Art, Prints & Sculpture
Explore the full breadth of our decorative Works of Art. We have everything from numbered runs of prints and lithographs to original paintings and sketches. We specialise in London maps, including tube maps and plans of the City. Also lithographs by renowned Twentieth Century artists. You will find three dimensional sculpture in marble, bronze, plaster and more. Taxidermy and trophies are found alongside driftwood and weathervanes. Those in need of more functional pieces will discover shopkeepers and trade sign boards.
1418 items found
Page 7 of 15
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Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Blechnum Spicant’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Blechnum Spicant’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Aspidium Phegopteris’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Aspidium Phegopteris’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Aspidium Filix’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Aspidium Filix’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Pteridium Aquilinum’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Pteridium Aquilinum’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Woodsia Ilvensis’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Woodsia Ilvensis’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Asplenium Trichomanes’
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Asplenium Trichomanes’
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Scolopendrium Vulgare’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Scolopendrium Vulgare’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Johnstonella Catharina’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Johnstonella Catharina’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Balanophylia Regia, Saphenia Titania’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Balanophylia Regia, Saphenia Titania’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Chrysaora Cyclonota’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Chrysaora Cyclonota’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Alcyonium Digitatum, Eye of Parten’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Alcyonium Digitatum, Eye of Parten’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Coryne Staurdial, Noctiluca Miliaris’,’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Coryne Staurdial, Noctiluca Miliaris’,’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Caryophyllia Smithii’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Caryophyllia Smithii’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Polypdodium Vulgare’,
£220Natural History, Original Fern Prints based on the Work of Carl Lindman. ‘Polypdodium Vulgare’,
Carl Axel Magnus Lindman was a Swedish botanist and botanical artist, who published "Bilder ur Nordens Flora" between 1901-1905.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. Thaumantias Corynetes,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. Thaumantias Corynetes,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Public and Private Life of Animals, by J. J. Grandville, ‘Les savants envoyèrent un académicien…’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Les savants envoyèrent un académicien…’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘un rat d’église’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘un rat d’église’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘la plus jolie villageoise’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘la plus jolie villageoise’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘Les études sont pénibles…’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Les études sont pénibles…’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘Grand savant’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Grand savant’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘Quand on ne tient pas à voir lever l’aurore…’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Quand on ne tient pas à voir lever l’aurore…’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘L’unfortuné crapaud’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘L’unfortuné crapaud’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘Nous vivons entre nous’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Nous vivons entre nous’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘Mendiant’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Mendiant’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville,
£220 eachPublic and Private Life of Animals, by J. J. Grandville,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘La charite, s’il vous plait, Monseigneur’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘La charite, s’il vous plait, Monseigneur’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘Les occupations de ma vie contemplative’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Les occupations de ma vie contemplative’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘la Sauterelle’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘la Sauterelle’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘la Louve mère de Rome’
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘la Louve mère de Rome’
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘ L’illustre orateur’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘ L’illustre orateur’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Public and Private Life of Animals, by J. J. Grandville, ‘ Le triomphant Criquet’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘ Le triomphant Criquet’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each -
Amedeo Modigliani portraits
£220 eachAmedeo Modigliani portraits
Amedeo Clemente Modigliani (12 July 1884 – 24 January 1920) was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures.£220 each -
Fruit Growers Guide – Portugal Quince, Durondeau, Van Mons Leon le Clerc, Gansel’s Bergamot,
£220 EachFruit Growers Guide – Portugal Quince, Durondeau, Van Mons Leon le Clerc, Gansel’s Bergamot,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Nouvelle Fulvie, Easter Beurré, Olivier de Serres,
£220 EachFruit Growers Guide – Nouvelle Fulvie, Easter Beurré, Olivier de Serres,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Muscat of Alexandria, Madresfield Court,
£220 EachFruit Growers Guide – Muscat of Alexandria, Madresfield Court,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Gascoigne’s Seedling, Sandringham,
£220 EachFruit Growers Guide – Gascoigne’s Seedling, Sandringham,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Doyenné du Comice, Beurré Superfin, Souvenir du Congrès,
£220 EachFruit Growers Guide – Doyenné du Comice, Beurré Superfin, Souvenir du Congrès,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Milton, Goldoni, Victoria, Newton, Stanwick Elruge,
£220 EachFruit Growers Guide – Milton, Goldoni, Victoria, Newton, Stanwick Elruge,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Tom Putt, Wealthy, Queen Caroline,
£220 EachFruit Growers Guide – Tom Putt, Wealthy, Queen Caroline,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Green Gage, Red Warrington, Red Champagne, Yellow Champagne, White Smith, Pitmaston Green Gage,
£220 EachFruit Growers Guide – Green Gage, Red Warrington, Red Champagne, Yellow Champagne, White Smith, Pitmaston Green Gage,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Duke of Buccleuch, Gros Colman, Lady Downe’s Seedling,
£220 EachFruit Growers Guide – Duke of Buccleuch, Gros Colman, Lady Downe’s Seedling,
Published by John Wright in 1894.£220 Each -
The Hon. Edward Boscawen
£220The Hon. Edward Boscawen
A framed and mounted three-quarter-length mezzotint portrait of Edward Boscawen (1711–1761) hero of the battle of Porto Bello during the War of Jenkins' Ear in 1739. His bravery earned him the naval nickname "Old Dreadnaught". Depicted wearing flag officer’s undress uniform and a wig. Boscawen stands on the rocky shore, and with his back to a stormy sea. A ship is visible in the distance on the left. This portrait was engraved in mezzotint by James Macardell and published by in London in 1757 by Robert Sayer. It is engraved after an original full-length painting by Sir Joshua Reynolds, which was painted between 1755 and 1757. Reynolds' painting remains in the possession of the Boscawen family under the current Lord Falmouth.£220 -
Early British natural history copper engravings – A Roe Buck, The Hart,
£220 eachEarly British natural history copper engravings – A Roe Buck, The Hart,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Merlin, The Honey Buzzard,
£220 eachEarly British natural history copper engravings – A Merlin, The Honey Buzzard,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Kite, The Mountain Falcon,
£220 eachEarly British natural history copper engravings – A Kite, The Mountain Falcon,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,
£220 eachEarly British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,
£220 eachEarly British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Jay, The Toucan, The Roller,
£220 eachEarly British natural history copper engravings – A Jay, The Toucan, The Roller,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Robin Red Breast, Sky Lark,
£220 eachEarly British natural history copper engravings – Robin Red Breast, Sky Lark,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,
£220 eachEarly British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,
£220 eachEarly British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – The Ounce, A Rompo, A Buffalo
£220 eachEarly British natural history copper engravings – The Ounce, A Rompo, A Buffalo
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – The Vulture, The Buzzard,
£220 eachEarly British natural history copper engravings – The Vulture, The Buzzard,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,
£220 eachEarly British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,
£220 eachEarly British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Turkey, A Cock, A Pheasant’,
£220 eachEarly British natural history copper engravings – A Turkey, A Cock, A Pheasant’,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Baboon, Monkeys,
£220 eachEarly British natural history copper engravings – A Baboon, Monkeys,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,
£220 eachEarly British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,
£220 eachEarly British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – The Camelopardal, A Rain Deer,
£220 eachEarly British natural history copper engravings – The Camelopardal, A Rain Deer,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Ruff, Tamatia, Coot,
£220 eachEarly British natural history copper engravings – Ruff, Tamatia, Coot,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Raven, A Crow,
£220 eachEarly British natural history copper engravings – A Raven, A Crow,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Crocodile,
£220 eachEarly British natural history copper engravings – A Crocodile,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Virginian Nightingale,
£220 eachEarly British natural history copper engravings – Virginian Nightingale,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,
£220 eachEarly British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Vauxhall Bridge by Willian Tombleson
£220Vauxhall Bridge by Willian Tombleson
Engraved by Henry Winkles from the original study by William Tombleson. Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).£220 -
Birds of New Guinea by John Gould,
£220Birds of New Guinea by John Gould,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould,
£220Birds of New Guinea by John Gould,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould,
£220Birds of New Guinea by John Gould,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould,
£220Birds of New Guinea by John Gould,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould,
£220Birds of New Guinea by John Gould,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould,
£220Birds of New Guinea by John Gould,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould ,
£220Birds of New Guinea by John Gould ,
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Birds of New Guinea by John Gould
£220Birds of New Guinea by John Gould
John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.£220 -
Picasso, lithographs,
£220Picasso, lithographs,
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£220 -
Picasso, lithographs,
£220Picasso, lithographs,
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£220 -
Picasso, lithographs
£220Picasso, lithographs
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£220 -
Plan of Vauxhall Gardens
£220Plan of Vauxhall Gardens
Originally engraved by William Simpkins (fl.1784-1825) for Owen Manning and William Bray’s “History and Antiquities of Surrey” (1804-1814).£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
The Bells,
£220The Bells,
Framed Chromolithograph by APE (Carlo Pellegrini) picturing the stage actor and impresario Henry Irving. Born into humble circumstances in the West Country, Irving went on to establish himself as a giant of the West End. During his long residence at the Lyceum, beginning with his production of The Bells in 1871, he cemented his own and his theatre company's position as the keeper and type of the English classical theatrical tradition. Irving would later became the model for Bram Stoker's Dracula and was the first actor to be conferred the honour of Knighthood. Irving died on stage in 1905 after giving the final lines of Beckett by Alfred Lord Tennyson ''Into thy hands, O Lord, into thy hands". His ashes are interred in Westminster Abbey, the first cremation prior to internment permitted at the Abbey.£220 -
The Intermezzo,
£220The Intermezzo,
Framed Chromolithograph by WH (Wallace Hester) picturing the Italian composer Pietro Mascagni. In 1890 Mascagni delighted the Italian nation with his exquisite opera 'Cavalleria Rusticana'. Written in response to a competition for young composers in 1888, Mascagni had not actually intended to finally submit his work as he doubted it's quality. The composer's wife found the draft hidden in a draw and, seeing it's worth, illicitly submitted it on his behalf on the final day of the competition. The opera was an instant and unqualified success, earning Mascagni 40 curtain calls on the first night as well as first prize in the contest and receiving a standing ovation such as the Teatro Constanzo in Rome had not seen 'in many years'. The 'intermezzo' from Cavaleria Rusticana was particularly noted for its beauty and charm and has become famous in it's own right, appearing in the soundtrack of the Martin Scorsese film 'Raging Bull'.£220 -
War And Peace,
£220War And Peace,
Framed Chromolithograph by SNAPP picturing Leo Tolstoy, Russian moralist, novelist and social theorist, author of War and Peace and Anna Karenina. Tolstoy visited England only once in his life. For sixteen days from the 2nd May 1861 he lodged with the philosopher Alexander Herzen and took in the sights of London as well as attending a reading by Charles Dickens of A Christmas Carol at St James' Hall on Piccadilly. He returned to Russia on the 17th, immediately upon learning of the emancipation of the Russian serfs by the Emperor Alexander II.£220 -
Shamrock,
£220Shamrock,
Framed chromolithograph picturing Sir Thomas Lipton, self made man, tea-merchant and founder of Lipton Tea, philanthropist and yachtsman. Sir Thomas became admired as 'the best of all losers' for his gracious and gentlemanly manner of defeat as he contested and lost 5 straight Americas cups in his yacht 'Shamrock', a standing record for failure in that contest. Inducted into the America's Cup Hall of Fame in 1993 he also inaugurated the Sir Thomas Lipton trophy, a forerunner of the football World Cup. He was admitted to the Royal Yacht Squadron shortly before his death, a great achievement for the son of an itinerant labourer born in a Gorbals tenement.£220 -
Primitive painting of Herstmonceux Castle
£220Primitive painting of Herstmonceux Castle
The brick-built Herstmonceux Castle dates from the 15th century and is situated in East Sussex four miles inland from Eastbourne. The castle was dismantled in 1777 to become a picturesque ruin until restoration in the early 20th century.£220 -
Persecution of the Saints.
£220Persecution of the Saints.
An original hand coloured etching by George Cruikshank.On 6 June 1820, Queen Caroline, estranged wife of George IV, returned from her exile on the continent, claiming her right to be crowned as Queen. The perceived harsh treatment of the Queen by the King and his Tory supporters caused her to become a figurehead for the political unrest that had been made worse by the Peterloo Massacre of 16 August 1819.In a desperate effort to rid himself of this turbulent wife George the IV ventured to have Caroline found guilty of adultery - the only legal justification for divorce at the time. All the while the King had preempitvely caused Caroline's name to be omitted from the Prayer for the Royal Family in churches throughout England.With tensions rising and both sides digging in over the contest the cause of Queen Caroline began to assume for the parties involved a symbolic and totemic significance. Queen Caroline, to the Whigs and Radicals represented injured honesty and probity in public life while her exclusion from the coronation and regal honours stood for the debasement of the constitution and the irregular, arbitrary and incompetent tyranny of the Tory loyalists. The situation was becoming so febrile that many feared political and factional violence was inevitable.Into this contest stepped William Wilberforce, the great independent MP and abolitionist campaigner. The small informal group of evangelical Christians who surrounded him in Parliament were known, perhaps mockingly, as The Saints. Wilberforce thought that by the force of his own unimpeachable integrity he could persuade Caroline to abdicate some of her rights as the Royal consort and thereby forestall what had begun to look like a revolutionary confrontation.Wilberforce attended at the Queen's residence on Portman Street in West London and presented a Motion for an Address to the Queen. He had been encouraged by Lord Brougham to believe that the Queen would accept the omission of her name from the public prayers. The Queen, standing in her rights and her honesty, flatly refused. Meanwhile the Radical London mob appears to have cajolled and roughed-up the sanctimonious delegation as they fled for their safety back to the House of Commons.As a result of the failure of Wilberforce’s attempts at mediation led to the trial of Queen Caroline and subsequent exclusion from the coronation ceremony.£220 -
A Muddy, a Sketch in Bond Street.
£220A Muddy, a Sketch in Bond Street.
A hand coloured etching by Isaac Cruikshank. A landau coach, nicknamed a 'Muddy' bespattered with grime, halts in Bond street, as two ladies look out of the window to chat with two fashionably dressed gentlemen. The coach driver is protected by a curtained seat, and two tall liveried attendants stand at the rear, eyeing the exchange archly. Before the rise and triumphant progress of Napoleon Bonaparte sparked a patriotic reaction in Britain, the circle of caricaturists and cartoonists working in London took their aim at the perceived voluptuary tendencies of the fashionable establishment in London. The French Wars and the Revolution had led to a period of social and economic hardship in Britain which seemingly left only the wealthy and well-connected untouched. Here Isaac Cruikshank takes aim at the folly and vice of a self-indulgent set. Isaac Cruikshank was the son of a dispossessed Jacobite customs inspector. After leaving Edinburgh for London in 1783 he sustained a precarious existence as an artist and caricaturist and, along with James Gillray and Thomas Rowlandson, contributed to what has been called 'the golden age of British caricature'. Isaac Cruikshank died of alcohol poisoning after a winning a drinking contest one evening in 1811. Two of his sons Isaac Robert Cruikshank, and George Cruikshank carried on the family tradition into the middle of the 19th Century.£220 -
Édouard Pignon, Cahiers D’Art collotype print
£220Édouard Pignon, Cahiers D’Art collotype print
A collotype print from 'Cahiers D'Art' printed in Paris, 1953.£220 -
An English carved hardwood industrial mould,
£220An English carved hardwood industrial mould,
the double-sided mould for the precision casting of engineered aeronautical component parts,£220 -
An English cast plaster Corinthian order pilaster capital,
£220An English cast plaster Corinthian order pilaster capital,
the half capital, intended for heading an "attached column", cast over-all with formalised stiff-leaf acanthine ornament spreading to a rectangular capping plinth, cast with wire hoops to the reverse for wall-hanging if preferred,£220 -
Crossing the Moor,
£220 -
Painter and His Pug, after William Hogarth.
£220 -
The Bruiser, after William Hogarth.
£220 -
English cast plaster pilasters,
£215 each pilasterEnglish cast plaster pilasters,
the panelled stem ornamented with an ewer issuing stylised foliate ornament and headed with a capital with opposed birds forming the volutes,£215 each pilaster -
A cast plaster plaque of a classical capital fragment,
£215A cast plaster plaque of a classical capital fragment,
the scrolled Greek ionic volute and capital mouldings cast in relief,£215 -
Persian/Indian Hunting Scene
£200 -
Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
£200Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200
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