537 items found
Page 3 of 6
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Pair of large 1920s door pulls,
£575 the pair -
Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
£550Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£550 -
Arts and Crafts copper mirror,
£550Arts and Crafts copper mirror,
richly patinated sheet metal frame, with with enamel cabouchon to the centre.£550 -
Pair of Neo-Celtic bog oak candlesticks,
£550 the pairPair of Neo-Celtic bog oak candlesticks,
Victorian c.1880, lathe turned and intricately carved.£550 the pair -
‘A Young Poodle, but not one of the Sagacious Breed’
£520‘A Young Poodle, but not one of the Sagacious Breed’
Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.£520 -
A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.
£520A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.
Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.£520 -
Large patinated bronze bell pull,
£500 -
Early Twentieth Century Brass stick stand.
£500Early Twentieth Century Brass stick stand.
The brass stick stand in the form of a knights boot with attached spur. Stamped Made in England.£500 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Set of nine Victorian brass finger plates
£500 the setSet of nine Victorian brass finger plates
with repeating cabochon detail to the borders.£500 the set -
A pair of hardwood French windows
£480 -
Westminster Abbey by Mortimer Mempes
£480Westminster Abbey by Mortimer Mempes
Mortimer Luddington Menpes. Printmaker, painter of genre, architectural subjects, and writer was born in Alelaide, Australia and came to England c.1875 where he remained until his death in 1938.£480 -
Four pairs of early twentieth century door knobs by Kaye
£475 the setFour pairs of early twentieth century door knobs by Kaye
bakelite knobs with patinated rectangular plates.£475 the set -
An unusual English pine travelling trunk
£470An unusual English pine travelling trunk
the rectangular box with a concave back and half-lid to the top, iron hasps and corner brackets, painted to the interior,£470 -
An English nine panelled front door
£465An English nine panelled front door
three square above two registers of three rectangular panels£465 -
Cottages by Croydon born artist, George Edward Handel Lucas.
£450Cottages by Croydon born artist, George Edward Handel Lucas.
Original painting c1880 by George Edward Handel Lucas. Presented in a washline mount with a centre and corner gilt frame.£450 -
Early Victorian brass door porter
£450 -
Cut glass hallway pendant light,
£450 -
Set of antique beehive door knobs
£450 the setSet of antique beehive door knobs
ebony with brass collars, sold as a set of three pairs.£450 the set -
Pair of Edwardian parcel-gilt carved mahogany mirrors
£450Pair of Edwardian parcel-gilt carved mahogany mirrors
with starburst spandrels enclosing the bevelled mirror plates.£450 -
A late Victorian part glazed pine front door
£440A late Victorian part glazed pine front door
with two long glazed rectangular moulded panels above two short blind,£440 -
A late Victorian cast iron combination grate
£425A late Victorian cast iron combination grate
the integral rectangular moulded shelf above a frieze modelled in relief with a central keystone, relief cast spandrels above the bowed railed basket; blasted, blacked to the fire interior and undercoated with fireproof paint,£425 -
Late nineteenth century brass door porter by Tonks,
£425 -
Late nineteenth century Aesthetic wall sconce,
£425Late nineteenth century Aesthetic wall sconce,
repousse brass with inset bevelled mirror plate, c.1880£425 -
An English cottage back door
£415An English cottage back door
glazed to the top half (glass lacking), the lower half planked to the obverse - a single panel to the reverse,£415 -
A Scottish Victorian cast iron fireplace insert
£410A Scottish Victorian cast iron fireplace insert
the arched firegrate with diminishing penny mouldings to the aperture and a bowed railed basket£410 -
Set of three nineteenth century cast iron coat hooks
£400 the three -
An Alphabet by William Nicholson, A was an Artist,
£400 eachAn Alphabet by William Nicholson, A was an Artist,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, B for Beggar,
£400 eachAn Alphabet by William Nicholson, B for Beggar,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, C is for Countess,
£400 eachAn Alphabet by William Nicholson, C is for Countess,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, D is for Dandy,
£400 eachAn Alphabet by William Nicholson, D is for Dandy,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, F is for Flower Girl,
£400 eachAn Alphabet by William Nicholson, F is for Flower Girl,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, G for Gentleman,
£400 eachAn Alphabet by William Nicholson, G for Gentleman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, H for Huntsman,
£400 eachAn Alphabet by William Nicholson, H for Huntsman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, I for Idiot,
£400 eachAn Alphabet by William Nicholson, I for Idiot,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, J for Jockey,
£400 eachAn Alphabet by William Nicholson, J for Jockey,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, K is for Keeper,
£400 eachAn Alphabet by William Nicholson, K is for Keeper,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, L is for Lady,
£400 eachAn Alphabet by William Nicholson, L is for Lady,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, M for Milkmaid,
£400 eachAn Alphabet by William Nicholson, M for Milkmaid,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, N for Nobleman,
£400 eachAn Alphabet by William Nicholson, N for Nobleman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, O for Ostler,
£400 eachAn Alphabet by William Nicholson, O for Ostler,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, P for Publican,
£400 eachAn Alphabet by William Nicholson, P for Publican,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, Q for Quaker,
£400 eachAn Alphabet by William Nicholson, Q for Quaker,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, R is for Robber,
£400 eachAn Alphabet by William Nicholson, R is for Robber,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, S for Sportsman,
£400 eachAn Alphabet by William Nicholson, S for Sportsman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, T for Trumpeter,
£400 eachAn Alphabet by William Nicholson, T for Trumpeter,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, U for Urchin,
£400 eachAn Alphabet by William Nicholson, U for Urchin,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, V is for Villain,
£400 eachAn Alphabet by William Nicholson, V is for Villain,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, W for Waitress,
£400 eachAn Alphabet by William Nicholson, W for Waitress,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, X Xylographer,
£400 eachAn Alphabet by William Nicholson, X Xylographer,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, Y is for Yokel,
£400 eachAn Alphabet by William Nicholson, Y is for Yokel,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, And Z for Zoologist,
£400 eachAn Alphabet by William Nicholson, And Z for Zoologist,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
Three pairs of door knobs,
£400 the set -
Set of six brass Victorian fingerplates,
£400 the setSet of six brass Victorian fingerplates,
with reeded decoration throughout, sold as a set.£400 the set -
Set of Edwardian brass fingerplates
£400 the set -
The Blackheath Golfer
£395The Blackheath Golfer
A framed colour mezzotint on wove paper by Valentine Green after a painting by Lemuel Abbott showing William Innes (1760-1803) captain of the Society of Golfers at Blackheath, now known as Royal Blackheath Golf Club.£395 -
An English pine front door
£385An English pine front door
with a pair of arched glazed panels above a pair blind, painted blue to the obverse£385 -
A total Eclipse, or The Moon passing the Sun’s disc
£380A total Eclipse, or The Moon passing the Sun’s disc
Hand coloured line engraving by John Fairburn. King George IV's star is eclipsed by the crecent moon of Catherine of Brunswick while suspended in the sky over the Brighton Pavillion. In his right hand he holds a sack full of slanders. A commentary on the acrimonious public divorce of the King and the Queen Consort in the 1820s;£380 -
Pair of brass pull handles,
£375 the pair -
Victorian brass bell pull
£375 -
An antique Maslaghan rug of small proportions,
£375An antique Maslaghan rug of small proportions,
of typical jagged field design, madder red with brown medallion, indigo with repeating flowerheads without, all within a triple stripe border, some wear to ends; cleaned,£375 -
A small sandstone staddle stone,
£370A small sandstone staddle stone,
the moss covered circular top over tapered rectangular section base£370 -
Early twentieth century coat hook
£350Early twentieth century coat hook
cast in brass with traces of the old chrome and sub-layer of nickel plate.£350 -
Pillage and Destruction of Basing House, Hants,
£350Pillage and Destruction of Basing House, Hants,
A Mid Victorian engraving, by the London artist and printmaker John George Murray after an original oil painting by Charles Landseer showing the plundering of Basing House during the English Civil Wars£350 -
Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
“Twelve Months of Flowers September Senju Chrysanthemum “Chienai Nakamura Suzaku”by Toyohara Kunichika
£350 -
1920s hallway pendant light
£3501920s hallway pendant light
with chrome plated gallery, the moulded shade acid-etched and with cut decoration. Re-wired.£350 -
Art Nouveau ‘T’ plate
£350 -
Arts and Crafts ‘T’ plate
£350 -
Nineteenth century bronze of the Heroic Putti,
£350Nineteenth century bronze of the Heroic Putti,
modelled holding shield and sword aloft on circular Aswan marble plinth base, possibly German, after the originals from the Mariensäule column in Munich by Ferdinand Murmann.£350 -
Art Deco dressing table mirror
£330Art Deco dressing table mirror
The mirror consists of two tone mirrored sections on wooden back, the mirror being held in place with L shaped brass clips.£330 -
An English part-glazed front door
£325An English part-glazed front door
the rectangular window above three square and two portrait panels, painted red£325 -
Dual handed Beddow & Sturmey rim lock,
£325 -
Mixed fruitwood Parquet D’Etoiles,
£320 Per PanelMixed fruitwood Parquet D’Etoiles,
Original antique parquet panels incorporating geometric patterns of apple, walnut, and sycamore backed by pine. French, early C19th 45cm square. Will need some pest treatment. Borders available.£320 Per Panel -
An Art Deco arched part-glazed pine front door
£310An Art Deco arched part-glazed pine front door
the circular pane of obscured glass above a pair of long rectangular recessed panels£310 -
Set of seven iron coat hooks
£300 the set -
Victorian ‘A.Kenrick & Sons’ cast iron door porter,
£300 -
Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,
Printed by Lemercier of Paris.£300 each -
Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,
£300 eachOriginal lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,
Printed by Lemercier of Paris.£300 each -
Early nineteenth century brass spread eagle,
£300Early nineteenth century brass spread eagle,
the well cast spread eagle perched upon a rocky outcrop with a snake in its talons. The eagle was possible from an Empire period standard, the eagle was an iconic symbol used during the Napoleonic period£300 -
An English part-glazed pine front door
£295An English part-glazed pine front door
with a grid of nine rectangular glazed panes to the top section, centred with a bullion pane, above four rectangular blind panels,£295 -
An English four panel front door
£295An English four panel front door
with a pair of moulded rectangular panels above a pair of flush panels£295
Featured Items
-
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500