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Page 2 of 9
  • Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 B
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 B
    £800
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • Napoleon-Le-Grand

    £800 Stock code: P01307
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    Napoleon-Le-Grand

    Jean-Charles Pellerin (1756 - 1836) was a French illustrator, artist, and printer. Born in Epinal, France.
    Dimensions: 67.5cm (26½") High, 47.5cm (18¾") Wide, 3cm (1¼") Deep
    Stock code: P01307
    £800
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X N
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X N
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X M
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X M
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X L
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X L
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X K
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X K
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X I
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X I
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X G
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X G
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X F
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X F
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X D
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X D
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X A
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X A
    £795 each
  • Composition stone figure of a young boy

    £750 Stock code: 79195
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    Composition stone figure of a young boy

    modelled carrying a basket, suitable for plating.
    Dimensions: 107cm (42¼") High, 55cm (21¾") Wide, 35cm (13¾") Deep
    Stock code: 79195
    £750
  • The Battle at La Hogue

    £750 Stock code: AD1614
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    The Battle at La Hogue

    A large framed and mounted black line engraving by William Wollett afer the painting by Benjamin West showing the Anglo-Dutch naval victory at La Hogue off the coast of Normandy in 1692. " Standing in a boat at the left ... Vice Admiral George Rooke embodies heroic command with his upright posture and raised sword... Beached in the center distance is the French flagship, the Royal Sun. Actually burned and sunk a few days before this encounter, the Royal Sun is here deliberately refloated -- only to be run against the cliffs so that West might symbolize the French defeat." U.S. National Gallery of Art, Washington D.C.
    Dimensions: 71cm (28") High, 84cm (33") Wide, 34cm (13½") Deep
    Stock code: AD1614
    £750
  • Blue Bicycle by Gary Sargeant

    £750 Stock code: AD1582
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    Blue Bicycle by Gary Sargeant

    Framed oil on panel painting of a blue bicycle in the foreground of a derelict industrial scene by the acclaimed and widely exhibited blind painter, Gary Sergeant.
    Dimensions: 89.5cm (35¼") High, 120cm (47¼") Wide
    Stock code: AD1582
    £750
  • Nathaniel Sparks, The Clock Tower, St. Pauls,

    £750 Stock code: AD1557 C
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    Nathaniel Sparks, The Clock Tower, St. Pauls,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby  in 1893 and is still maintained by them to this day. Signed by the artist on the plate.    
    Dimensions: 57cm (22½") High, 40.7cm (16") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 C
    £750
  • A set of polished steel fire tools,

    £725 Stock code: 46382
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    A set of polished steel fire tools,

    the shovel, tongs and poker with knopped shafts and gadrooned pommels, chased brass pommel caps (absent to the shovel),
    Dimensions: 75cm (29½") High, 15cm (6") Wide
    Stock code: 46382
    £725
  • Our Fathers, To The Memory of the Nameless Killed and Wounded

    £725 the pair Stock code: AD1512
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    Our Fathers, To The Memory of the Nameless Killed and Wounded

    A set of four etchings in two frames depicting ships of war and life at sea in English history By William Wylie and accompanied by the words of Cpt. Ronald Hopwood's poem Our Fathers. William Lionel Wylie was the most distinguished marine artist of the late nineteenth and early twentieth centuries. He became almost a painter laureate to the Royal Navy, so much so that during his funeral, in a scene reminiscent of Nelson's state funeral in 1806, his body was rowed up Portsmouth Harbour in a naval cutter past battleships with dipped colours and bugles calling and quaysides lined with dockyard workers. Similarly Captain Ronald A Hopwood was described as the poet laureate of the Royal Navy by Time Magazine in 1941. His most enduring work, The Laws of the Navy, became and remains a sort of Works and Days primer for naval life, both inspiring and edifying seamen in the ways of the senior service.  After the Battle of Jutland in 1916 when the press was critical of an apparent failure by the Royal Navy to achieve a clear victory against the Imperial German Navy the Times of London published The Old Ways, a poem by Hopwood and within this was a further poem, Our Fathers which was first written during the naval manoeuvres of 1913. Wyllie, we are told, was much taken with the verses and he arranged to illustrate them with the agreement of their author as a memorial of sorts to the dead (and perhaps as an apologia for the living) of the Battle of Jutland. The seaplane depicted appears to be a short type 184 used at Gallipoli where it became the first aircraft in the world to attack an enemy ship with an air-launched torpedo. The Battleship in the next image is of the King George V class and likely to be based on HMS Audacious, which Wylie had studied previously. The poem and illustrative etchings then go back in time to the navy of Elizabeth I's time. The sailing ships depicted are galleons of the type which chased the Spanish Armada out of the channel, a scene depicted at the bottom of the first print. The second framed picture depicts naval exercises and gunnery practice, with a galleon being scraped and caulked by hand on a secluded beach in the Spanish Main. It concludes with a scene of high-technology Super-Dreadnoughts of the Queen Elizabeth class - a naval nominative choice which perhaps inspires the scheme of the whole work of reflection.
    Dimensions: 42cm (16½") High, 55cm (21¾") Wide, 2.3cm (1") Deep
    Stock code: AD1512
    £725 the pair
  • Steeple of St Mary-Le-Bow, Cheapside

    £700 Stock code: AD1287 E
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    Steeple of St Mary-Le-Bow, Cheapside

    Pre-war pen and ink drawing showing the Steeple of St Mary-Le-Bow on Cheapside in the City of London. Signed by the artist.
    Dimensions: 57cm (22½") High, 41cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: AD1287 E
    £700
  • Large 1920s cast lion’s mask

    £675 Stock code: 78888
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    Large 1920s cast lion’s mask

    copper-plated cast bronze with worn lacquer finish
    Dimensions: 22cm (8¾") High, 20.5cm (8") Wide, 11cm (4¼") Deep
    Stock code: 78888
    £675
  • Set of Indian orthniological paintings on mica

    £660 set of six Stock code: P01299
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    Set of Indian orthniological paintings on mica

    Mica is a transparent mineral composed of  complex mixtures of potassium silicates. The variety of mica used most frequently by these Indian artists is Muscovite (H2KAl3 Si04)3 which is found widely throughout south India. The mica is formed between strata of granite and the transparency of the material is a result of the heat and pressure created between the layers of rock during formation. Mica consists of many interlocking platelets, resulting in a laminar structure which can be split easily  into thin sheets.
    Dimensions: 28cm (11") High, 23cm (9") Wide, 3cm (1¼") Thick
    Stock code: P01299
    £660 set of six
  • Poplar

    £650 Stock code: AD1609
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    Poplar

    An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.
    Dimensions: 50cm (19¾") High, 42cm (16½") Wide, 2cm (0¾") Thick
    Stock code: AD1609
    £650
  • St. James’s Church Clerkenwell

    £650 Stock code: AD1611
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    St. James’s Church Clerkenwell

    A framed and mounted black line etching by the English artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968) depicting St James's Church Clerkenwell. Signed in pencil by the artist. Clerkenwell contained a notorious slum at the turn of the 20h Century and was the setting for George Gissing's Novel, The Netherworld - "Opposite, the shapes of poverty-eaten houses and grimy workshops stood huddling in the obscurity. From near at hand came shrill voices of children chasing each other about – children playing at midnight between slum and gaol!"
    Dimensions: 1cm (0½") Wide
    Stock code: AD1611
    £650
  • Lambeth Bridge With Shipping

    £650 Stock code: AD1604
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    Lambeth Bridge With Shipping

    Pedestrians idle on the parapet of Old Lambeth Bridge while a steam tug passes beneath the central arch towing a Thames barge. Warehouses, wharves and houses line the Westminster shore. A Framed and mounted mixed media sketch by the artist Hubert Williams showing Old Lambeth Bridge prior to it's demolition in 1928. Signed on the plate by the artist.  
    Dimensions: 46cm (18") High, 56cm (22") Wide, 2.2cm (0¾") Deep
    Stock code: AD1604
    £650
  • Admiral Lord Nelson at Copenhagen,

    £650 Stock code: AD1588
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    Admiral Lord Nelson at Copenhagen,

    A framed mezzotint engraving of Admiral Lord Nelson at the battle of Copenhagen by Charles Turner, after John Hoppner. From the collection of Sir John Malcolm Fraser, 1st Baronet, journalist, Royal Naval captain, and vice-chairman of the Conservative Party.
    Dimensions: 72cm (28¼") High, 49.5cm (19½") Wide
    Stock code: AD1588
    £650
  • Watercolour of South Kensington Station

    £650 Stock code: AD1511
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    Watercolour of South Kensington Station

    Framed watercolour of South Kensington underground station, painted in the mid 1920's. Captured from a window of No.1 Old Brompton Road, the viewer is shown the view looking east over the station roof and down Pelham Street towards Brompton Cross. The scene shows a winter's day with passengers climbing aboard the upper deck of K-Type Omnibus.    
    Dimensions: 36.5cm (14¼") High, 47.5cm (18¾") Wide, 2cm (0¾") Deep
    Stock code: AD1511
    £650
  • Perspex and brass illuminated sign

    £650 Stock code: NF0231 Staircase
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    Perspex and brass illuminated sign

    the typography signwritten, re-wired and PAT tested. Mid-twentieth century.
    Dimensions: 27cm (10¾") High, 52cm (20½") Wide, 4.5cm (1¾") Deep, height with chain 32 cm
    Stock code: NF0231 Staircase
    £650
  • Glass and brass illuminated sign

    £650 Stock code: NF0231 Tobacco
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    Glass and brass illuminated sign

    re-wired and PAT tested, mid-twentieth century.
    Dimensions: 27cm (10¾") High, 58cm (22¾") Wide, 4.5cm (1¾") Deep, height with chain 38 cm
    Stock code: NF0231 Tobacco
    £650
  • St. Paul’s Cathedral from Cannon Street

    £625 Stock code: AD1520
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    St. Paul’s Cathedral from Cannon Street

    A famed drypoint engraving of a bomb-damaged St Pauls viewed from Cannon Street dated 1942 by the War Artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968). Signed and dated by the artist.
    Dimensions: 43cm (17") High, 57.5cm (22¾") Wide, 1.2cm (0½") Deep
    Stock code: AD1520
    £625
  • Captain Sir Christopher Cole,

    £605 Stock code: AD1583
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    Captain Sir Christopher Cole,

    A framed portrait engraving by George H Phillips from the painting by William Owen R.A. showing the Naval Officer an statesman Captain Sir Christopher Cole.
    Dimensions: 72cm (28¼") High, 56cm (22") Wide
    Stock code: AD1583
    £605
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 F
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    Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 F
    £600
  • Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 E
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    Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 E
    £600
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • Pair of twentieth century giltwood cornucopia

    £600 Stock code: NF0312
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    Pair of twentieth century giltwood cornucopia

    removed from a townhouse on Belgravia Square
    Dimensions: 40cm (15¾") High, 25cm (9¾") Wide, 5cm (2") Deep
    Stock code: NF0312
    £600
  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600
  • The George Inn, Borough High Street

    £600 Stock code: AA1288
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    The George Inn, Borough High Street

    Typical heavy impasto work of Ben Maile painted in 1969. Framed
    Dimensions: 107cm (42¼") High, 89cm (35") Wide, 8cm (3¼") Deep
    Stock code: AA1288
    £600
  • Princely Piety, or the worshippers at Wanstead,

    £595 Stock code: A080
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    Princely Piety, or the worshippers at Wanstead,

    A hand-coloured etching by the caricaturist George Cruikshank depicting the wooing of a wealthy young heiress by a cast of reprobate suitors. Upon the death of her only brother James at the age of 11 in 1805 Catherine Tylney-Long became the richest commoner in England in her own right. At the tender of of 16 the 'Wiltshire Heiress' had come into a fortune of nearly £30,000,000 in today's money. This made the poor girl a prime target for every fortune hunter and indebted rake in England who wished to clear his creditors. The law as it stood in the early 19th Century had degenerated to such a degree that, under the principle of coverture, it denied a married woman any property at all in her own right while her legal existence as a feme covert was entirely subsumed in that of her husband. This left the wealthy orphan daughter of Sir James Tylney long, 7th Baronet in a difficult and precarious position, caught between the social stigma attached to unmarried womanhood and the appeals of a host of insinuating cads seeking her hand in marriage. Here Cruikshank depicts the many and assorted indigent suitors for the hand of the wealthy heiress. To the left of the dais are shown Lord Kilworth and William Wesley-Pole, later 4th Earl of Mornington a dissipated Anglo-Irish nobleman, who dueled over the courtship of Catherine. Kneeling at the foot of the steps we may also see the figure of Romeo Coates, unintentionally comic actor and 'improver' of Shakespeare included apparently 'not because of his pretensions, but his boasts and wishes'. Above him we see the fop and jobbing playwright, Sir Lumley Skeffington laying his poetic efforts at the feet of the heiress. On the right hand we see The Duke of Clarence, later William IV who by this point had debts of many hundreds of thousands of pounds holding back Baron-de-Geramb, a Spanish military adventurer and suspected Napoleonic spy who later became a Trappist monk where he used his position as procurator-general of that ancient order to defray his personal expenses. Above the Duke we see reproving the figure of Mrs Jordan, his 'common-law' wife with whom he had fathered many children at his retreat of Bushey Park. The farcical presentation of the situation belies it's tragic outcome. Perhaps cajoled by just such unkind insinuations as are repeated in this caricature Catherine would choose the worst-of-the-bunch, William Wesley-Pole, as her preferred suitor. William Wesley-Pole-Tylney-Long, as he became by Royal Licence in 1812, was an unredeemed rake and not only abused and impoverished his saintly young wife but also passed her a debilitating infection and caused her family seat at Wanstead House to be demolished and sold for salvage. After a short and unhappy marriage Catherine died at the age of only 35 after receiving a final brutal letter from her estranged husband, the contents of which apparently caused her to have some form of seizure. Frustrated in his efforts to gain custody of their son William, on whom the family fortune had devolved, William Pole Tylney-Long-Wellesley, 4th Earl of Mornington (the final name by which he was known) died in 1857 unwept, unhonoured and unsung if also unrepentant. His obituary in the Morning Star described him as "A spendthrift, a profligate, and a gambler in his youth, he became debauched in his manhood... redeemed by no single virtue, adorned by no single grace, his life gone out even without a flicker of repentance".
    Dimensions: 32.5cm (12¾") High, 51.5cm (20¼") Wide
    Stock code: A080
    £595
  • An antique Tabriz rug,

    £580 Stock code: 46585
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    An antique Tabriz rug,

    the field of herati design on indigo ground with a central ivory medallion and framing spandrels within the foliate red border, low all over with wear to edges, a stitched restoration to the field, cleaned,
    Dimensions: 137cm (54") Wide, 195cm (76¾") Long
    Stock code: 46585
    £580
  • A cast bronze group of the young Bacchus with goat,

    £580 Stock code: 46306
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    A cast bronze group of the young Bacchus with goat,

    the young deity with vine leaf garland, his foot rested on a drained ewer, feeding grapes to the standing ruminant, mounted on a circular marble base,
    Dimensions: 20cm (7¾") High, 14cm (5½") Wide, 14cm (5½") Deep
    Stock code: 46306
    £580
  • Palace of Westminster

    £580 Stock code: AD1432
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    Palace of Westminster

    Bert Pugh (1904-2001) sometimes known as Sullivan Pugh, born in Kilmarnock, Ayrshire. When he was young his family moved to London, where he spent much of his life, joining the Chelsea Art Club. Pugh studied for three years at a building school, at 17 becoming an architectural and ecclesiastical draughtsman, church craftsman and woodcarver, afterwards designing bookplates and practising calligraphy. While owning a commercial art studio in the Strand, he spent evenings studying from life and painting and began to exhibit in the capital. Pugh also spent some time as a commercial artist with the advertising agency J. Walter Thompson.
    Dimensions: 65cm (25½") High, 54cm (21¼") Wide, 3.5cm (1½") Deep
    Stock code: AD1432
    £580
  • Black Hill, by Gordon House

    £575 each Stock code: P01061 F
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    Black Hill, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 F
    £575 each
  • Black Hill, Pages, by Gordon House

    £575 each Stock code: P01061 H
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    Black Hill, Pages, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 H
    £575 each
  • Black Hill, Rostra, by Gordon House

    £575 each Stock code: P01061 D
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    Black Hill, Rostra, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 D
    £575 each
  • Black Hill, Work Shop, by Gordon House

    £575 each Stock code: P01061 A
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    Black Hill, Work Shop, by Gordon House

    Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York.
    Dimensions: 78cm (30¾") High, 62cm (24½") Wide, 1.5cm (0½") Deep
    Stock code: P01061 A
    £575 each
  • Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    £570 Stock code: AD1557 A
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    Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.
    Dimensions: 59.1cm (23¼") High, 39.9cm (15¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 A
    £570
  • Leigh on Sea, Albert Houghton

    £550 Stock code: AD1624
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    Leigh on Sea, Albert Houghton

    Mounted and framed watercolour painting by the English artist and painter, Albert Houghton showing fishing boats at Leigh on Sea, Essex. 1970, signed by the artist.
    Dimensions: 34.3cm (13½") High, 54cm (21¼") Wide
    Stock code: AD1624
    £550
  • Buildings & Boats

    £550 Stock code: AD1610
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    Buildings & Boats

    A framed and mounted black line etching by the artist-engraver Norman Jones RWS RE RSMA, showing a riverside wharf scene in the Lower Pool of the River Thames, possibly corresponding to the river frontage of Narrow Street, Limehouse. Signed in pencil by the artist.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1610
    £550
  • Frederick Farrell, St. Margarets Church, Westminster,

    £550 Stock code: AD1555 D
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    Frederick Farrell, St. Margarets Church, Westminster,

    A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.
    Dimensions: 45.5cm (18") High, 35.1cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 D
    £550
  • Charles Watson, Chelsea

    £550 Stock code: AD1559
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    Charles Watson, Chelsea

    A framed and mounted etching by the English artist Charles Watson (1846-1927) depicting the foreshore at Chelsea with two barges at low tide. In the distance is shown the tower of Chelsea Old Church and a part of Old Battersea Bridge, replaced in 1890. The vantage is from close to the current site of the Chelsea Yacht and Boat Yard. Signed on the plate.
    Dimensions: 31cm (12¼") High, 41cm (16¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1559
    £550
  • An Almanac of Twelve Sports by William Nicholson,

    £550 Stock code: AD1500
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    An Almanac of Twelve Sports by William Nicholson,

    The Almanac was first published by Heinemann in London for Christmas 1897 with a calendar for the year 1898. Sir William Nicholson was a late 19th Century painter and print-maker. His experiments with woodcut printing encouraged the development of his distinctive pictorial style. After making his name with a series of twelve portraits of public figures (which won a gold medal at the 1900 Exposition Universelle in Paris) he moved on to produce this Almanac of twelve sports for his new publisher, Heinemann. The accompanying text was provided by the poet Rudyard Kipling. Kipling was not an enthusiastic sportsman, in fact he derided 'flannelled fools at the wicket' and 'muddied oafs at the goal' in his poem The Islanders however, after sitting for a Nicholson portrait, he agreed to provide a set of short poems to match the depicted sports. Kipling adopted a concise and suggestive style for the poems, harking back to his Departmental ditties of the 1880's. One verse at least, the draft couplet for the coaching party depicted in August, was considered too suggestive by half and was excised by Heinemann as unsuitable for the family audience he had in mind:

    'Youth on the box and liquor in the boot / My Lord drives out with my Lord's prostitute.'

    Dimensions: 1cm (0½") Wide
    Stock code: AD1500
    £550
  • ‘A Young Poodle, but not one of the Sagacious Breed’

    £520 Stock code: P01296
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    ‘A Young Poodle, but not one of the Sagacious Breed’

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01296
    £520
  • A West Indian Man of Affairs

    £520 Stock code: AD1592
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    A West Indian Man of Affairs

    A portrait in oils depicting a moustachioed gentleman foregrounded in a scene of nodding palm trees under blue skies. His fine double breasted suit and wingtip collar with pendant saltire decoration imparts an air of prosperity and authority to this otherwise enigmatic individual.
    Dimensions: 69cm (27¼") High, 59cm (23¼") Wide, 5cm (2") Thick
    Stock code: AD1592
    £520
  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 P
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 P
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 O
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 O
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 N
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 N
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 M
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 M
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 K
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 K
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 J
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 J
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 I
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 I
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 H
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 H
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 G
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 G
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 F
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 F
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 E
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 E
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 D
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 D
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 C
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 C
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 B
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 B
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 A
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 A
    £500
  • Small pair of foundry crucibles,

    £500 Stock code: 78914
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    Small pair of foundry crucibles,

    undrilled
    Dimensions: 17.5cm (7") Wide, 23 cm and 25 cm high.
    Stock code: 78914
    £500
  • The Triumphal Arches, Mr. Handel’s Statue & c. in the South Walk of Vauxhall Gardens

    £495 Stock code: P01052
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    The Triumphal Arches, Mr. Handel’s Statue & c. in the South Walk of Vauxhall Gardens

    Based on the work by Samuel Wale and engraved by Benjamin Cole in 1752. Mounted and presented in a Hogarth style frame.
    Dimensions: 32.5cm (12¾") High, 43.5cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01052
    £495
  • Congolese Songye door

    £480 Stock code: AD1479
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    Congolese Songye door

    caved hardwood.
    Dimensions: 130cm (51¼") High, 51.5cm (20¼") Wide, 14cm (5½") Deep
    Stock code: AD1479
    £480
  • The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    £450 Stock code: P00833
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    The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    .
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 1.5cm (0½") Deep
    Stock code: P00833
    £450
  • Lead sculpture of a stork

    £450 Stock code: 78973
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    Lead sculpture of a stork

    on plinth base
    Dimensions: 59cm (23¼") High, 92cm (36¼") Wide, 19.5cm (7¾") Deep, base 52 cm wide x 4.5 cm high
    Stock code: 78973
    £450
  • Sydney R Jones, St. Mary le Bow, Cheapside,

    £450 Stock code: AD1555 B
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    Sydney R Jones, St. Mary le Bow, Cheapside,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.
    Dimensions: 52cm (20½") High, 32.5cm (12¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 B
    £450
  • Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    £450 Stock code: AD1555 C
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    Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.
    Dimensions: 46cm (18") High, 28.1cm (11") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 C
    £450
  • Nathaniel Sparks, Westminster from the Horseguards,

    £450 Stock code: AD1558 B
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    Nathaniel Sparks, Westminster from the Horseguards,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the North Door and Lady Chapel of Westminster Abbey viewed across Parliament Square. Signed proof impression from the only edition.
    Dimensions: 37.7cm (14¾") High, 46.5cm (18¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 B
    £450
  • Nathaniel Sparks, St. Botolphs Church,

    £450 Stock code: AD1556 B
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    Nathaniel Sparks, St. Botolphs Church,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.
    Dimensions: 45.3cm (17¾") High, 50cm (19¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 B
    £450
  • Nathaniel Sparks, St. James Palace,

    £450 Stock code: AD1556 A
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    Nathaniel Sparks, St. James Palace,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the north gatehouse of St James's Palace viewed across Pall Mall from the east side of St James's Street. Signed by the artist.
    Dimensions: 49.5cm (19½") High, 55cm (21¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 A
    £450
  • Nathaniel Sparks, Waterloo Bridge,

    £450 Stock code: AD1558 A
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    Nathaniel Sparks, Waterloo Bridge,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the northernmost arch of Old Waterloo Bridge with Charing Cross and Westminster bridges beyond and the Palace of Westminster in the distance. Signed by the artist.
    Dimensions: 45cm (17¾") High, 43.5cm (17¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 A
    £450
  • Old Maid on a Journey,

    £450 Stock code: A082
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    Old Maid on a Journey,

    An original framed hand-coloured etching and engraving by caricaturist James Gillray. The corpulent figure of the independent polymath, antiquarian and collector Miss Sarah Sophia Banks is depicted being shown into the best bedroom of an Inn followed by a grotesque retinue of gurning servants carrying her assorted baggage. Miss Banks was a prolific collector of printed emphemera including broadsheets, newspaper clippings, visiting cards, caricatures, advertisements and playbills as well as being a leading numismatist of her day. Her great library of volumes on ancient coins as well as her capacious collection of the coins themselves was gifted to the nation upon her death and are now spread over the Royal Mint, The British Library and British Museum. One of the 18th Century's brilliant but unacknowledged women, Sarah Banks was the sister of the famous botanist Joseph Banks who sailed with Captain Cook to New South Wales. According to recent scholarship as well as editing her brother's manuscripts she often conversed with him on their subjects and many of her ideas were incorporated into his writings. Perhaps puzzlingly, given the warm and close friendship which was said to exist between Gillray and his wealthy female patron, Miss Banks is depicted as a obscenely fat and ugly. One can only speculate on the nature of the comedy and manners of the time (not to mention the sense of humour of the subject) when interpreting the comic effect of this print.
    Dimensions: 33.5cm (13¼") High, 45.5cm (18") Wide, Including frame.
    Stock code: A082
    £450
  • Sir Henry Irving

    £450 Stock code: AD1414
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    Sir Henry Irving

    Originally issued as part of the Twelve Portraits series in 1899. Framed
    Dimensions: 39.5cm (15½") High, 35.5cm (14") Wide, 1.5cm (0½") Deep
    Stock code: AD1414
    £450
  • The Customs House by Thomas Bush Hardy

    £450 Stock code: AD176
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    The Customs House by Thomas Bush Hardy

    Showing the Pool of London with the Customs House. Signed, framed in dark wood.
    Dimensions: 23cm (9") High, 73cm (28¾") Wide, 3cm (1¼") Deep
    Stock code: AD176
    £450
  • Still-life of Fruit

    £450 Stock code: AA1278
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    Still-life of Fruit

    Presented in a gilt frame.
    Dimensions: 65cm (25½") High, 95cm (37½") Wide, 13cm (5") Deep
    Stock code: AA1278
    £450
  • The Works of New London Bridge by Edward William Cooke RA,

    £450 Stock code: A078
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    The Works of New London Bridge by Edward William Cooke RA,

    A hand-coloured engraving by George Cooke of a drawing by his son Edward William Cooke RA, from 'The Works of New London Bridge'. In 1800 it was first proposed that the inconvenient medieval bulk of old London bridge should be removed to ease traffic on the Thames and a competition was held to design a replacement. In 1824, the plans of the engineer Sir John Rennie were accepted and a site was chosen 180 feet west of the old bridge.  On June 15, 1825, the Lord Mayor of London, John Garratt, laid the first block of Dartmoor granite in the presence of the Duke of York. For a short time Londoners were able to view both the old bridge and the new side-by-side. It was to be a structure of 5 arches, over 928 feet long and 49 feet wide. When the new bridge was finished and opened by King William and Queen Adelaide in 1831, traffic switched to the huge new structure and the demolition commenced on the old bridge. Edward William Cooke (1811 - 1880) was a draughtsman, illustrator, wood engraver, etcher and painter of rural and coastal scenes in oil and watercolour. In this print Cooke shows new London bridge in the middle stages of construction with the forms for the arches still in place. On the far bank of the Thames the viewer can see the Fishmongers Hall, the steeple of St Magnus the Matryr church and The Monument.
    Dimensions: 1cm (0½") Wide
    Stock code: A078
    £450
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 K
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 K
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 J
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 J
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 I
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 I
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 B
    Add to Wishlist

    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 B
    £450 each
  • Kew Palace by Hubert Williams (1905-1989)

    £425 Stock code: AD1428
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    Kew Palace by Hubert Williams (1905-1989)

    Kew Palace. Hubert Williams was an  accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed
    Dimensions: 38cm (15") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: AD1428
    £425
  • Osaka Castle (大阪城)

    £420 Stock code: P01257 C
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    Osaka Castle (大阪城)

    Born in Kobe 1923, Yuzaburo  started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker.  After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association
    Dimensions: 49cm (19¼") High, 59cm (23¼") Wide, 3cm (1¼") Deep
    Stock code: P01257 C
    £420
  • Tenjin Festival (天神祭)

    £420 Stock code: P01257 A
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    Tenjin Festival (天神祭)

    Born in Kobe 1923, Yuzaburo  started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker.  After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association
    Dimensions: 58.5cm (23") High, 49cm (19¼") Wide, 3cm (1¼") Deep
    Stock code: P01257 A
    £420
  • Kittens and Rabbits

    £420 Stock code: AD1435
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    Kittens and Rabbits

    .
    Dimensions: 55.5cm (21¾") High, 69cm (27¼") Wide, 2cm (0¾") Deep
    Stock code: AD1435
    £420
  • All Hallows, Barking by the Tower by Hubert Williams (1905-1989)

    £420 Stock code: AD1287 D
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    All Hallows, Barking by the Tower by Hubert Williams (1905-1989)

    All Hallows, Barking by the Tower. Hubert Williams was an  accomplished artist and illustrator who had the confidence to include the detail of everyday life in his views. Signed. Framed
    Dimensions: 60.5cm (23¾") High, 45cm (17¾") Wide, 2cm (0¾") Deep
    Stock code: AD1287 D
    £420
  • Sad Sloppy Weather

    £400 Stock code: AD1607 A
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    Sad Sloppy Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a prosperous, elderly gentleman walking along a soggy pavement past mean dwellings after a rain shower. Holding a closed and reversed umbrella as a walking-stick he examines his white stockings as they become soiled with the filth of the poorly paved street.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 A
    £400
  • Raw Weather

    £400 Stock code: AD1607 B
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    Raw Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a sour faced, skinny gentleman walking along a country road on a raw, dry, freezing, winters day. Wrapping his coat close against the biting cold he grimaces in discomfort.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 B
    £400

Featured Items

  • Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 F
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    Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 F
    £600
  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600