreground of a derelict industrial scene by the acclaimed and widely exhibited blind painter, Gary Sergeant.£750 -
Nathaniel Sparks, The Clock Tower, St. Pauls,
£750Nathaniel Sparks, The Clock Tower, St. Pauls,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby in 1893 and is still maintained by them to this day. Signed by the artist on the plate. Presented in a black frame with a cream mount.£750 -
Our Fathers, To The Memory of the Nameless Killed and Wounded
£725 the pairOur Fathers, To The Memory of the Nameless Killed and Wounded
A set of four etchings in two frames depicting ships of war and life at sea in English history By William Wylie and accompanied by the words of Cpt. Ronald Hopwood's poem Our Fathers. William Lionel Wylie was the most distinguished marine artist of the late nineteenth and early twentieth centuries. He became almost a painter laureate to the Royal Navy, so much so that during his funeral, in a scene reminiscent of Nelson's state funeral in 1806, his body was rowed up Portsmouth Harbour in a naval cutter past battleships with dipped colours and bugles calling and quaysides lined with dockyard workers. Similarly Captain Ronald A Hopwood was described as the poet laureate of the Royal Navy by Time Magazine in 1941. His most enduring work, The Laws of the Navy, became and remains a sort of Works and Days primer for naval life, both inspiring and edifying seamen in the ways of the senior service. After the Battle of Jutland in 1916 when the press was critical of an apparent failure by the Royal Navy to achieve a clear victory against the Imperial German Navy the Times of London published The Old Ways, a poem by Hopwood and within this was a further poem, Our Fathers which was first written during the naval manoeuvres of 1913. Wyllie, we are told, was much taken with the verses and he arranged to illustrate them with the agreement of their author as a memorial of sorts to the dead (and perhaps as an apologia for the living) of the Battle of Jutland. The seaplane depicted appears to be a short type 184 used at Gallipoli where it became the first aircraft in the world to attack an enemy ship with an air-launched torpedo. The Battleship in the next image is of the King George V class and likely to be based on HMS Audacious, which Wylie had studied previously. The poem and illustrative etchings then go back in time to the navy of Elizabeth I's time. The sailing ships depicted are galleons of the type which chased the Spanish Armada out of the channel, a scene depicted at the bottom of the first print. The second framed picture depicts naval exercises and gunnery practice, with a galleon being scraped and caulked by hand on a secluded beach in the Spanish Main. It concludes with a scene of high-technology Super-Dreadnoughts of the Queen Elizabeth class - a naval nominative choice which perhaps inspires the scheme of the whole work of reflection.£725 the pair -
Steeple of St Mary-Le-Bow, Cheapside
£700Steeple of St Mary-Le-Bow, Cheapside
Pre-war pen and ink drawing showing the Steeple of St Mary-Le-Bow on Cheapside in the City of London. Signed by the artist.£700 -
An English plaster architectural relief-plaque,
£685An English plaster architectural relief-plaque,
the rectangular plaque cast in relief with a ribbon-tied drapery swag, tasseled to its edge, the plaque cast in two halves and framed with a moulded border,£685 -
An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
£685An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
the elderly bearded gentleman with his head turned slightly to his right, and wearing a berrettino on his head and the collars of the mozetto around his neck,£685 -
A cast plaster relief depicting classical figures with a tethered bull
£680A cast plaster relief depicting classical figures with a tethered bull
Cast at LASSCO Three Pigeons by Peter Hone. This relief plaque was cast from a Coade stone original – we have two similar available. Peter Hone bought the plaques from Miles D’Agar at the Furniture Cave some years ago. They are now in the collection of Sir Jacob Rothschild, We can’t find reference to the original manufacture of this design at Coade. They are undoubtedly drawn from a classical source – they look to be part of a Panathanaic frieze – and bear similarities to the Coade frieze at Ickworth House in Suffolk. The frieze designs at Ickworth were drawn from Flaxman’s illustrations to Homer. Research continues. See Alison Kelly “Mrs Coade’s Stone”, Self Publishing Asscn. 1990, pp175-7.£680 -
Large 1920s cast lion’s mask
£675 -
Set of Indian orthniological paintings on mica
£660 set of sixSet of Indian orthniological paintings on mica
Mica is a transparent mineral composed of complex mixtures of potassium silicates. The variety of mica used most frequently by these Indian artists is Muscovite (H2KAl3 Si04)3 which is found widely throughout south India. The mica is formed between strata of granite and the transparency of the material is a result of the heat and pressure created between the layers of rock during formation. Mica consists of many interlocking platelets, resulting in a laminar structure which can be split easily into thin sheets.£660 set of six -
Poplar
£650Poplar
An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.£650 -
St. James’s Church Clerkenwell
£650St. James’s Church Clerkenwell
A framed and mounted black line etching by the English artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968) depicting St James's Church Clerkenwell. Signed in pencil by the artist. Clerkenwell contained a notorious slum at the turn of the 20h Century and was the setting for George Gissing's Novel, The Netherworld - "Opposite, the shapes of poverty-eaten houses and grimy workshops stood huddling in the obscurity. From near at hand came shrill voices of children chasing each other about – children playing at midnight between slum and gaol!"£650 -
Lambeth Bridge With Shipping
£650Lambeth Bridge With Shipping
Pedestrians idle on the parapet of Old Lambeth Bridge while a steam tug passes beneath the central arch towing a Thames barge. Warehouses, wharves and houses line the Westminster shore. A Framed and mounted mixed media sketch by the artist Hubert Williams showing Old Lambeth Bridge prior to it's demolition in 1928. Signed on the plate by the artist.£650 -
Admiral Lord Nelson at Copenhagen,
£650Admiral Lord Nelson at Copenhagen,
A framed mezzotint engraving of Admiral Lord Nelson at the battle of Copenhagen by Charles Turner, after John Hoppner. From the collection of Sir John Malcolm Fraser, 1st Baronet, journalist, Royal Naval captain, and vice-chairman of the Conservative Party.£650 -
Watercolour of South Kensington Station
£650Watercolour of South Kensington Station
Framed watercolour of South Kensington underground station, painted in the mid 1920's. Captured from a window of No.1 Old Brompton Road, the viewer is shown the view looking east over the station roof and down Pelham Street towards Brompton Cross. The scene shows a winter's day with passengers climbing aboard the upper deck of K-Type Omnibus.£650 -
Perspex and brass illuminated sign
£650Perspex and brass illuminated sign
the typography signwritten, re-wired and PAT tested. Mid-twentieth century.£650 -
Glass and brass illuminated sign
£650 -
An English plaster portrait bust of a Florentine man in a slashed tunic
£645An English plaster portrait bust of a Florentine man in a slashed tunic
the young bearded gentleman naturalisitically modelled attired in a slashed tunic and raised on a socle,£645 -
An English plaster bust of Rinaldo della Luna
£645An English plaster bust of Rinaldo della Luna
the gaunt male with head turned to sinester, wearing a pleated tunic, with an indistinct description on the plinth "RINALDODELLA LVNA . ETATIS . ANNO XXVII OPVS MINI NE. MCCCCLXI" and bearing the Brucciani model number 2929,£645 -
An English plaster cast of a clam shell
£640An English plaster cast of a clam shell
the detailed cast shell with encrusted texture raised on low plinth base,£640 -
An English relief cast plaster plaque of men leading a bull
£640An English relief cast plaster plaque of men leading a bull
the rectangular panel, in the style of an antique metope,£640 -
St. Paul’s Cathedral from Cannon Street
£625St. Paul’s Cathedral from Cannon Street
A famed drypoint engraving of a bomb-damaged St Pauls viewed from Cannon Street dated 1942 by the War Artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968). Signed and dated by the artist.£625 -
An English cast plaster Corinthian order pilaster capital,
£625An English cast plaster Corinthian order pilaster capital,
the capital, three-quarter round, intended for heading an "attached column", cast over-all with formalised stiff-leaf acanthine ornament spreading to a rectangular capping plinth, cast with wire hoops to the reverse for wall-hanging if preferred,£625 -
Captain Sir Christopher Cole,
£605Captain Sir Christopher Cole,
A framed portrait engraving by George H Phillips from the painting by William Owen R.A. showing the Naval Officer an statesman Captain Sir Christopher Cole.£605 -
Pair of 19th Century Traditional Chinese Figure Paintings.
£600 the pairPair of 19th Century Traditional Chinese Figure Paintings.
Chinese pith paintings came into use for painting to satisfy the increasing demand for small, inexpensive and easily transported souvenirs, following the massive growth in the China Trade in the first quarter of the nineteenth century. Because of the nature of pith and its cellular structure, the gouache used by the Chinese sat on the surface and produced a bright and even sparkling effect.£600 the pair -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Vue D’une partie du Voxhal de Londres
£600Vue D’une partie du Voxhal de Londres
The Temple of Comus was named… after the god of cheer and good food. The building, which, although primarily devoted to dining, allowed for the appreciation of the arts and music as well as polite conversation in civilised surroundings. Initially, the building was “classical in style, with a colonnade of Ionic columns supporting a straight entablature, topped with urn finials; the semicircle flowed in a smooth curve out of the straight colonnade of the northern range of supper-boxes.” However, the designer also incorporated Gothic arches and “broad-ramped scrolls that acted as buttresses for the dome” and other unorthodox details. “The apparent breaking of architectural rules, mingling different styles in the same building, was deliberate and entirely typical of the unorthodox design of the English Rococo, which aimed to create playful, light-hearted works.”
£600 -
The George Inn, Borough High Street
£600The George Inn, Borough High Street
Typical heavy impasto work of Ben Maile painted in 1969. Framed£600
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800