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  • Cottages by Croydon born artist, George Edward Handel Lucas.

    £450 Stock code: P01356
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    Cottages by Croydon born artist, George Edward Handel Lucas.

    Original painting c1880 by George Edward Handel Lucas. Presented in a washline mount with a centre and corner gilt frame.
    Dimensions: 35.5cm (14") High, 39.5cm (15½") Wide, 4.5cm (1¾") Deep
    Stock code: P01356
    £450
  • An old Malayer rug,

    £450 Stock code: 46781
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    An old Malayer rug,

    the all-over foliate pattern in pink and pale green on a dark ground; low all over, to the foundation in places, with restorations; wear to ends and sides; cleaned,
    Dimensions: 130cm (51¼") Wide, 201cm (79¼") Long
    Stock code: 46781
    £450
  • The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    £450 Stock code: P00833
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    The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    .
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 1.5cm (0½") Deep
    Stock code: P00833
    £450
  • Lead sculpture of a stork

    £450 Stock code: 78973
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    Lead sculpture of a stork

    on plinth base
    Dimensions: 59cm (23¼") High, 92cm (36¼") Wide, 19.5cm (7¾") Deep, base 52 cm wide x 4.5 cm high
    Stock code: 78973
    £450
  • Sydney R Jones, St. Mary le Bow, Cheapside,

    £450 Stock code: PS0012
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    Sydney R Jones, St. Mary le Bow, Cheapside,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.
    Dimensions: 52cm (20½") High, 32.5cm (12¾") Wide, 1.7cm (0¾") Deep
    Stock code: PS0012
    £450
  • Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    £450 Stock code: PS0223
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    Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.
    Dimensions: 46cm (18") High, 28.1cm (11") Wide, 1.7cm (0¾") Deep
    Stock code: PS0223
    £450
  • Nathaniel Sparks, Westminster from the Horseguards,

    £450 Stock code: PS0008 B
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    Nathaniel Sparks, Westminster from the Horseguards,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the North Door and Lady Chapel of Westminster Abbey viewed across Parliament Square. Signed proof impression from the only edition.
    Dimensions: 37.7cm (14¾") High, 46.5cm (18¼") Wide, 1.7cm (0¾") Deep
    Stock code: PS0008 B
    £450
  • Nathaniel Sparks, St. Botolphs Church,

    £450 Stock code: PS0009 B
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    Nathaniel Sparks, St. Botolphs Church,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.
    Dimensions: 45.3cm (17¾") High, 50cm (19¾") Wide, 1.7cm (0¾") Deep
    Stock code: PS0009 B
    £450
  • Nathaniel Sparks, St. James Palace,

    £450 Stock code: PS0009 A
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    Nathaniel Sparks, St. James Palace,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the north gatehouse of St James's Palace viewed across Pall Mall from the east side of St James's Street. Signed by the artist.
    Dimensions: 49.5cm (19½") High, 55cm (21¾") Wide, 1.7cm (0¾") Deep
    Stock code: PS0009 A
    £450
  • Nathaniel Sparks, Waterloo Bridge,

    £450 Stock code: PS0008 A
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    Nathaniel Sparks, Waterloo Bridge,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the northernmost arch of Old Waterloo Bridge with Charing Cross and Westminster bridges beyond and the Palace of Westminster in the distance. Signed by the artist.
    Dimensions: 45cm (17¾") High, 43.5cm (17¼") Wide, 1.7cm (0¾") Deep
    Stock code: PS0008 A
    £450
  • Old Maid on a Journey,

    £450 Stock code: A082
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    Old Maid on a Journey,

    An original framed hand-coloured etching and engraving by caricaturist James Gillray. The corpulent figure of the independent polymath, antiquarian and collector Miss Sarah Sophia Banks is depicted being shown into the best bedroom of an Inn followed by a grotesque retinue of gurning servants carrying her assorted baggage. Miss Banks was a prolific collector of printed emphemera including broadsheets, newspaper clippings, visiting cards, caricatures, advertisements and playbills as well as being a leading numismatist of her day. Her great library of volumes on ancient coins as well as her capacious collection of the coins themselves was gifted to the nation upon her death and are now spread over the Royal Mint, The British Library and British Museum. One of the 18th Century's brilliant but unacknowledged women, Sarah Banks was the sister of the famous botanist Joseph Banks who sailed with Captain Cook to New South Wales. According to recent scholarship as well as editing her brother's manuscripts she often conversed with him on their subjects and many of her ideas were incorporated into his writings. Perhaps puzzlingly, given the warm and close friendship which was said to exist between Gillray and his wealthy female patron, Miss Banks is depicted as a obscenely fat and ugly. One can only speculate on the nature of the comedy and manners of the time (not to mention the sense of humour of the subject) when interpreting the comic effect of this print.
    Dimensions: 33.5cm (13¼") High, 45.5cm (18") Wide, Including frame.
    Stock code: A082
    £450
  • Sir Henry Irving

    £450 Stock code: AD1414
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    Sir Henry Irving

    Originally issued as part of the Twelve Portraits series in 1899. Framed
    Dimensions: 39.5cm (15½") High, 35.5cm (14") Wide, 1.5cm (0½") Deep
    Stock code: AD1414
    £450
  • The Customs House by Thomas Bush Hardy

    £450 Stock code: AD176
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    The Customs House by Thomas Bush Hardy

    Showing the Pool of London with the Customs House. Signed, framed in dark wood.
    Dimensions: 23cm (9") High, 73cm (28¾") Wide, 3cm (1¼") Deep
    Stock code: AD176
    £450
  • Still-life of Fruit

    £450 Stock code: AA1278
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    Still-life of Fruit

    Presented in a gilt frame.
    Dimensions: 65cm (25½") High, 95cm (37½") Wide, 13cm (5") Deep
    Stock code: AA1278
    £450
  • The Works of New London Bridge by Edward William Cooke RA,

    £450 Stock code: A078
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    The Works of New London Bridge by Edward William Cooke RA,

    A hand-coloured engraving by George Cooke of a drawing by his son Edward William Cooke RA, from 'The Works of New London Bridge'. In 1800 it was first proposed that the inconvenient medieval bulk of old London bridge should be removed to ease traffic on the Thames and a competition was held to design a replacement. In 1824, the plans of the engineer Sir John Rennie were accepted and a site was chosen 180 feet west of the old bridge.  On June 15, 1825, the Lord Mayor of London, John Garratt, laid the first block of Dartmoor granite in the presence of the Duke of York. For a short time Londoners were able to view both the old bridge and the new side-by-side. It was to be a structure of 5 arches, over 928 feet long and 49 feet wide. When the new bridge was finished and opened by King William and Queen Adelaide in 1831, traffic switched to the huge new structure and the demolition commenced on the old bridge. Edward William Cooke (1811 - 1880) was a draughtsman, illustrator, wood engraver, etcher and painter of rural and coastal scenes in oil and watercolour. In this print Cooke shows new London bridge in the middle stages of construction with the forms for the arches still in place. On the far bank of the Thames the viewer can see the Fishmongers Hall, the steeple of St Magnus the Matryr church and The Monument.
    Dimensions: 1cm (0½") Wide
    Stock code: A078
    £450
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 J
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 J
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 I
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 I
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 B
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 B
    £450 each
  • A set of ten hand painted delft tiles,

    £440 the set, Stock code: 46905
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    A set of ten hand painted delft tiles,

    typical blue and white tin glazed with sea and shore scenes, no repeats, slight losses commensurate with age,
    Dimensions: 15.25cm (6") High, 15.25cm (6") Wide
    Stock code: 46905
    £440 the set,
  • The Stocks Market,

    £425 Stock code: PS0230
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    The Stocks Market,

    A mounted and gilt framed engracing depicting the Stocks Market in the City of London by Henry Fletcher after the painting by Joseph Nicholls. The Stocks Market existed between 1282 and 1737 on the current site of the Mansion House and has given it's name to the Bourses of the English speaking world. The statue, of Charles II trampling Oliver Cromwell underoot was the subject of a satirical verse from the pen of Andrew Marvell: "But a market, as some say, doth fit the King well, Who the Parliament too — and revenue doth sell; And others, to make the similitude hold. Say his Majesty too — is oft purchased and sold."
    Dimensions: 31cm (12¼") High, 45cm (17¾") Wide
    Stock code: PS0230
    £425
  • Kew Palace by Hubert Williams (1905-1989)

    £425 Stock code: AD1428
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    Kew Palace by Hubert Williams (1905-1989)

    Kew Palace. Hubert Williams was an  accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed
    Dimensions: 38cm (15") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: AD1428
    £425
  • Osaka Castle (大阪城)

    £420 Stock code: P01257 C
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    Osaka Castle (大阪城)

    Born in Kobe 1923, Yuzaburo  started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker.  After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association
    Dimensions: 49cm (19¼") High, 59cm (23¼") Wide, 3cm (1¼") Deep
    Stock code: P01257 C
    £420
  • Tenjin Festival (天神祭)

    £420 Stock code: P01257 A
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    Tenjin Festival (天神祭)

    Born in Kobe 1923, Yuzaburo  started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker.  After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association
    Dimensions: 58.5cm (23") High, 49cm (19¼") Wide, 3cm (1¼") Deep
    Stock code: P01257 A
    £420
  • Kittens and Rabbits

    £420 Stock code: AD1435
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    Kittens and Rabbits

    .
    Dimensions: 55.5cm (21¾") High, 69cm (27¼") Wide, 2cm (0¾") Deep
    Stock code: AD1435
    £420
  • All Hallows, Barking by the Tower by Hubert Williams (1905-1989)

    £420 Stock code: AD1287 D
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    All Hallows, Barking by the Tower by Hubert Williams (1905-1989)

    All Hallows, Barking by the Tower. Hubert Williams was an  accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed
    Dimensions: 60.5cm (23¾") High, 45cm (17¾") Wide, 2cm (0¾") Deep
    Stock code: AD1287 D
    £420
  • Trinity Shield stained glass

    The Trinity Shield, a leaded stained glass hanger,

    £415 Stock code: 47103
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    The Trinity Shield, a leaded stained glass hanger,

    a shield shaped light centred with the pictogram of the Holy Trinity, the central shield centred with a "Deus"  with "Est" bars linking to "Pater", "Filius" and "Sis Sits" (Spiritus Sanctus), "Non Est" linking the outer three, on a claret and indigo ground - the highlights in cadmium,  hung from wire loops,
    Dimensions: 35cm (13¾") High, 28.5cm (11¼") Wide, .5cm (0¼") Deep, not including hanging eye,
    Stock code: 47103
    £415
  • An Alphabet by William Nicholson, A was an Artist,

    £400 each Stock code: P01318 A
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    An Alphabet by William Nicholson, A was an Artist,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 A
    £400 each
  • An Alphabet by William Nicholson, B for Beggar,

    £400 each Stock code: P01318 B
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    An Alphabet by William Nicholson, B for Beggar,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 B
    £400 each
  • An Alphabet by William Nicholson, C is for Countess,

    £400 each Stock code: P01318 C
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    An Alphabet by William Nicholson, C is for Countess,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 C
    £400 each
  • An Alphabet by William Nicholson, D is for Dandy,

    £400 each Stock code: P01318 D
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    An Alphabet by William Nicholson, D is for Dandy,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 D
    £400 each
  • An Alphabet by William Nicholson, F is for Flower Girl,

    £400 each Stock code: P01318 F
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    An Alphabet by William Nicholson, F is for Flower Girl,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 F
    £400 each
  • An Alphabet by William Nicholson, G for Gentleman,

    £400 each Stock code: P01318 G
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    An Alphabet by William Nicholson, G for Gentleman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 G
    £400 each
  • An Alphabet by William Nicholson, H for Huntsman,

    £400 each Stock code: P01318 H
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    An Alphabet by William Nicholson, H for Huntsman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 H
    £400 each
  • An Alphabet by William Nicholson, I for Idiot,

    £400 each Stock code: P01318 I
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    An Alphabet by William Nicholson, I for Idiot,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 I
    £400 each
  • An Alphabet by William Nicholson, J for Jockey,

    £400 each Stock code: P01318 J
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    An Alphabet by William Nicholson, J for Jockey,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 J
    £400 each
  • An Alphabet by William Nicholson, K is for Keeper,

    £400 each Stock code: P01318 K
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    An Alphabet by William Nicholson, K is for Keeper,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 K
    £400 each
  • An Alphabet by William Nicholson, L is for Lady,

    £400 each Stock code: P01318 L
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    An Alphabet by William Nicholson, L is for Lady,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 L
    £400 each
  • An Alphabet by William Nicholson, M for Milkmaid,

    £400 each Stock code: P01318 M
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    An Alphabet by William Nicholson, M for Milkmaid,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 M
    £400 each
  • An Alphabet by William Nicholson, N for Nobleman,

    £400 each Stock code: P01318 N
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    An Alphabet by William Nicholson, N for Nobleman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 N
    £400 each
  • An Alphabet by William Nicholson, O for Ostler,

    £400 each Stock code: P01318 O
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    An Alphabet by William Nicholson, O for Ostler,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 O
    £400 each
  • An Alphabet by William Nicholson, P for Publican,

    £400 each Stock code: P01318 P
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    An Alphabet by William Nicholson, P for Publican,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 P
    £400 each
  • An Alphabet by William Nicholson, Q for Quaker,

    £400 each Stock code: P01318 Q
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    An Alphabet by William Nicholson, Q for Quaker,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 Q
    £400 each
  • An Alphabet by William Nicholson, R is for Robber,

    £400 each Stock code: P01318 R
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    An Alphabet by William Nicholson, R is for Robber,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 R
    £400 each
  • An Alphabet by William Nicholson, S for Sportsman,

    £400 each Stock code: P01318 S
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    An Alphabet by William Nicholson, S for Sportsman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 S
    £400 each
  • An Alphabet by William Nicholson, T for Trumpeter,

    £400 each Stock code: P01318 T
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    An Alphabet by William Nicholson, T for Trumpeter,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 T
    £400 each
  • An Alphabet by William Nicholson, U for Urchin,

    £400 each Stock code: P01318 U
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    An Alphabet by William Nicholson, U for Urchin,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 U
    £400 each
  • An Alphabet by William Nicholson, V is for Villain,

    £400 each Stock code: P01318 V
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    An Alphabet by William Nicholson, V is for Villain,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 V
    £400 each
  • An Alphabet by William Nicholson, W for Waitress,

    £400 each Stock code: P01318 W
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    An Alphabet by William Nicholson, W for Waitress,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 W
    £400 each
  • An Alphabet by William Nicholson, X Xylographer,

    £400 each Stock code: P01318 X
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    An Alphabet by William Nicholson, X Xylographer,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 X
    £400 each
  • An Alphabet by William Nicholson, Y is for Yokel,

    £400 each Stock code: P01318 Y
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    An Alphabet by William Nicholson, Y is for Yokel,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 Y
    £400 each
  • An Alphabet by William Nicholson, And Z for Zoologist,

    £400 each Stock code: P01318 Z
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    An Alphabet by William Nicholson, And Z for Zoologist,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 Z
    £400 each
  • Sad Sloppy Weather

    £400 Stock code: PS0037 A
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    Sad Sloppy Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a prosperous, elderly gentleman walking along a soggy pavement past mean dwellings after a rain shower. Holding a closed and reversed umbrella as a walking-stick he examines his white stockings as they become soiled with the filth of the poorly paved street.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: PS0037 A
    £400
  • Raw Weather

    £400 Stock code: PS0037 B
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    Raw Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a sour faced, skinny gentleman walking along a country road on a raw, dry, freezing, winters day. Wrapping his coat close against the biting cold he grimaces in discomfort.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: PS0037 B
    £400
  • Dreadful Hot Weather

    £400 Stock code: PS0037 C
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    Dreadful Hot Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray in which a corpulent city merchant pauses on the highway next to a milestone on which he has placed his hat and gold tipped walking stick. His waistcoat unbuttoned and holding his horsehair wig in his left hand he pauses to mop his brow all while being stung by insects beneath a burning sun. Though set in fields and near a windmill, the person of the merchant and the milestone likely indicate he is visiting a coutry tavern a short walk from London
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: PS0037 C
    £400
  • Delicious Weather

    £400 Stock code: PS0037 E
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    Delicious Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. A smartly dressed, rosy cheeked gentleman enjoys a pinch of snuff in the fine summer weather.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: PS0037 E
    £400
  • Fine Bracing Weather

    £400 Stock code: PS0037 F
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    Fine Bracing Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. A stout, well dressed, gentleman skates across a forzen pond on a clear, cold, icy early winters day.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: PS0037 F
    £400
  • Brass model of a rearing horse,

    £400 Stock code: k017
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    Brass model of a rearing horse,

    bearing similarities to Guillaume Coustou's Marley Horses.
    Dimensions: 34cm (13½") High, 41cm (16¼") Wide, 14cm (5½") Deep
    Stock code: k017
    £400
  • The Royal Hospital at Chelsea

    £395 Stock code: PS222
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    The Royal Hospital at Chelsea

    A signed watercolour and black-line pen drawing by the painter, printmaker and illustraor Hubert Williams showing the central portico of the north block of the Royal Hospital at Chelsea. Mounted and framed in an original black and gilt Hogarth Frame.
    Dimensions: 56.5cm (22¼") High, 46.5cm (18¼") Wide, 2cm (0¾") Deep
    Stock code: PS222
    £395
  • Porters Hall, by Hubert John Williams.

    £395 Stock code: P01325
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    Porters Hall, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 1cm (0½") Wide
    Stock code: P01325
    £395
  • The Pond Garden, Hampton Court, by Hubert John Williams.

    £395 Stock code: P01326
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    The Pond Garden, Hampton Court, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 47cm (18½") High, 38.5cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01326
    £395
  • The Charterhouse, by Hubert John Williams.

    £395 Stock code: P01327
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    The Charterhouse, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 57.5cm (22¾") High, 46cm (18") Wide, 2cm (0¾") Deep
    Stock code: P01327
    £395
  • St. James Palace, by Hubert John Williams.

    £395 Stock code: P01324
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    St. James Palace, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 51cm (20") High, 41cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01324
    £395
  • Eltham Palace, by Hubert John Williams.

    £395 Stock code: P01323
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    Eltham Palace, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 48cm (19") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01323
    £395
  • The George Inn, Borough High Street, by Hubert John Williams.

    £395 Stock code: P01322
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    The George Inn, Borough High Street, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 2cm (0¾") Deep
    Stock code: P01322
    £395
  • The York Watergate by Hubert John Williams.

    £395 Stock code: P01321
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    The York Watergate by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 50cm (19¾") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01321
    £395
  • Strand Lane by Hubert John Williams.

    £395 Stock code: P01320
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    Strand Lane by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 57cm (22½") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01320
    £395
  • Christchurch, Spitalfields, by Hubert John Williams.

    £395 Stock code: P01319
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    Christchurch, Spitalfields, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 57cm (22½") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01319
    £395
  • The Blackheath Golfer

    £395 Stock code: PS0072
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    The Blackheath Golfer

    A framed colour mezzotint on wove paper by Valentine Green after a painting by Lemuel Abbott showing William Innes (1760-1803) captain of the Society of Golfers at Blackheath, now known as Royal Blackheath Golf Club.
    Dimensions: 1cm (0½") Wide
    Stock code: PS0072
    £395
  • The Cobbler’s Cure for a Scolding Wife

    £395 Stock code: AD1505
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    The Cobbler’s Cure for a Scolding Wife

    A framed, hand-colored etching by Thomas Rowlandson, published by Thomas Tegg. A study in human savagery. A cobbler stands over his wife, a grimacing virago who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the thread with which he is stitching up her mouth. A buxom young woman leans delightedly over the pair, lighting the work with a small candle. Rowlandson was a chronicler of London life both low and high. Less inclined to political comment than his contemporaries Gilray and Cruikshank he chose instead to focus of the foibles, fancies and failings of common society. His drawings were always harsh and frequently grotesque, even repulsive. The figures in his work are rarely, if ever, held up for our admiration but rather in accordance with his maxim of 1802 that "Man is the only creature endowed with the power of laughter, is he not also the only one that deserves to be laughed at?" Rowlandson's designs were usually executed in outline with the reed-pen, and delicately washed with colour. They were then etched by the artist on the copper, and afterwards aqua-tinted usually by a professional engraver, the impressions being finally coloured by hand.
    Dimensions: 46cm (18") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1505
    £395
  • Awkward Squads Studying the Graces

    £395 Stock code: AD1506
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    Awkward Squads Studying the Graces

    A framed, hand-colored etching by Thomas Rowlandson after G. M. Woodward, published by Thomas Tegg. Six comic, caricatured society types are cajoled and corrected by French dancing masters into performing the steps of a fashionable new dance. By the late 18th Century the term 'awkward squad' had passed from military cant into common usage as a description of a group of raw recruits incapable of understanding discipline or not yet sufficiently trained or disciplined to properly carry out their duties. Here Rowlandson, in one of his favourite recurring themes, lampoons the modish aspirations of the would-be fashionable set as they are 'drilled' by their hired dancing masters.  
    Dimensions: 28cm (11") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1506
    £395
  • A total Eclipse, or The Moon passing the Sun’s disc

    £380 Stock code: PS0081
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    A total Eclipse, or The Moon passing the Sun’s disc

    Hand coloured line engraving by John Fairburn. King George IV's star is eclipsed by the crecent moon of Catherine of Brunswick while suspended in the sky over the Brighton Pavillion. In his right hand he holds a sack full of slanders. A commentary on the acrimonious public divorce of the King and the Queen Consort in the 1820s;
    Dimensions: 45.5cm (18") High, 35cm (13¾") Wide
    Stock code: PS0081
    £380
  • The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    £380 Stock code: P01260
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    The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    .
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 1.5cm (0½") Deep
    Stock code: P01260
    £380
  • William Lionel Wyllie, The Coal Exchange from the Monument,

    £380 Stock code: P01167
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    William Lionel Wyllie, The Coal Exchange from the Monument,

    Pencil sketch by acclaimed marine artist William Lionel Wyllie. Initialed W.L.W. framed.
    Dimensions: 38cm (15") High, 30.5cm (12") Wide, 2cm (0¾") Deep
    Stock code: P01167
    £380
  • Alexander Calder lithograph from the Crags and Critters series

    £380 Stock code: P01161 G
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    Alexander Calder lithograph from the Crags and Critters series

    Published for 'Derrière le Miroir' in 1975. Framed In October 1945, the French art dealer Aimé Maeght opened his art gallery at 13 Rue de Téhéran in Paris. His magazine 'Derrière le Miroir' was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations by the gallery artists were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions.
    Dimensions: 49cm (19¼") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01161 G
    £380
  • Alexander Calder lithograph of Three Card Players

    £380 Stock code: P01161 H
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    Alexander Calder lithograph of Three Card Players

    Published for 'Derrière le Miroir' in 1975. Framed In October 1945, the French art dealer Aimé Maeght opened his art gallery at 13 Rue de Téhéran in Paris. His magazine 'Derrière le Miroir' was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations by the gallery artists were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions.  
    Dimensions: 49cm (19¼") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01161 H
    £380
  • Lincoln's inn armorial

    An armorial leaded and stained glass hanger,

    £375 Stock code: 47077
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    An armorial leaded and stained glass hanger,

    a shield shaped light, the top quarter with a lion rampant, with a field of gold devices on blue, hung from wire loops
    Dimensions: 26cm (10¼") High, 20cm (7¾") Wide, .5cm (0¼") Deep, not including hanging eye,
    Stock code: 47077
    £375
  • heraldic stained glass

    An armorial leaded and stained glass hanger,

    £375 Stock code: 47078
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    An armorial leaded and stained glass hanger,

    a shield shaped light, a bar with three gold stars to the top, a white  chevron with three Maltese crosses and a trio of lion heads on a claret field, hung from wire loops
    Dimensions: 26cm (10¼") High, 20cm (7¾") Wide, .5cm (0¼") Deep, not including hanging eye,
    Stock code: 47078
    £375
  • An antique Maslaghan rug of small proportions,

    £375 Stock code: 46634
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    An antique Maslaghan rug of small proportions,

    of typical jagged field design, madder red with brown medallion, indigo with repeating flowerheads without, all within a triple stripe border, some wear to ends; cleaned,
    Dimensions: 76cm (30") Wide, 126cm (49½") Long
    Stock code: 46634
    £375
  • Tower of London,

    £375 Stock code: PS0044
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    Tower of London,

    Mounted and framed, coloured lithorgraph by the pos war artist and printmaker Jeremy King showing the Tower of London from Tower Bridge.
    Dimensions: 61cm (24") High, 81cm (32") Wide, 2.5cm (1") Deep
    Stock code: PS0044
    £375
  • Luba female / male stool,

    £375 Stock code: AD1451
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    Luba female / male stool,

    Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case both male and female standing figures. The male is seen with inset cowrie shell eyes, believed by many African tribes to contain divine powers.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide
    Stock code: AD1451
    £375
  • Luba stool

    £375 Stock code: AD1449
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    Luba stool

    Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a standing female ancestor. The carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.
    Dimensions: 43cm (17") High, 28.5cm (11¼") Wide
    Stock code: AD1449
    £375
  • A View of the Royal Exchange London

    £370 Stock code: PS0018
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    A View of the Royal Exchange London

    A framed and mounted hand-coloured engraving showing the Royal Exchange in its second form as designed and built by the architect Edward Jarman in 1669.
    Dimensions: 46cm (18") High, 58cm (22¾") Wide
    Stock code: PS0018
    £370
  • A View from the Old South Sea House

    £370 Stock code: A094
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    A View from the Old South Sea House

    A hand-coloured etching by the Regency satirist Richard Dighton showing the brewer James Curtis. Richard Dighton was the son and apprentice of another noted caricaturist Robert Dighton and brother of the battle-scene painter Denis Dighton. The works of Robert and Richard Dighton are regarded as predecessors of the Vanity Fair style of the late nineteenth century. The series of portraits of City and West End characters to which this etching belongs was started in 1817 and Dighton would go on to  publish a number of etchings during the next decade before retiring early to Cheltenham. This edition, of 1824, was printed by Thomas McLean Printseller & Publisher at 26 Haymarket, on the eastern side just north of Panton Street. The subject of the print, James Curtis, was a prominent and prosperous London brewer of the early 19th Century and his portrait, painted by Thomas Lawrence, now hangs in the Manchester Art Gallery. The Old South Sea House mentioned was located on the Threadneedle Street corner of Bishopsgate. The back of it apparently burned down in 1826 and was subsequently rebuilt. The building was the headquarters of the South Sea Company. Incorporated in 1711, the company was assigned a monopoly on British trade with Spanish America but, when that failed, it embarked upon a speculative scheme that ended in the economic collapse known as the ‘South Sea Bubble’ which saw many investors ruined. The building was partly remodeled in the 1850s and was eventually demolished at the end of the 19th century  
    Dimensions: 40.64cm (16") Wide, 50.8cm (20") Long
    Stock code: A094
    £370
  • Guildhall by Hubert Williams (1905-1989)

    £365 Stock code: P01152 G
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    Guildhall by Hubert Williams (1905-1989)

    Pen & Ink drawing by Hubert Williams beautifully capturing the street life of the late 1920's. Signed. Framed
    Dimensions: 53.5cm (21") High, 36.5cm (14¼") Wide
    Stock code: P01152 G
    £365
  • Company shocked at a lady getting up to ring the bell,

    £360 Stock code: A097
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    Company shocked at a lady getting up to ring the bell,

    A hand-coloured satirical etching by James Gillray, Published by Hannah Humphrey. Five men are depicted courting a wealthy widow in her luxuriously furnished breakfast parlour over boiled eggs bread and muffins. The widow has risen from her chair to pull a bell-pull while frantic efforts of the suitors to stop her have produced a sequence of disasters. Published by Gillray's long-time and eventual exclusive publisher, Hannah Humphrey. Mrs Humphrey was the sister of engraver William Humphrey and became not only an independent businesswoman in Georgian London but London's leading seller of caricature prints. She began publishing prints in the 1770s at a premises on St Martin’s Lane before moving, first to Old Bond Street, then New Bond Street before finally settling at 27 St James’s Street. James Gillray lodged with Mrs Humphrey for twenty tears from 1791 and although some suspected an illicit relationship it was in all probability a commercial and platonic friendship. Mrs Humphrey cared for Gillray as his sight failed him and later tended to him during the alcohol induced madness of his last five years of life.  
    Dimensions: 38.1cm (15") High, 49.53cm (19½") Wide
    Stock code: A097
    £360
  • stained glass armorial

    An armorial leaded and stained glass hanger,

    £355 Stock code: 47104
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    An armorial leaded and stained glass hanger,

    a shield shaped light with a trio of Crux Decussata centred with a delicately painted crown of thorns on a blue ground, hung from wire loops
    Dimensions: 24.5cm (9¾") High, 27cm (10¾") Wide, .5cm (0¼") Deep, not including hanging eye,
    Stock code: 47104
    £355
  • Pillage and Destruction of Basing House, Hants,

    £350 Stock code: PS220
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    Pillage and Destruction of Basing House, Hants,

    A Mid Victorian engraving, by the London artist and printmaker John George Murray after an original oil painting by Charles Landseer showing the plundering of Basing House during the English Civil Wars
    Dimensions: 1cm (0½") Wide
    Stock code: PS220
    £350
  • Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962

    £350 Stock code: P01337 E
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    Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962

    From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le  Déjeuner sur l’herbe.  Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.
    Dimensions: 52.5cm (20¾") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01337 E
    £350
  • Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962

    £350 Stock code: P01337 D
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    Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962

    From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le  Déjeuner sur l’herbe.  Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.
    Dimensions: 52.5cm (20¾") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01337 D
    £350
  • Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962

    £350 Stock code: P01337 C
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    Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962

    From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le  Déjeuner sur l’herbe.  Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.
    Dimensions: 52.5cm (20¾") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01337 C
    £350
  • A woodland scene oil on panel,

    £350 Stock code: 46570
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    A woodland scene oil on panel,

    a study of contorted tree roots on the woodland floor, presented in a newly made parcel gilt, waxed and painted pine frame,
    Dimensions: 41cm (16¼") High, 47.5cm (18¾") Wide, 5cm (2") Deep, frame dimensions,
    Stock code: 46570
    £350
  • A rural scene oil on panel,

    £350 Stock code: 46569
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    A rural scene oil on panel,

    the depiction of a cottage, with pond in the foreground, the painting surface crackled, presented in a newly made parcel gilt, waxed and painted pine frame,
    Dimensions: 36cm (14¼") High, 43.5cm (17¼") Wide, 5cm (2") Deep, frame dimensions,
    Stock code: 46569
    £350
  • “Twelve Months of Flowers September Senju Chrysanthemum “Chienai Nakamura Suzaku”by Toyohara Kunichika

    £350 Stock code: P01306 I
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    “Twelve Months of Flowers September Senju Chrysanthemum “Chienai Nakamura Suzaku”by Toyohara Kunichika

    Nishiki print.
    Dimensions: 53cm (20¾") High, 41cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 I
    £350
  • Bandō Kakitsu I, an actor by Baido Kunimasa

    £350 Stock code: P01306 H
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    Bandō Kakitsu I, an actor by Baido Kunimasa

    R/H section of a triptych depicting the actor Bandō Kakitsu I playing a karinto merchant in the play Chitose-za shin kyogen Tsuki shiraha bonji horimono.
    Dimensions: 52cm (20½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01306 H
    £350
  • Samurai Warlord, Hatakeyama Shigetada by Utagawa Kunimune

    £350 Stock code: P01306 G
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    Samurai Warlord, Hatakeyama Shigetada by Utagawa Kunimune

    Hatakeyama Shigetada, was a warrior of the early Kamakura Period (1185-1333) famed for his virtue and bravery.
    Dimensions: 52cm (20½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01306 G
    £350
  • Pedicure by Torii Kiyohiro

    £350 Stock code: P01306 F
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    Pedicure by Torii Kiyohiro

    Produced by of the leading artists of the era of two-colour 'benizurie' prints, where the works are printed in pink (beni) and green, a style that peaked in the early 1740s.
    Dimensions: 51cm (20") High, 41.5cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 F
    £350
  • Yaoya oshichi meshitsukai o Hatsu by Utagawa Kunisada

    £350 Stock code: P01306 E
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    Yaoya oshichi meshitsukai o Hatsu by Utagawa Kunisada

    Yaoya Oshichi was a daughter of the greengrocer Tarobei, who lived in the Hongō neighborhood of Edo at the beginning of the Edo period. She was burned at the stake for attempting to commit arson. The story became the subject of joruri puppet plays.
    Dimensions: 51cm (20") High, 41.5cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 E
    £350
  • An actor from Chushingura by Utagawa Kunisada

    £350 Stock code: P01306 D
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    An actor from Chushingura by Utagawa Kunisada

    Chushingura, was Japan’s most popular kabuki play, with its origins in an event of organized mob violence in 1702, its a complex story of unquestioning loyalty, revenge, conflict, love, and punishment.
    Dimensions: 53cm (20¾") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 D
    £350
  • Kataoka Nizaemon VIII as Karigane Kon’ya Bunshichi by Utagawa Kunisada I (Toyokuni III)

    £350 Stock code: P01306 C
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    Kataoka Nizaemon VIII as Karigane Kon’ya Bunshichi by Utagawa Kunisada I (Toyokuni III)

    This print originally formed the R/H side from a triptych of the play, Eiyû Koko ni Yorimasa
    Dimensions: 52cm (20½") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01306 C
    £350
  • A girl reading poetry by Toyohara Chikanobu

    £350 Stock code: P01306 B
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    A girl reading poetry by Toyohara Chikanobu

    This print originally formed the R/H side of a triptych.
    Dimensions: 52cm (20½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01306 B
    £350

Featured Items

  • Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 C
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    Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 C
    £800
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 D
    Add to Wishlist

    Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 D
    £800
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
    Add to Wishlist

    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600