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  • A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints

    £2,800 the set of eight Stock code: P01308
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    A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints

    A Rake’s Progress is a series of eight satirical engravings depicting what Hogarth called ‘modern moral subjects’.The series tells the story of Tom Rakewell, a man who inherits a fortune from his city merchant father only to fritter it away on an extravagant lifestyle which ultimately leads to his downfall.  
    Dimensions: 56cm (22") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01308
    £2,800 the set of eight
  • Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints

    £2,200 the set of six Stock code: P01310
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    Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints

    Marriage-a-la Mode is the story is of a marriage arranged by two self-seeking fathers – a spendthrift nobleman who needs cash and a wealthy City of London merchant who wants to buy into the aristocracy. It was Hogarth’s first moralising series of what he called ‘modern moral subjects’.
    Dimensions: 52cm (20½") High, 60cm (23½") Wide, 2cm (0¾") Deep
    Stock code: P01310
    £2,200 the set of six
  • William Powell Frith ‘The Derby Day’

    £1,450 Stock code: AD1510
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    William Powell Frith ‘The Derby Day’

    hand coloured engraving
    Dimensions: 64.5cm (25½") High, 124cm (48¾") Wide, 3cm (1¼") Deep
    Stock code: AD1510
    £1,450
  • Ramsgate Sands by William Powell Frith

    £900 Stock code: AD1398
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    Ramsgate Sands by William Powell Frith

    Original steel engraving published 1854. Presented in a gilt frame with lower margin title, trimmed to the image area
    Dimensions: 69cm (27¼") High, 117cm (46") Wide, 5cm (2") Deep
    Stock code: AD1398
    £900
  • A General Prospect of Vaux Hall Gardens. Shewing at one View the disposition of the whole Gardens. Vüe Détaillee des Jardins de Vaux Hall.

    £850 Stock code: P01259
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    A General Prospect of Vaux Hall Gardens. Shewing at one View the disposition of the whole Gardens. Vüe Détaillee des Jardins de Vaux Hall.

    Originally engraved by William Simpkins (fl.1784-1825) for Owen Manning and William Bray’s “History and Antiquities of Surrey” (1804-1814).
    Dimensions: 45cm (17¾") High, 57cm (22½") Wide, 4cm (1½") Deep
    Stock code: P01259
    £850
  • The Battle at La Hogue

    £750 Stock code: AD1614
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    The Battle at La Hogue

    A large framed and mounted black line engraving by William Wollett afer the painting by Benjamin West showing the Anglo-Dutch naval victory at La Hogue off the coast of Normandy in 1692. " Standing in a boat at the left ... Vice Admiral George Rooke embodies heroic command with his upright posture and raised sword... Beached in the center distance is the French flagship, the Royal Sun. Actually burned and sunk a few days before this encounter, the Royal Sun is here deliberately refloated -- only to be run against the cliffs so that West might symbolize the French defeat." U.S. National Gallery of Art, Washington D.C.
    Dimensions: 71cm (28") High, 84cm (33") Wide, 34cm (13½") Deep
    Stock code: AD1614
    £750
  • Captain Sir Christopher Cole,

    £605 Stock code: AD1583
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    Captain Sir Christopher Cole,

    A framed portrait engraving by George H Phillips from the painting by William Owen R.A. showing the Naval Officer an statesman Captain Sir Christopher Cole.
    Dimensions: 72cm (28¼") High, 56cm (22") Wide
    Stock code: AD1583
    £605
  • The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    £450 Stock code: P00833
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    The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    .
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 1.5cm (0½") Deep
    Stock code: P00833
    £450
  • The Works of New London Bridge by Edward William Cooke RA,

    £450 Stock code: A078
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    The Works of New London Bridge by Edward William Cooke RA,

    A hand-coloured engraving by George Cooke of a drawing by his son Edward William Cooke RA, from 'The Works of New London Bridge'. In 1800 it was first proposed that the inconvenient medieval bulk of old London bridge should be removed to ease traffic on the Thames and a competition was held to design a replacement. In 1824, the plans of the engineer Sir John Rennie were accepted and a site was chosen 180 feet west of the old bridge.  On June 15, 1825, the Lord Mayor of London, John Garratt, laid the first block of Dartmoor granite in the presence of the Duke of York. For a short time Londoners were able to view both the old bridge and the new side-by-side. It was to be a structure of 5 arches, over 928 feet long and 49 feet wide. When the new bridge was finished and opened by King William and Queen Adelaide in 1831, traffic switched to the huge new structure and the demolition commenced on the old bridge. Edward William Cooke (1811 - 1880) was a draughtsman, illustrator, wood engraver, etcher and painter of rural and coastal scenes in oil and watercolour. In this print Cooke shows new London bridge in the middle stages of construction with the forms for the arches still in place. On the far bank of the Thames the viewer can see the Fishmongers Hall, the steeple of St Magnus the Matryr church and The Monument.
    Dimensions: 1cm (0½") Wide
    Stock code: A078
    £450
  • The Cobbler’s Cure for a Scolding Wife

    £395 Stock code: AD1505
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    The Cobbler’s Cure for a Scolding Wife

    A framed, hand-colored etching by Thomas Rowlandson, published by Thomas Tegg. A study in human savagery. A cobbler stands over his wife, a grimacing virago who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the thread with which he is stitching up her mouth. A buxom young woman leans delightedly over the pair, lighting the work with a small candle. Rowlandson was a chronicler of London life both low and high. Less inclined to political comment than his contemporaries Gilray and Cruikshank he chose instead to focus of the foibles, fancies and failings of common society. His drawings were always harsh and frequently grotesque, even repulsive. The figures in his work are rarely, if ever, held up for our admiration but rather in accordance with his maxim of 1802 that "Man is the only creature endowed with the power of laughter, is he not also the only one that deserves to be laughed at?" Rowlandson's designs were usually executed in outline with the reed-pen, and delicately washed with colour. They were then etched by the artist on the copper, and afterwards aqua-tinted usually by a professional engraver, the impressions being finally coloured by hand.
    Dimensions: 46cm (18") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1505
    £395
  • The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    £380 Stock code: P01260
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    The Grand South Walk in Vaux-Hall Gardens, with the Triumphal Arches, Mr Handels Statue, &c.

    .
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 1.5cm (0½") Deep
    Stock code: P01260
    £380
  • Company shocked at a lady getting up to ring the bell,

    £360 Stock code: A097
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    Company shocked at a lady getting up to ring the bell,

    A hand-coloured satirical etching by James Gillray, Published by Hannah Humphrey. Five men are depicted courting a wealthy widow in her luxuriously furnished breakfast parlour over boiled eggs bread and muffins. The widow has risen from her chair to pull a bell-pull while frantic efforts of the suitors to stop her have produced a sequence of disasters. Published by Gillray's long-time and eventual exclusive publisher, Hannah Humphrey. Mrs Humphrey was the sister of engraver William Humphrey and became not only an independent businesswoman in Georgian London but London's leading seller of caricature prints. She began publishing prints in the 1770s at a premises on St Martin’s Lane before moving, first to Old Bond Street, then New Bond Street before finally settling at 27 St James’s Street. James Gillray lodged with Mrs Humphrey for twenty tears from 1791 and although some suspected an illicit relationship it was in all probability a commercial and platonic friendship. Mrs Humphrey cared for Gillray as his sight failed him and later tended to him during the alcohol induced madness of his last five years of life.  
    Dimensions: 38.1cm (15") High, 49.53cm (19½") Wide
    Stock code: A097
    £360
  • A late Arrival at Mother Wood’s

    £350 Stock code: A083
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    A late Arrival at Mother Wood’s

    Hand-coloured etching by George Cruikshank, published by Mr George Humphrey. The scene depicts Caroline of Brunswick, the estranged wife of the newly ascended King George IV, saluting and addressing an adoring crowd from the balcony of Alderman Wood's residence in South Audley Street, London. Alderman Woods was a low-born hop merchant who's investments in a colouring agent for porter had supplied him with the means to further career in Radical politics. He achieved an almost unprecedented two-term mayoralty of the City of London where his opposition to the governments repressive domestic legislation and condemnation of the Peterloo massacre, as well as his perceived upstart vulgarity,  made him a hate-figure for Tories and Loyalists. His Whig-Radicalism continued into his term as MP for the City of London and when, in 1820 he saw the chance to embarrass the King and his adherents by the return of his absent and unloved wife, he took it boldly. Woods persuaded Caroline of Brunswick to terminate the discreet ongoing negotiations for a settlement she had been engaged in with the King and instead return, splendidly and publicly, to the capital to assert her claim to be rightful Queen of England. Alderman Woods arranged for Caroline to be conveyed in an open carriage through the heart of London to his house on South Audley Street where she became the unlikely figure-head of Radical Whiggery in the metropolis. The diarist Charles Greville noted of the procession to the house on the 6th of June 1820: "The Queen arrived in London yesterday at seven o’clock… She travelled in an open landau, Alderman Wood sitting by her side and Lady Anne Hamilton and another woman opposite. Everybody was disgusted at the vulgarity of Wood in sitting in the place of honour, while the Duke of Hamilton’s sister was sitting backwards in the carriage". Caroline would spend the next two months at South Audley Street where the the great and the good of British radicalism paid her court amidst the crowds outside South Audley Street.
    Dimensions: 35.56cm (14") High, 45.72cm (18") Wide
    Stock code: A083
    £350
  • An oil on canvas seascape,

    £320 Stock code: 46219
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    An oil on canvas seascape,

    depicting a small fishing vessel sailing home between buoy and cliffs, probably a Scottish scene, signed bottom left,
    Dimensions: 30.5cm (12") High, 51cm (20") Wide, framed dimensions 39cm x 60cm,
    Stock code: 46219
    £320
  • The Finding of Moses by John Keyse Sherwin

    £320 Stock code: A006
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    The Finding of Moses by John Keyse Sherwin

    Etching /engraving, lettered with title flanking the Royal arms; and with names 'Painted and Engraved by J. K. Sherwin Historical Engraver / to his Majesty & to His Royal Highness the Prince of Wales / London. Published Jany. 18 1789 by R. Wilkinson No.58 Cornhill & I. K. Sherwin No.67 New Bond Street'. Presented in original gilt frame.
    Dimensions: 76cm (30") High, 96cm (37¾") Wide, 7cm (2¾") Long
    Stock code: A006
    £320
  • View of the Antient Manor House of Fawkeshall

    £280 Stock code: P01054
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    View of the Antient Manor House of Fawkeshall

    Historical engraving featuring a map of the area. Presented in a Hogarth pattern frame.
    Dimensions: 24cm (9½") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01054
    £280
  • West View of Richmond from the Star & Garter

    £270 Stock code: AD1576
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    West View of Richmond from the Star & Garter

    A framed and mounted, hand coloured engraving showing the Thames valley looking west over Richmond and Twickenham from a position besides the famous Star and Garter hotel at the top of Richmond Hill.  
    Dimensions: 48cm (19") High, 59cm (23¼") Wide
    Stock code: AD1576
    £270
  • Original 18th century anatomy print,

    £240 Stock code: P01079 147
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    Original 18th century anatomy print,

    Copper engraving of the Science of Anatomy. Engraved by Royce and published by Alexander Hogg  in1788. Framed.
    Dimensions: 49cm (19¼") High, 31cm (12¼") Wide, 2.3cm (1") Thick
    Stock code: P01079 147
    £240
  • Original 18th century anatomy print,

    £240 Stock code: P01079 148
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    Original 18th century anatomy print,

    Copper engraving of the Science of Anatomy. Engraved by Royce and published by Alexander Hogg  in1788. Framed.
    Dimensions: 49cm (19¼") High, 31cm (12¼") Wide, 2.3cm (1") Thick
    Stock code: P01079 148
    £240
  • Vauxhall Bridge by Willian Tombleson

    £220 Stock code: P01285
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    Vauxhall Bridge by Willian Tombleson

    Engraved by Henry Winkles from the original study by William Tombleson. Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
    Dimensions: 30.5cm (12") High, 35cm (13¾") Wide, 4.5cm (1¾") Deep
    Stock code: P01285
    £220
  • Plan of Vauxhall Gardens

    £220 Stock code: P01258
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    Plan of Vauxhall Gardens

    Originally engraved by William Simpkins (fl.1784-1825) for Owen Manning and William Bray’s “History and Antiquities of Surrey” (1804-1814).
    Dimensions: 36cm (14¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01258
    £220
  • Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,

    £200 Stock code: P01305 H
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    Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 H
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 I
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 I
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 B
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 B
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 D
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 D
    £200
  • Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769

    £200 Stock code: P01305 C
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    Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 C
    £200
  • Pompei Interior, copper-engravings published 1796

    £200 Stock code: P01305 Q
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    Pompei Interior, copper-engravings published 1796

    From a London interior design project
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 Q
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 F
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 F
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 R
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 R
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 S
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 S
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 L
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 L
    £200
  • Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.

    £200 Stock code: P01305 K
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    Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 K
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 O
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    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 O
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 P
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    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 P
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 T
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    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 T
    £200
  • Pompei Interior, copper-engravings published 1796

    £200 Stock code: P01305 G
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    Pompei Interior, copper-engravings published 1796

    From a London interior design project
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 G
    £200
  • Vauxhall Bridge from Mill Bank

    £195 Stock code: P01214
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    Vauxhall Bridge from Mill Bank

    Vauxhall Bridge as viewed from Millbank in 1826. The bridge was begun in 1811 and opened to the public in August 1816.
    Dimensions: 31cm (12¼") High, 35cm (13¾") Wide, 3cm (1¼") Deep
    Stock code: P01214
    £195
  • Westminster from Vauxhall

    £190 Stock code: A077
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    Westminster from Vauxhall

    A hand-coloured engraving by George Cooke of a watercolour by Samuel Prout showing a view across the Thames from the Vauxhall shore towards Westminster Cathedral and the Palace of Westminster. Taken from Cooke's 'Views in London and its Vicinity'. In the immediate foreground we are presented with a scene outside a Lambeth boat-builders yard while barges and wherries crowd the river in the middle distance. On the Westminster shore we can see St John's Smith Square and beyond that the massy bulk of Westminster Abbey, later to sit in a somewhat diminished relation to Barry and Pugin's rebuilt Houses of Parliament of 1840-1876 Samuel Prout was a great favourite of John Ruskin who went as far as to comment in 1844, "Sometimes I tire of Turner, but never of Prout". Prout was noted for his paintings of great European cities and picturesque ruins and particularly for his ability to imbue his subjects with 'breadth and largeness'. George Cooke was leading English line-engraver of the 19th Century and commissioned eight of leading British landscape artists to create works, including this, for his 1826 collection of 'Views in London and its Vicinity'. This is a first edition of 1827. Interestingly the old Palace of Westminster, depicted here, would burn to the ground only seven years after this work was created.
    Dimensions: 1cm (0½") Wide
    Stock code: A077
    £190
  • Lambeth Bridge, by J. H. Wiley

    £180 Stock code: P01100 C
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    Lambeth Bridge, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 26cm (10¼") High, 38cm (15") Wide, 1.5cm (0½") Deep
    Stock code: P01100 C
    £180
  • St John Gate, Clerkenwell, by J. H. Wiley

    £180 Stock code: P01100 B
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    St John Gate, Clerkenwell, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 38cm (15") High, 26cm (10¼") Wide, 1.5cm (0½") Deep
    Stock code: P01100 B
    £180
  • Waterloo Bridge,

    £150 Stock code: AD1577
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    Waterloo Bridge,

    Hand colured and engraved, framed and mounted print depicting John Rennie's Waterloo Bridge by the artist and engraver John Shury after a painting by W.G. Moss.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1577
    £150
  • Antique engraving after Sir Martin Arthur Shee,

    £150 Stock code: AD1568
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    Antique engraving after Sir Martin Arthur Shee,

    depicting a child with rife in landscape, engraved by T. Nugent, hand coloured. Framed
    Dimensions: 34cm (13½") High, 26.5cm (10½") Wide
    Stock code: AD1568
    £150
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 W
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Didelphys Orientalis Pall.'
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 W
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 V
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra tigrina'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 V
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 U
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Zibetha Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 U
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 T
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 T
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 S
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Die Zahme Katze'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 S
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 R
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Civetta Buff.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 R
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 Q
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Mustela Lutra Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 Q
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 P
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 P
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 O
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Der Ziegenbock.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 O
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 M
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Mesomelas.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 M
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 K
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Mustela Lutra Linn. canadensis'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 K
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 J
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lupus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 J
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 I
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis aureus Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 I
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 G
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Genetta Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 G
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 F
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Dasyprocta prymnolopha Wglr.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 F
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 X
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Phalangista Petaurus'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 X
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 D
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Felis Yaguarondi Azar'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 D
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 C
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra caudivolvula Pali'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 C
    £150 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 527
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Deep, 2cm (0¾") Thick
    Stock code: P01153 527
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 574
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Deep, 2cm (0¾") Thick
    Stock code: P01153 574
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 115
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 115
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 166
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 166
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 28
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 28
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 540
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 540
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 404
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 404
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 405
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 405
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 411
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 411
    £140 each
  • Sacred Physics by Johann Jakob Scheuchzer,

    £140 each Stock code: P01153 576
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    Sacred Physics by Johann Jakob Scheuchzer,

    original copper-engraved prints,
    Dimensions: 44cm (17¼") High, 30cm (11¾") Wide, 2cm (0¾") Thick
    Stock code: P01153 576
    £140 each
  • James Graham Marquis of Montrose

    £120 Stock code: AD1602
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    James Graham Marquis of Montrose

    A framed copper plate engraving of James Graham, the Great 1st Marquis of Montrose, Hannibal of the Highlands, by the Dutch engraver Jacobus Houbrackenn, struck in 1740.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1602
    £120
  • William Russell Earl of Bedford,

    £120 Stock code: AD1603
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    William Russell Earl of Bedford,

    c.1738 copper engraving, framed.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1603
    £120
  • Thomas Howard, Duke of Norfolk,

    £120 Stock code: AD1601
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    Thomas Howard, Duke of Norfolk,

    eighteenth century framed copper engraving.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1601
    £120
  • George Lord Digby, Earl of Bristol,

    £120 Stock code: AD1600
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    George Lord Digby, Earl of Bristol,

    A framed copper plate engraving of George Digby Second Earl of Bristol by the Dutch engraver Jacobus Houbrackenn, struck in 1740.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1600
    £120
  • Thomas Lord Fairfax,

    £120 Stock code: AD1599
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    Thomas Lord Fairfax,

    1738, framed copper engraving
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1599
    £120
  • Henry Bennet, Earl of Arlington

    £120 Stock code: AD1598
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    Henry Bennet, Earl of Arlington

    A framed copper plate engraving of the courtier, politician and original member of the CABAL, Henry Bennet, first Earl of Arlington by the Dutch engraver Jacobus Houbrackenn, struck in 1739.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1598
    £120
  • Francis Russell 2nd Earl of Bedford,

    £120 Stock code: AD1597
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    Francis Russell 2nd Earl of Bedford,

    A framed copper plate engraving of James Graham, Francis Russell, second Earl of Bedford by the Dutch engraver Jacobus Houbrackenn, struck in 1740.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1597
    £120
  • John, Duke of Lauderdale

    £120 Stock code: AD1596
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    John, Duke of Lauderdale

    1740, framed copper engraving
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1596
    £120
  • Archbishop Tillotson

    £120 Stock code: AD1595
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    Archbishop Tillotson

    A framed copper plate engraving of John Tillotson, Archbishop of Canterbury, by the Dutch engraver Jacobus Houbrackenn, struck in 1740.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1595
    £120
  • Charles Mordaunt, Earl of Peterborough,

    £120 Stock code: AD1594
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    Charles Mordaunt, Earl of Peterborough,

    A framed copper plate engraving of Charles Mordaunt, 3rd Earl of Peterborough, by the Dutch engraver Jacobus Houbrackenn, struck in 1740.
    Dimensions: 43.2cm (17") High, 29.2cm (11½") Wide, 2cm (0¾") Deep
    Stock code: AD1594
    £120
  • Bridge, Church Street, Vauxhall.

    £120 Stock code: P01289
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    Bridge, Church Street, Vauxhall.

    This view shows Bridge Street which was the Thames end of Lambeth Road and famously appeared 100 years later in the Ealing film, Passport to Pimlico!
    Dimensions: 23.5cm (9¼") High, 28.5cm (11¼") Wide, 2cm (0¾") Deep
    Stock code: P01289
    £120
  • Original copper-engravings of fish by Marcus Elieser Bloch,

    £85 each Stock code: P01173 T
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    Original copper-engravings of fish by Marcus Elieser Bloch,

    Copper-engraving based on the work of Marcus Elieser Bloch (1723-1799). 'The Finger Fish, and The Silver Striped Herring'.
    Dimensions: 25cm (9¾") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01173 T
    £85 each
  • Original copper-engravings of fish by Marcus Elieser Bloch,

    £85 each Stock code: P01173 O
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    Original copper-engravings of fish by Marcus Elieser Bloch,

    Copper-engraving based on the work of Marcus Elieser Bloch (1723-1799). 'The Notucanith'.
    Dimensions: 25cm (9¾") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01173 O
    £85 each

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  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500