771 items found
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Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Made by LASSCO 8ft pine dining table,
£800Made by LASSCO 8ft pine dining table,
constructed from reclaimed Victorian floor boards, suitable for ten people.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Baigneuse dans les Roseaux' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Coquelicots' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'La Negresse' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Verve, ‘The Last Works of Henri Matisse’,
£800Verve, ‘The Last Works of Henri Matisse’,
'Acanthes' from Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse', float mounted in a limed oak frame.£800 -
Nineteenth century French wall mounted lantern,
£800Nineteenth century French wall mounted lantern,
with gilt finial above glazed and tapered body , the single light fitting on s-shaped brass bracket, with copper reflector to the rear. Re-wired.£800 -
One pair of printed silk twill curtains,
£800 pairOne pair of printed silk twill curtains,
Bird and foliate design with burgundy, cream and navy plait trimming. Headed with a box pleat, lined and interlined. Made by Harrods.£800 pair -
A carved Portland stone tablet ‘SCHOOL BOARD FOR LONDON’
£800A carved Portland stone tablet ‘SCHOOL BOARD FOR LONDON’
the rectangular carved block with raised lettering, (pictured top available separately)£800 -
English lead planter
£800 -
A George I wrought iron bracket spindle
£800 eachA George I wrought iron bracket spindle
the open scrollwork body applied with leafy ornament, two available,£800 each -
An early Victorian brass and polished steel fireplace fender,
£795An early Victorian brass and polished steel fireplace fender,
the square sided fender with a moulded band of ornament, raised on lion's paw feet and with fire-hook standards to each end,£795 -
A French carved wood horse’s head,
£780 -
A mounted buffalo horn trophy
£780 -
An English copper Winsor street lantern,
£775An English copper Winsor street lantern,
the square section glazed, tapered body with cupped spinnings and a pointed finial atop the canted lid, all raised on a four-pronged chair-iron with cylindrical spigot, the electric lamp-holder wired from the base,£775 -
A pair of English mahogany doors,
£775 the pairA pair of English mahogany doors,
each leaf with four rectangular flush-moulded panels to each side,£775 the pair -
A Victorian Gothic ebonised oak pedestal
£765A Victorian Gothic ebonised oak pedestal
octagonal in plan with arcades of pierced tracery supporting the top and mid platforms,£765 -
A Caucasian Kazak,
£750 -
A George V sterling silver salver,
£750A George V sterling silver salver,
made by R. Attenborough, retailed by Jays of Oxford St. London. Of circular shape with Chippendale pie crust border raised on scroll hoof feet.£750 -
Reclaimed Victorian painted pine floor (11 sq m)
£725 the batch (incl VAT)Reclaimed Victorian painted pine floor (11 sq m)
square edge boards, Condition: good patina, pleasantly worn - authentic dinks, chips and paint commensurate with age, this batch has not been previously picked from,£725 the batch (incl VAT) -
A Victorian cast iron street lamp post,
£725A Victorian cast iron street lamp post,
the tapered post incised with stylised ornament and collars, the ladder bars cast as foliate branches,£725 -
A trio of Victorian carved Portland stone pedestals,
£725 eachA trio of Victorian carved Portland stone pedestals,
each solid stone block, square in section, carved to the front facade with a ribbon-tied graduating bell-flower pendant,£725 each -
An English limestone trough,
£720An English limestone trough,
the rectangular cistern, moss and lichen growths and with knocks and marks commensurate with age,£720 -
Amazonamachy: A Classical plaster figural relief
£700Amazonamachy: A Classical plaster figural relief
the central mounted Amazon in readiness to strike a Greek warrior, another Amazon in support, a further prone beneath the rearing stead. A companion piece to our cast 44365- a frieze from the long side of the same sarcophagus,£700 -
A large giltwood pier mirror,
£700A large giltwood pier mirror,
the breakfront cornice with suspended balls above frieze with central panel, the plate flanked by barley twist columns.£700 -
An Italian reconstituted marble putto personifying ‘Summer’
£700An Italian reconstituted marble putto personifying ‘Summer’
the naked young boy, bearing a sheaf of wheat, reclining on a "C-scroll" and turning to look over his right shoulder, raised on a plinth,
£700 -
An Italian reconstituted marble putto personifying ‘Spring’
£700An Italian reconstituted marble putto personifying ‘Spring’
the naked young boy, bearing a bouquet of flowers, reclining on a "C-scroll" and turning to look over his left shoulder, raised on a plinth.
£700 -
An English plaster architectural relief-plaque,
£685An English plaster architectural relief-plaque,
the rectangular plaque cast in relief with a ribbon-tied drapery swag, tasseled to its edge, the plaque cast in two halves and framed with a moulded border,£685 -
An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
£685An English plaster bust of Innocent X, Gian Battista Pamfili, Pope (1644-55)
the elderly bearded gentleman with his head turned slightly to his right, and wearing a berrettino on his head and the collars of the mozetto around his neck,£685 -
A pair of English composition stone gate-pier ball finials,
£680 the pairA pair of English composition stone gate-pier ball finials,
each with a sphere held aloft on a spreading knopped socle above an integral square-section plinth foot,£680 the pair -
An English buff stoneware garden urn,
£680An English buff stoneware garden urn,
a tazza shaped bowl with an everted rim and lobed body raised on a spreading socle,£680 -
Reclaimed 6 1/2″ pine floorboards (8.7sqm ex Walthamstow)
£650 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (8.7sqm ex Walthamstow)
Condition: pewter patina, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 165 to 175mm wide - lay coursed or trim as needed;£650 the batch (incl VAT) -
A late Victorian mahogany glazed bookcase,
£650A late Victorian mahogany glazed bookcase,
the cornice above the pair of glazed door, with adjustable shelves to the interior,£650 -
A lion keystone
£650 -
A carved Portland stone tablet ‘St JOHN’S ROAD SCHOOL HOXTON’
£650A carved Portland stone tablet ‘St JOHN’S ROAD SCHOOL HOXTON’
the rectangular block with raised lettering, (the shaped top - from the same source - available separately)£650 -
An English plaster portrait bust of a Florentine man in a slashed tunic
£645An English plaster portrait bust of a Florentine man in a slashed tunic
the young bearded gentleman naturalisitically modelled attired in a slashed tunic and raised on a socle,
£645 -
An English plaster bust of Rinaldo della Luna
£645An English plaster bust of Rinaldo della Luna
the gaunt male with head turned to sinester, wearing a pleated tunic, with an indistinct description on the plinth "RINALDODELLA LVNA . ETATIS . ANNO XXVII OPVS MINI NE. MCCCCLXI" and bearing the Brucciani model number 2929,£645 -
An English relief carved limestone plaque,
£640An English relief carved limestone plaque,
the weathered carving of a pair of winged armorini above a swagged, tasselled drape, one face damaged,£640 -
An English plaster cast of a clam shell
£640An English plaster cast of a clam shell
the detailed cast shell with encrusted texture raised on low plinth base,£640 -
An English mahogany four panelled door
£625 -
An English mahogany two panelled door
£625 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Set of six silver gilt fruit spoons,
£600Set of six silver gilt fruit spoons,
Four of the set of six are London stamped, three dated 1811, one dated 1814. The other two stamped Edinburgh dated 1815. Each spoon having shape scoop section with reppouse berry details and engraved decoration to stem.£600 -
A run of Edwardian oak balustrade
£600A run of Edwardian oak balustrade
with turned spindles and a waisted handrail raised on repeating turned spindles, in three sections,£600 -
The head of a Young Athlete,
£595The head of a Young Athlete,
the young male with curly hair, almost certainly from a statue, mounted on an Ashburton marble block,£595 -
A ten point red deer stag’s head trophy
£595 -
Joiner’s workbench,
£550 eachJoiner’s workbench,
A number of joinery workshop benches available. 'EMIR Made in London', England, removed from The Central School of Art & Design, Southampton Row, Bloomsbury, London; established by the L.C.C (London County Council) in 1896 influenced by C. R. Ashbee's Guild of Handicrafts. W. R. Lethaby was the building's architect and first principal. Notable alumni include Lucian Freud, Eric Gill, Victor Pasmore, Viv Stanshall, Joe Strummer, Antony Gormley.£550 each -
Small English lead planter,
£550 eachSmall English lead planter,
square in section, each side cast with a panel centred by a lion mask. We have a larger one stock ref. 91074, which is 36 cm x 46 cm high.
£550 each -
An English cast plaster relief panel,
£545An English cast plaster relief panel,
the richly ornamented frieze cast with an acanthus clasp issuing four successive fruiting and flowering acanthus scrolls,£545 -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
A large Victorian iron-bound teak travelling chest for silver,
£535A large Victorian iron-bound teak travelling chest for silver,
the rectangular chest with steel straps to the corners, iron carrying handles and a lid with three brass hinges and a sprung stay, the insulatedd interior lined with green baize and marbled papers and with fitted compartments for a silver service - still labelled "sugar caster", "coffee pot", "Oblong Entree Dish and Cover" etc.£535 -
An industrial pine and steel low table
£520An industrial pine and steel low table
the top a clamped pine board panel- shelving from ceramic manufacturing industry- with galvanised steel barrel racks serving as bases. A representative finished example shown, sanded, sealed and waxed; available on a three week lead time,£520 -
An English veneered mahogany door,
£510 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Modern glass pendant globe,
£500 -
A pair of Victorian cast iron brackets
£500 the pairA pair of Victorian cast iron brackets
'T' shape brackets, of simple scroll and flowerhead design,£500 the pair -
A number of cast iron lamp posts
£500 each -
An attractive narrow Victorian double-hung stained glass sash window
£495 the two sashesAn attractive narrow Victorian double-hung stained glass sash window
each rectangular pine sash with leaded polychrome glass painted with a stylised foliate ornament and a scarlet ribbon border - the design uniting the two windows,£495 the two sashes -
An English cast iron fireback,
£485An English cast iron fireback,
the rectangular plate with an arched top, cast in relief with an armorial flanked by a wyvern and a lion supporting, the shield centred by a rose and with a coronet surmount,£485 -
An English glazed front door,
£485An English glazed front door,
with a single glazed panel over three blind heavily moulded panels and a letter-plate,£485 -
An English cast plaster of the head and fore-paws of “The Eygptian Lion”,
£485An English cast plaster of the head and fore-paws of “The Eygptian Lion”,
the lioness with bulbous eyes and soporific expression, flanked by large paws, can be wall-hung,£485 -
An English part-glazed mahogany door,
£480An English part-glazed mahogany door,
the upper section with a single glazed pane above two raised and fielded lower panels,£480 -
Gilt-bronze model of Ceres,
£475Gilt-bronze model of Ceres,
modelled seated holding torch aloft in one hand and with a sheaf of wheat in the other, on plinth base. Italian, nineteenth century.£475 -
Turkish flatweave Zileh carpet,
£475 -
The head of Cleopatra VII (or a Ptolemaic lady),
£465The head of Cleopatra VII (or a Ptolemaic lady),
the female head, her hair elaborately coiffured, the head mounted on a block of Ashburton marble,£465 -
A Victorian pine front door,
£450A Victorian pine front door,
with six radial glazed panes above six graduated blind panels, complete with brass knocker and letter-plate,£450 -
An Art Deco composition stone lion mask,
£450 -
Nineteenth century bronze of the Heroic Putti,
£450Nineteenth century bronze of the Heroic Putti,
modelled holding shield and sword aloft on circular Aswan marble plinth base, possibly German, after the originals from the Mariensäule column in Munich by Ferdinand Murmann.£450 -
Smoker’s Bow Windsor armchair,
£450 -
The ‘Chimaera’ composition stone fountain mask
£450 + VAT -
An old English staddlestone,
£445An old English staddlestone,
the circular domed top raised on a tapered square section base, old lichen and moss,£445 -
An English pine front door,
£440 -
A good six panel oak door
£440A good six panel oak door
the front butt and bead flush panelled, the reverse with recessed panels,£440 -
A large quantity of mid Victorian stoneware corbels
£440 per pairA large quantity of mid Victorian stoneware corbels
each corbel cast with an acanthine clasp,£440 per pair -
An Edwardian oak strong box for silver,
£425An Edwardian oak strong box for silver,
the rectangular trunk with steel straps and with a slightly domed hinged lid, bearing the maker's label and the owners label painted to the front: "The Hon(ble) George F. Stanley",£425 -
A George III painted pine four-panel door,
£425 -
An English plaster relief-cast figurative roundel,
£425An English plaster relief-cast figurative roundel,
the seated female figure modelled in relief proffering grapes to a needy putto,£425 -
Slate-top coffee table
£425 -
A wrought iron over-door fanlight
£420A wrought iron over-door fanlight
the demi-lune window way (not glazed) constructed in rectangular bar as scrolls around a central circlet,£420 -
‘The signal is against holiday travel this Easter’
£420‘The signal is against holiday travel this Easter’
Born in Yarmouth, Reginald Mayes’ career began in the design studio of the Eastern Daily Press in Norwich. He moved to London where he designed water marks for paper manufacturers and studied life drawing at the Regent Street Polytechnic and Lithography under Gardiner, Clive. In the early 1930s he became chief staff artist at the London Midland and Scottish Railway public relations department, designing leaflets and posters. In the Second World War, Mayes produced a wide range of anti-travel and propaganda posters for the Railway Executive Committee. They discouraged railway travel with some humorous slogans such as ‘The signal is against holiday travel this Easter’. After the war he did freelance work before retiring to Kent where he relaxed painting landscapes.£420 -
Reclaimed 6 1/2″ pine floorboards (6.5sqm ex Barnes)
£415 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (6.5sqm ex Barnes)
Square edge boards - formerly biscuit jointed - the edge could be re-laid with fresh biscuit joints . Distress and losses to the lower (thinner) flange of the edges - being thicker boards the upper flange has enough integrity to lay as per square-edged. Condition: pewter patina, pleasantly worn with dints and scratches commensurate with age, surface nail holes but solid and uniform - good straight grain. 165mm wide; lengths across the batch: four at 3m, at least one other at 2m but the rest mostly shorts [35mm thick], (the shortness and thickness is reflected in the price). A useful bale of project timber.£415 the batch (incl VAT)
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600