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  • A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints

    £2,800 the set of eight Stock code: P01308
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    A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints

    1803 Thomas Cook edition. Framed in black with a gold slip.  
    Dimensions: 56cm (22") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01308
    £2,800 the set of eight
  • Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints

    £2,200 the set of six Stock code: P01310
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    Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints

    1803 Thomas Cook edition. Framed in black with a gold slip.
    Dimensions: 52cm (20½") High, 60cm (23½") Wide, 2cm (0¾") Deep
    Stock code: P01310
    £2,200 the set of six
  • Eagle Wharf, Whistler

    £1,200 Stock code: PS216
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    Eagle Wharf, Whistler

    A framed black-line etching by the American artist and engraver James MacNeil Whistler showing shipping off Eagle Wharf off Wapping in the Pool of London. Taken from  'A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects', otherwise referred to as The Thames Set, the pictures were created over a period of 12 years starting in 1859 and finally published as a complete set by Ellis & Green in London in 1871.
    Dimensions: 39.5cm (15½") High, 31.5cm (12½") Wide, 2cm (0¾") Deep
    Stock code: PS216
    £1,200
  • The Dance, by Henri Matisse, Jan – March 1939 / No. 4.

    £1,200 Stock code: P01273 G
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    The Dance, by Henri Matisse, Jan – March 1939 / No. 4.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 50cm (19¾") High, 67cm (26½") Wide, 2cm (0¾") Deep
    Stock code: P01273 G
    £1,200
  • Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800
  • Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 C
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    Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 C
    £800
  • Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 D
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    Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 D
    £800
  • Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 C
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    Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 C
    £800
  • Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 B
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 B
    £800
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • The Battle at La Hogue

    £750 Stock code: PS0042
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    The Battle at La Hogue

    A large framed and mounted black line engraving by William Wollett afer the painting by Benjamin West showing the Anglo-Dutch naval victory at La Hogue off the coast of Normandy in 1692. " Standing in a boat at the left ... Vice Admiral George Rooke embodies heroic command with his upright posture and raised sword... Beached in the center distance is the French flagship, the Royal Sun. Actually burned and sunk a few days before this encounter, the Royal Sun is here deliberately refloated -- only to be run against the cliffs so that West might symbolize the French defeat." U.S. National Gallery of Art, Washington D.C.
    Dimensions: 71cm (28") High, 84cm (33") Wide, 34cm (13½") Deep
    Stock code: PS0042
    £750
  • Poplar

    £650 Stock code: PS0039
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    Poplar

    An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.
    Dimensions: 50cm (19¾") High, 42cm (16½") Wide, 2cm (0¾") Thick
    Stock code: PS0039
    £650
  • St. James’s Church Clerkenwell

    £650 Stock code: PS0041
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    St. James’s Church Clerkenwell

    A framed and mounted black line etching by the English artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968) depicting St James's Church Clerkenwell. Signed in pencil by the artist. Clerkenwell contained a notorious slum at the turn of the 20h Century and was the setting for George Gissing's Novel, The Netherworld - "Opposite, the shapes of poverty-eaten houses and grimy workshops stood huddling in the obscurity. From near at hand came shrill voices of children chasing each other about – children playing at midnight between slum and gaol!"
    Dimensions: 1cm (0½") Wide
    Stock code: PS0041
    £650
  • Japanese Woodblock Diptych.

    £600 Stock code: P01366 B
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    Japanese Woodblock Diptych.

    Mounted with Black and gold frame.
    Dimensions: 57.5cm (22¾") High, 71cm (28") Wide, 2cm (0¾") Deep
    Stock code: P01366 B
    £600
  • Japanese Woodblock Diptych, Seven Miraculous Stories of Northern Echizen Province (Hokuetsu shichi kidan)

    £600 Stock code: P01366 A
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    Japanese Woodblock Diptych, Seven Miraculous Stories of Northern Echizen Province (Hokuetsu shichi kidan)

    Published by Tamaya Sōsuke c1860. Mounted with Black and gold frame.
    Dimensions: 57.5cm (22¾") High, 71cm (28") Wide, 2cm (0¾") Deep
    Stock code: P01366 A
    £600
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600
  • Buildings & Boats

    £550 Stock code: PS0040
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    Buildings & Boats

    A framed and mounted black line etching by the artist-engraver Norman Jones RWS RE RSMA, showing a riverside wharf scene in the Lower Pool of the River Thames, possibly corresponding to the river frontage of Narrow Street, Limehouse. Signed in pencil by the artist.
    Dimensions: 1cm (0½") Wide
    Stock code: PS0040
    £550
  • ‘A Young Poodle, but not one of the Sagacious Breed’

    £520 Stock code: P01296
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    ‘A Young Poodle, but not one of the Sagacious Breed’

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01296
    £520
  • A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.

    £520 Stock code: P01295
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    A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01295
    £520
  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500
  • Westminster Abbey by Mortimer Mempes

    £480 Stock code: P01328
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    Westminster Abbey by Mortimer Mempes

    Mortimer Luddington Menpes. Printmaker, painter of genre, architectural subjects, and writer was born in Alelaide, Australia and came to England c.1875 where he remained until his death in 1938.
    Dimensions: 58cm (22¾") High, 47cm (18½") Wide, 2.5cm (1") Deep
    Stock code: P01328
    £480
  • Hogarth, The Four Times of the Day

    £450 the set Stock code: PS0293
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    Hogarth, The Four Times of the Day

    Set of four prints after William Hogarth, showing the four times of the day during different seasons of the year. Printers crease on the noon plate, published c 1805 by Thomas Cook, with old hand-colour. Framed
    Dimensions: 50.8cm (20") High, 40.64cm (16") Wide
    Stock code: PS0293
    £450 the set
  • An Alphabet by William Nicholson, A was an Artist,

    £400 each Stock code: P01318 A
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    An Alphabet by William Nicholson, A was an Artist,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 A
    £400 each
  • An Alphabet by William Nicholson, B for Beggar,

    £400 each Stock code: P01318 B
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    An Alphabet by William Nicholson, B for Beggar,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 B
    £400 each
  • An Alphabet by William Nicholson, C is for Countess,

    £400 each Stock code: P01318 C
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    An Alphabet by William Nicholson, C is for Countess,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 C
    £400 each
  • An Alphabet by William Nicholson, D is for Dandy,

    £400 each Stock code: P01318 D
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    An Alphabet by William Nicholson, D is for Dandy,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 D
    £400 each
  • An Alphabet by William Nicholson, F is for Flower Girl,

    £400 each Stock code: P01318 F
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    An Alphabet by William Nicholson, F is for Flower Girl,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 F
    £400 each
  • An Alphabet by William Nicholson, G for Gentleman,

    £400 each Stock code: P01318 G
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    An Alphabet by William Nicholson, G for Gentleman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 G
    £400 each
  • An Alphabet by William Nicholson, H for Huntsman,

    £400 each Stock code: P01318 H
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    An Alphabet by William Nicholson, H for Huntsman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 H
    £400 each
  • An Alphabet by William Nicholson, I for Idiot,

    £400 each Stock code: P01318 I
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    An Alphabet by William Nicholson, I for Idiot,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 I
    £400 each
  • An Alphabet by William Nicholson, J for Jockey,

    £400 each Stock code: P01318 J
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    An Alphabet by William Nicholson, J for Jockey,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 J
    £400 each
  • An Alphabet by William Nicholson, K is for Keeper,

    £400 each Stock code: P01318 K
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    An Alphabet by William Nicholson, K is for Keeper,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 K
    £400 each
  • An Alphabet by William Nicholson, L is for Lady,

    £400 each Stock code: P01318 L
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    An Alphabet by William Nicholson, L is for Lady,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 L
    £400 each
  • An Alphabet by William Nicholson, M for Milkmaid,

    £400 each Stock code: P01318 M
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    An Alphabet by William Nicholson, M for Milkmaid,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 M
    £400 each
  • An Alphabet by William Nicholson, N for Nobleman,

    £400 each Stock code: P01318 N
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    An Alphabet by William Nicholson, N for Nobleman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 N
    £400 each
  • An Alphabet by William Nicholson, O for Ostler,

    £400 each Stock code: P01318 O
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    An Alphabet by William Nicholson, O for Ostler,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 O
    £400 each
  • An Alphabet by William Nicholson, P for Publican,

    £400 each Stock code: P01318 P
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    An Alphabet by William Nicholson, P for Publican,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 P
    £400 each
  • An Alphabet by William Nicholson, Q for Quaker,

    £400 each Stock code: P01318 Q
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    An Alphabet by William Nicholson, Q for Quaker,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 Q
    £400 each
  • An Alphabet by William Nicholson, R is for Robber,

    £400 each Stock code: P01318 R
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    An Alphabet by William Nicholson, R is for Robber,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 R
    £400 each
  • An Alphabet by William Nicholson, S for Sportsman,

    £400 each Stock code: P01318 S
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    An Alphabet by William Nicholson, S for Sportsman,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 S
    £400 each
  • An Alphabet by William Nicholson, T for Trumpeter,

    £400 each Stock code: P01318 T
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    An Alphabet by William Nicholson, T for Trumpeter,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 T
    £400 each
  • An Alphabet by William Nicholson, U for Urchin,

    £400 each Stock code: P01318 U
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    An Alphabet by William Nicholson, U for Urchin,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 U
    £400 each
  • An Alphabet by William Nicholson, V is for Villain,

    £400 each Stock code: P01318 V
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    An Alphabet by William Nicholson, V is for Villain,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 V
    £400 each
  • An Alphabet by William Nicholson, W for Waitress,

    £400 each Stock code: P01318 W
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    An Alphabet by William Nicholson, W for Waitress,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 W
    £400 each
  • An Alphabet by William Nicholson, X Xylographer,

    £400 each Stock code: P01318 X
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    An Alphabet by William Nicholson, X Xylographer,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 X
    £400 each
  • An Alphabet by William Nicholson, Y is for Yokel,

    £400 each Stock code: P01318 Y
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    An Alphabet by William Nicholson, Y is for Yokel,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 Y
    £400 each
  • An Alphabet by William Nicholson, And Z for Zoologist,

    £400 each Stock code: P01318 Z
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    An Alphabet by William Nicholson, And Z for Zoologist,

    Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist.  The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An AlphabetAn Almanac of Twelve Sports, Twelve PortraitsLondon Types, and The Square Book of Animals.
    Dimensions: 40.5cm (16") High, 36cm (14¼") Wide, 1.5cm (0½") Deep
    Stock code: P01318 Z
    £400 each
  • Porters Hall, by Hubert John Williams.

    £395 Stock code: P01325
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    Porters Hall, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 1cm (0½") Wide
    Stock code: P01325
    £395
  • The Pond Garden, Hampton Court, by Hubert John Williams.

    £395 Stock code: P01326
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    The Pond Garden, Hampton Court, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 47cm (18½") High, 38.5cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01326
    £395
  • The Charterhouse, by Hubert John Williams.

    £395 Stock code: P01327
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    The Charterhouse, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 57.5cm (22¾") High, 46cm (18") Wide, 2cm (0¾") Deep
    Stock code: P01327
    £395
  • St. James Palace, by Hubert John Williams.

    £395 Stock code: P01324
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    St. James Palace, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 51cm (20") High, 41cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01324
    £395
  • Eltham Palace, by Hubert John Williams.

    £395 Stock code: P01323
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    Eltham Palace, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 48cm (19") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01323
    £395
  • The George Inn, Borough High Street, by Hubert John Williams.

    £395 Stock code: P01322
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    The George Inn, Borough High Street, by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 2cm (0¾") Deep
    Stock code: P01322
    £395
  • The York Watergate by Hubert John Williams.

    £395 Stock code: P01321
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    The York Watergate by Hubert John Williams.

    Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.
    Dimensions: 50cm (19¾") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01321
    £395
  • The Blackheath Golfer

    £395 Stock code: PS0072
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    The Blackheath Golfer

    A framed colour mezzotint on wove paper by Valentine Green after a painting by Lemuel Abbott showing William Innes (1760-1803) captain of the Society of Golfers at Blackheath, now known as Royal Blackheath Golf Club.
    Dimensions: 1cm (0½") Wide
    Stock code: PS0072
    £395
  • A total Eclipse, or The Moon passing the Sun’s disc

    £380 Stock code: PS0081
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    A total Eclipse, or The Moon passing the Sun’s disc

    Hand coloured line engraving by John Fairburn. King George IV's star is eclipsed by the crecent moon of Catherine of Brunswick while suspended in the sky over the Brighton Pavillion. In his right hand he holds a sack full of slanders. A commentary on the acrimonious public divorce of the King and the Queen Consort in the 1820s;
    Dimensions: 45.5cm (18") High, 35cm (13¾") Wide
    Stock code: PS0081
    £380
  • Pillage and Destruction of Basing House, Hants,

    £350 Stock code: PS220
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    Pillage and Destruction of Basing House, Hants,

    A Mid Victorian engraving by the London artist and printmaker John George Murray after an original oil painting by Charles Landseer showing the plundering of Basing House during the English Civil Wars. Mounted and framed in a walnut ogee profile with foliated gilt slip.
    Dimensions: 80.5cm (31¾") High, 95cm (37½") Wide, 4cm (1½") Deep
    Stock code: PS220
    £350
  • “Twelve Months of Flowers September Senju Chrysanthemum “Chienai Nakamura Suzaku”by Toyohara Kunichika

    £350 Stock code: P01306 I
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    “Twelve Months of Flowers September Senju Chrysanthemum “Chienai Nakamura Suzaku”by Toyohara Kunichika

    Nishiki print.
    Dimensions: 53cm (20¾") High, 41cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 I
    £350
  • Bandō Kakitsu I, an actor by Baido Kunimasa

    £350 Stock code: P01306 H
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    Bandō Kakitsu I, an actor by Baido Kunimasa

    R/H section of a triptych depicting the actor Bandō Kakitsu I playing a karinto merchant in the play Chitose-za shin kyogen Tsuki shiraha bonji horimono.
    Dimensions: 52cm (20½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01306 H
    £350
  • Samurai Warlord, Hatakeyama Shigetada by Utagawa Kunimune

    £350 Stock code: P01306 G
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    Samurai Warlord, Hatakeyama Shigetada by Utagawa Kunimune

    Hatakeyama Shigetada, was a warrior of the early Kamakura Period (1185-1333) famed for his virtue and bravery.
    Dimensions: 52cm (20½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01306 G
    £350
  • Pedicure by Torii Kiyohiro

    £350 Stock code: P01306 F
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    Pedicure by Torii Kiyohiro

    Produced by of the leading artists of the era of two-colour 'benizurie' prints, where the works are printed in pink (beni) and green, a style that peaked in the early 1740s.
    Dimensions: 51cm (20") High, 41.5cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 F
    £350
  • Yaoya oshichi meshitsukai o Hatsu by Utagawa Kunisada

    £350 Stock code: P01306 E
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    Yaoya oshichi meshitsukai o Hatsu by Utagawa Kunisada

    Yaoya Oshichi was a daughter of the greengrocer Tarobei, who lived in the Hongō neighborhood of Edo at the beginning of the Edo period. She was burned at the stake for attempting to commit arson. The story became the subject of joruri puppet plays.
    Dimensions: 51cm (20") High, 41.5cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 E
    £350
  • An actor from Chushingura by Utagawa Kunisada

    £350 Stock code: P01306 D
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    An actor from Chushingura by Utagawa Kunisada

    Chushingura, was Japan’s most popular kabuki play, with its origins in an event of organized mob violence in 1702, its a complex story of unquestioning loyalty, revenge, conflict, love, and punishment.
    Dimensions: 53cm (20¾") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01306 D
    £350
  • Kataoka Nizaemon VIII as Karigane Kon’ya Bunshichi by Utagawa Kunisada I (Toyokuni III)

    £350 Stock code: P01306 C
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    Kataoka Nizaemon VIII as Karigane Kon’ya Bunshichi by Utagawa Kunisada I (Toyokuni III)

    This print originally formed the R/H side from a triptych of the play, Eiyû Koko ni Yorimasa
    Dimensions: 52cm (20½") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01306 C
    £350
  • A girl reading poetry by Toyohara Chikanobu

    £350 Stock code: P01306 B
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    A girl reading poetry by Toyohara Chikanobu

    This print originally formed the R/H side of a triptych.
    Dimensions: 52cm (20½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01306 B
    £350
  • A scene from ’47 Ronin’ a Japanese Samurai Tale, 1852, after Utagawa Fusatane (active 1854-1889)

    £350 Stock code: P01306 A
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    A scene from ’47 Ronin’ a Japanese Samurai Tale, 1852, after Utagawa Fusatane (active 1854-1889)

    This print vividly depicts the famous night attack of 47 ronin, or masterless samurai, on the house of Moronao.
    Dimensions: 40cm (15¾") High, 52cm (20½") Wide, 2cm (0¾") Deep
    Stock code: P01306 A
    £350
  • An English Merry-Making in the Olden Time – William Powell Frith

    £350 Stock code: PS0070
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    An English Merry-Making in the Olden Time – William Powell Frith

    An large oak and gilt framed engraving by William Powell Frith showing a village celebration of the mid 17th Century taking place in the shade of a large oak tree.
    Dimensions: 50cm (19¾") High, 100cm (39¼") Wide, 10cm (4") Deep
    Stock code: PS0070
    £350
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,

    £300 each Stock code: P01309 Q
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 Q
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,

    £300 each Stock code: P01309 P
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 P
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,

    £300 each Stock code: P01309 O
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 O
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,

    £300 each Stock code: P01309 N
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 N
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,

    £300 each Stock code: P01309 M
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 M
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,

    £300 each Stock code: P01309 L
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 L
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,

    £300 each Stock code: P01309 K
    Add to Wishlist

    Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 K
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    £300 each Stock code: P01309 J
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 J
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    £300 each Stock code: P01309 I
    Add to Wishlist

    Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 I
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    £300 each Stock code: P01309 H
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 H
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    £300 each Stock code: P01309 G
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 G
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    £300 each Stock code: P01309 F
    Add to Wishlist

    Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 F
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    £300 each Stock code: P01309 E
    Add to Wishlist

    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 E
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    £300 each Stock code: P01309 D
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 D
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    £300 each Stock code: P01309 C
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 C
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    £300 each Stock code: P01309 B
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 B
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    £300 each Stock code: P01309 A
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 A
    £300 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Orion’,

    £295 each Stock code: P01341 S
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Orion’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 S
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Hercules’,

    £295 each Stock code: P01341 R
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nebula of Hercules’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 R
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Cleomedes’,

    £295 each Stock code: P01341 Q
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Cleomedes’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 Q
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘Comets’,

    £295 each Stock code: P01341 P
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘Comets’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 P
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Earth’s Figure and Dimensions’,

    £295 each Stock code: P01341 O
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Earth’s Figure and Dimensions’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 O
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Mars’,

    £295 each Stock code: P01341 M
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Mars’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 M
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Milky Way’,

    £295 each Stock code: P01341 L
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Milky Way’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 L
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Kepler’,

    £295 each Stock code: P01341 K
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Moon’s Surface – Kepler’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 K
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planetary System’,

    £295 each Stock code: P01341 I
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planetary System’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 I
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nomenclature of the Lunar Spots’,

    £295 each Stock code: P01341 H
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Nomenclature of the Lunar Spots’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 H
    £295 each
  • “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Jupiter’,

    £295 each Stock code: P01341 G
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    “The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe” by Charles Blunt, ‘The Planet Jupiter’,

    In the mid-19th century, Home Education had become very popular for the masses and lecturer, Charles Blunt seeing a gap in the market came up with these illustrations. Blunt who specialised in astronomy and natural philosophy, saw the need for a series of ‘accurate yet popular’ plates illustrating the known Universe. These hand-finished aquatints prints were based on Blunt’s own drawings, depicting celestial and astrological subjects.
    Dimensions: 29cm (11½") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01341 G
    £295 each

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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
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    Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    Stock code: P01275 C
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