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Art, Prints & Sculpture

Explore the full breadth of our decorative Works of Art. We have everything from numbered runs of prints and lithographs to original paintings and sketches. We specialise in London maps, including tube maps and plans of the City. Also lithographs by renowned Twentieth Century artists. You will find three dimensional sculpture in marble, bronze, plaster and more. Taxidermy and trophies are found alongside driftwood and weathervanes. Those in need of more functional pieces will discover shopkeepers and trade sign boards.

1393 items found

Page 5 of 14
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    £300 each Stock code: P01309 J
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 J
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    £300 each Stock code: P01309 I
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 I
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    £300 each Stock code: P01309 H
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 H
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    £300 each Stock code: P01309 G
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 G
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    £300 each Stock code: P01309 F
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 F
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    £300 each Stock code: P01309 E
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 E
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    £300 each Stock code: P01309 D
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 D
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    £300 each Stock code: P01309 C
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 C
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    £300 each Stock code: P01309 B
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 B
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    £300 each Stock code: P01309 A
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 A
    £300 each
  • Early nineteenth century brass spread eagle,

    £300 Stock code: 78969
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    Early nineteenth century brass spread eagle,

    the well cast spread eagle perched upon a rocky outcrop with a snake in its talons. The eagle was possible from an Empire period standard, the eagle was an iconic symbol used during the Napoleonic period
    Dimensions: 22cm (8¾") High, 33.5cm (13¼") Wide, 7cm (2¾") Deep
    Stock code: 78969
    £300
  • This England

    £300 Stock code: PS0045
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    This England

    Framed and mounted, coloured lithograph by the Anglo-Polish draughtsman and expressionist painter Feliks Topolski showing Winston Churchill and Clement Atlee on The Mall. The work forms part of the post war Prints for Schools series. The purpose of Prints for Schools was to provide schools and other public institutions with examples of work by good artists at a low cost. The lithographs were all of uniform size so that they could be interchangeable in a single frame or group of frames to allow them to be rotated. The contributing artists were chosen by a committee chaired by the art historian Herbert Read.    
    Dimensions: 69cm (27¼") High, 94cm (37") Wide, 1.5cm (0½") Deep
    Stock code: PS0045
    £300
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 33
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 33
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 31
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 31
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 22
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 22
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 21
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 21
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 17
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 17
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 15
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 15
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 14
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 14
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 12
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 12
    £300 each
  • Luba stool,

    £300 Stock code: AD1454
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    Luba stool,

    Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a kneeling female ancestor with elongated and outstretched fingertips. The deep and patterned carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.
    Dimensions: 42cm (16½") High, 33cm (13") Wide
    Stock code: AD1454
    £300
  • Harry by Sheila Steafel,

    £300 Stock code: P01110
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    Harry by Sheila Steafel,

    Framed portrait of the artist's then husband, Harry H. Corbett.
    Dimensions: 77cm (30¼") High, 66cm (26") Wide, 4cm (1½") Deep
    Stock code: P01110
    £300
  • One of a series of plans and drawings referred to in the third report from the select committee upon the improvement of the Port of London-0

    One of a series of plans and drawings referred to in the third report from the select committee upon the improvement of the Port of London

    £300 Stock code: 26946
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    One of a series of plans and drawings referred to in the third report from the select committee upon the improvement of the Port of London

    A framed print showing Plate XIII, A - Mr Dance's design - "six modifications of the general form and dimensions of a bridge of five arches"
    Dimensions: 53.5cm (21") High, 100.5cm (39½") Wide
    Stock code: 26946
    £300
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Orion’,

    £295 each Stock code: P01341 S
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Orion’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 S
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Hercules’,

    £295 each Stock code: P01341 R
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Hercules’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 R
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Cleomedes’,

    £295 each Stock code: P01341 Q
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Cleomedes’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 Q
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘Comets’,

    £295 each Stock code: P01341 P
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘Comets’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 P
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Earth’s Figure and Dimensions’,

    £295 each Stock code: P01341 O
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Earth’s Figure and Dimensions’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 O
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Mars’,

    £295 each Stock code: P01341 M
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Mars’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 M
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Milky Way’,

    £295 each Stock code: P01341 L
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Milky Way’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 L
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Kepler’,

    £295 each Stock code: P01341 K
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Kepler’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 K
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planetary System’,

    £295 each Stock code: P01341 I
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planetary System’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 I
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nomenclature of the Lunar Spots’,

    £295 each Stock code: P01341 H
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nomenclature of the Lunar Spots’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 H
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Jupiter’,

    £295 each Stock code: P01341 G
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Jupiter’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 G
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon Gibbous’,

    £295 each Stock code: P01341 E
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon Gibbous’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 E
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Tycho’,

    £295 each Stock code: P01341 C
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Tycho’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 C
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface’,

    £295 each Stock code: P01341 B
    Add to Wishlist

    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 B
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Andromeda’,

    £295 each Stock code: P01341 A
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Andromeda’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 A
    £295 each
  • Picasso, Verve 1954

    £295 Stock code: P01181 W
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 W
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 V
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 V
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 U
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 U
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 Q
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 Q
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 P
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 P
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 N
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 N
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 J
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 J
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 H
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    Picasso, Verve 1954

    Original heliograuvre print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 H
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 G
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 G
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 E
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 E
    £295
  • London Bridge

    £295 Stock code: A076A
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    London Bridge

    Published 1795 by J & J Boydell. Framed
    Dimensions: 43.5cm (17¼") High, 52.5cm (20¾") Wide, 2cm (0¾") Deep
    Stock code: A076A
    £295
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 60
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black. Showing Marsyas.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 60
    £295 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 138
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 138
    £295 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 150
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 150
    £295 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 71
    Add to Wishlist

    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 71
    £295 each
  • High Tide, Tenby.

    £280 Stock code: AD1626
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    High Tide, Tenby.

    A framed aquatint by the English painter and printmaker James Priddey FRSA showing a group of small boats and fishing craft huddled beside the sea wall of Tenby harbour on the Pembrokeshire coast.
    Dimensions: 1cm (0½") High, 1cm (0½") Wide
    Stock code: AD1626
    £280
  • St. Pauls from Cheapside

    £280 Stock code: PS0014
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    St. Pauls from Cheapside

    A framed pencil drawing by Dorothy Sweet showing the northern transept and part of the north quire aisle of St Pauls over St Pauls Churchyard, viewed from the the junction of Cheapside and Paternoster Row. Signed by the artist in pencil.    
    Dimensions: 24cm (9½") High, 16.5cm (6½") Wide
    Stock code: PS0014
    £280
  • View of the Antient Manor House of Fawkeshall

    £280 Stock code: P01054
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    View of the Antient Manor House of Fawkeshall

    Historical engraving featuring a map of the area. Presented in a Hogarth pattern frame.
    Dimensions: 24cm (9½") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01054
    £280
  • Songye Luba mask (A)

    £280 Stock code: AD1498
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    Songye Luba mask (A)

    The people of Songye are mainly known as a farming community, however they also take part in hunting and trading with other neighbouring communities. The distinct Songye style is easily recognisable in the Kifwebe mask by the mass of closely carved lines and bold shapes such as the protruding sagittal crest and X carved mouth. The intertwining of the red, black, and white colouring in these masks are said to symbolise the struggle between good (white) and evil (black and red) - the combination of these colours embodying the positive and dangerous force held within the mask. The ruggedness of the Kifwebe mask and its long raffia beard are said to symbolise the underworld and the spirits that escape from it. Further, it is believed that the sagittal crest and conical protrusion contain the magical strength of the mask.
    Dimensions: 44cm (17¼") High, 22cm (8¾") Wide, 22cm (8¾") Deep, with raffia the total length is 125.5 cm
    Stock code: AD1498
    £280
  • Keats profile portrait

    An English cast plaster portrait oval relief of John Keats,

    £280 Stock code: 44218
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    An English cast plaster portrait oval relief of John Keats,

    the oval plaque cast in relief with the portrait of the poet in profile,
    Dimensions: 42cm (16½") High, 32cm (12½") Wide
    Stock code: 44218
    £280
  • portrait roundel Eugenie

    An English cast plaster portrait roundel,

    £280 Stock code: 44216
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    An English cast plaster portrait roundel,

    the circular plaque cast in relief with the portrait of a lady in profile,
    Dimensions: 40cm (15¾") Wide
    Stock code: 44216
    £280
  • Acanthus relief plaque

    An English cast plaster relief of a scrolled acanthus frond,

    £280 Stock code: 44207
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    An English cast plaster relief of a scrolled acanthus frond,

    the square plaque centred by the relief cast leaf,
    Dimensions: 57cm (22½") High, 58cm (22¾") Wide
    Stock code: 44207
    £280
  • Parrots by Edward Lear – Tabuan Parrakeet,

    £275 Stock code: P01248 T
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    Parrots by Edward Lear – Tabuan Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 T
    £275
  • Parrots by Edward Lear – Undulated Parrakeet,

    £275 Stock code: P01248 S
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    Parrots by Edward Lear – Undulated Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 S
    £275
  • Parrots by Edward Lear – Crimson-winged Parrakeet,

    £275 Stock code: P01248 R
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    Parrots by Edward Lear – Crimson-winged Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 R
    £275
  • Parrots by Edward Lear – Crimson-winged Parrakeet,

    £275 Stock code: P01248 Q
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    Parrots by Edward Lear – Crimson-winged Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 Q
    £275
  • Parrots by Edward Lear – Long-billed Parrakeet-Maccaw,

    £275 Stock code: P01248 P
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    Parrots by Edward Lear – Long-billed Parrakeet-Maccaw,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 P
    £275
  • Parrots by Edward Lear – Dwarf Parrakeet Maccaw,

    £275 Stock code: P01248 O
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    Parrots by Edward Lear – Dwarf Parrakeet Maccaw,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 O
    £275
  • Parrots by Edward Lear – Bay-headed Parrot,

    £275 Stock code: P01248 M
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    Parrots by Edward Lear – Bay-headed Parrot,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 M
    £275
  • Parrots by Edward Lear – Paleheaded Parrakeet,

    £275 Stock code: P01248 L
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    Parrots by Edward Lear – Paleheaded Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 L
    £275
  • Parrots by Edward Lear – Barnard’s Parrakeet,

    £275 Stock code: P01248 K
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    Parrots by Edward Lear – Barnard’s Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 K
    £275
  • Parrots by Edward Lear – Brown’s Parrakeet,

    £275 Stock code: P01248 I
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    Parrots by Edward Lear – Brown’s Parrakeet,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 I
    £275
  • Parrots by Edward Lear – Greater Sulphur-crested Cockatoo,

    £275 Stock code: P01248 H
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    Parrots by Edward Lear – Greater Sulphur-crested Cockatoo,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 H
    £275
  • Parrots by Edward Lear – Baudin’s Cockatoo

    £275 Stock code: P01248 D
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    Parrots by Edward Lear – Baudin’s Cockatoo

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 D
    £275
  • Parrots by Edward Lear – Patagonian Parrakeet-Maccaw

    £275 Stock code: P01248 C
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    Parrots by Edward Lear – Patagonian Parrakeet-Maccaw

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 C
    £275
  • Parrots by Edward Lear – Salmon-crested Cockatoo

    £275 Stock code: P01248 B
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    Parrots by Edward Lear – Salmon-crested Cockatoo

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 B
    £275
  • Parrots by Edward Lear – Leadbeater’s Cockatoo,

    £275 Stock code: P01248 A
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    Parrots by Edward Lear – Leadbeater’s Cockatoo,

    Edward Lear began his career as a zoological illustrator, working in the Parrot House at London Zoo. This resulted in the publication of Illustrations of the family of Psittacidae, or parrots, the greater part of them species hitherto unfigured in 1832. The first plates for the book were issued in 1830 when he was still only 18.
    Dimensions: 73cm (28¾") High, 54cm (21¼") Wide, 3cm (1¼") Deep
    Stock code: P01248 A
    £275
  • Luba stool

    £275 Stock code: AD1447
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    Luba stool

    Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a posed female ancestor with a carved headdress. The deep and patterned carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage. The act of scarification will have often been used as a rite of passage, in order to symbolise a readiness for the pain of childbirth.
    Dimensions: 38cm (15") High, 23.5cm (9¼") Wide
    Stock code: AD1447
    £275
  • Tabwa stool

    £275 Stock code: AD1446
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    Tabwa stool

    Congolese Tabwa art has distinct similarities to that of the Luba tribe, and its stools are used also in ceremonies by the Kings and Chiefs of the community with a means of establishing power and authority. The key difference seen between the two is the Tabwa’s traditional depiction of braided hair as a carved extension of the head and checkerboard-style scarification of the woman’s body. Such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.
    Dimensions: 40cm (15¾") High, 22.5cm (8¾") Wide
    Stock code: AD1446
    £275
  • West View of Richmond from the Star & Garter

    £270 Stock code: PS0019
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    West View of Richmond from the Star & Garter

    A framed and mounted, hand coloured engraving showing the Thames valley looking west over Richmond and Twickenham from a position besides the famous Star and Garter hotel at the top of Richmond Hill.  
    Dimensions: 48cm (19") High, 59cm (23¼") Wide
    Stock code: PS0019
    £270
  • How Pickles Tried The Feat Of Making Both Ends Meet

    £270 Stock code: PS0004 12
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    How Pickles Tried The Feat Of Making Both Ends Meet

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 12
    £270
  • He Flew At The Carpet Madly And Tore It Extremely Badly

    £270 Stock code: PS0004 11
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    He Flew At The Carpet Madly And Tore It Extremely Badly

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 11
    £270
  • Which Shows How He Chose To Use A Nice Little Pair Of Shoes

    £270 Stock code: PS0004 10
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    Which Shows How He Chose To Use A Nice Little Pair Of Shoes

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 10
    £270
  • How Pickles Scurried Away To Fight Another Day

    £270 Stock code: PS0004 9
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    How Pickles Scurried Away To Fight Another Day

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 9
    £270
  • How The Rocking Horse Falls Down Flat

    £270 Stock code: PS0004 8
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    How The Rocking Horse Falls Down Flat

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 8
    £270
  • How As His Mischief Increases He Pulls Poor Bunny To Pieces

    £270 Stock code: PS0004 6
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    How As His Mischief Increases He Pulls Poor Bunny To Pieces

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 6
    £270
  • How Pickles Thought it was Jolly To Be Rough With The Poor Dolly

    £270 Stock code: PS0004 5
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    How Pickles Thought it was Jolly To Be Rough With The Poor Dolly

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 5
    £270
  • Which Shows Sad But True, How Magog Was Bitten In Two

    £270 Stock code: PS0004 4
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    Which Shows Sad But True, How Magog Was Bitten In Two

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 4
    £270
  • Which Shows How A Naughty Dog Behaves To A Gollywog

    £270 Stock code: PS0004 3
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    Which Shows How A Naughty Dog Behaves To A Gollywog

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 3
    £270
  • Which Shows Pickles Enjoys Discovering Gwen’s Best Toys

    £270 Stock code: PS0004 2
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    Which Shows Pickles Enjoys Discovering Gwen’s Best Toys

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 2
    £270
  • A Puppy Dog’s Tale

    £270 Stock code: PS0004 1
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    A Puppy Dog’s Tale

    A framed and mounted original Edwardian colour plate by the the British artist and illustrator Cecil Aldin.
    Dimensions: 44cm (17¼") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: PS0004 1
    £270
  • A Successful First Speech,

    £270 Stock code: AD1562 19
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    A Successful First Speech,

    Framed chromolithograph by SPY (Sir Leslie Ward) picturing Mr Fredrick Edwin Smith, later 1st Earl of Birkenhead, MP for Liverpool Walton and boon companion of Sir Winston Churchill until his early death. The subtitle, 'Moab is my Washpot', is from psalm 108 and is a proverbial declaration of total triumph over vanquished foes. F.E Smith is famed in Parliamentary history for his maiden speech in the House, known as 'I Warn The Government', described by the late Paul Johnson as "without question the most famous maiden speech in history, quite unprecedented, and never equalled since." In it he accused the Liberal government of arrogance, dishonesty and heavy handedness after their landslide victory at the election of 1906. He managed to catch David Lloyd George in a clear untruth and won the begrudging admiration of all sides of the house. He declared, in response to a suggestion by Lloyd George to the churches of Wales that the Tories wanted to 'introduce slavery to the hills of Wales' that: "I have no means of judging how heaven will deal with persons who think it decent to make such suggestions. The distinction drawn by the Right Hon. Gentleman is more worthy of the county court than of the Treasury Bench." He then went on famously to declare: "I venture to warn the government that the people of this country will neither forget nor forgive a party which, in the heyday of its triumph, denies to the infant Parliament of the Empire one jot or tittle of that ancient liberty of speech which our predecessors in this House vindicated for themselves at the point of the sword." He was a, according to the ONDB a 'champion of hard-drinking patriotic men' in the face of the temperance movement before his early death of cirrhosis of the liver.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 19
    £270
  • Monkeys – Full-Bottom Monkey,

    £260 Each Stock code: P01303 L
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    Monkeys – Full-Bottom Monkey,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 L
    £260 Each
  • Monkeys – Striated Monkey, Red Tailed-Monkey,

    £260 Each Stock code: P01303 K
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    Monkeys – Striated Monkey, Red Tailed-Monkey,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 K
    £260 Each
  • Monkeys – Oran Otan

    £260 Each Stock code: P01303 J
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    Monkeys – Oran Otan

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 J
    £260 Each
  • Monkeys – Great-Eared Monkey, and Fair Monkey,

    £260 Each Stock code: P01303 I
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    Monkeys – Great-Eared Monkey, and Fair Monkey,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 I
    £260 Each
  • Monkeys – Cochinchina Monkey,

    £260 Each Stock code: P01303 H
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    Monkeys – Cochinchina Monkey,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 H
    £260 Each
  • Monkeys – Oran Otan,

    £260 Each Stock code: P01303 G
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    Monkeys – Oran Otan,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 G
    £260 Each
  • Monkeys – Black Oran-Otan,

    £260 Each Stock code: P01303 F
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    Monkeys – Black Oran-Otan,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 F
    £260 Each
  • Monkeys – Dog-Faced Baboon,

    £260 Each Stock code: P01303 E
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    Monkeys – Dog-Faced Baboon,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 E
    £260 Each
  • Monkeys – Pygmy Ape, and Alpinus Ape,

    £260 Each Stock code: P01303 D
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    Monkeys – Pygmy Ape, and Alpinus Ape,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 D
    £260 Each
  • Monkeys – Hare-Lipped Monkey, and Lion-Tailed Monkey,

    £260 Each Stock code: P01303 C
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    Monkeys – Hare-Lipped Monkey, and Lion-Tailed Monkey,

    The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.
    Dimensions: 38cm (15") High, 29cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01303 C
    £260 Each

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