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Dunstanburgh Castle
£9,500Dunstanburgh Castle
A dark and impressionistic view of Dunstanburgh Castle, picked out in pale sunlight looking north across the stormy waters of Northumberland coast. In the late manner of JMW Turner. Oil on canvas in original gilded frame.£9,500 -
The Bells,
£220The Bells,
Framed Chromolithograph by APE (Carlo Pellegrini) picturing the stage actor and impresario Henry Irving. Born into humble circumstances in the West Country, Irving went on to establish himself as a giant of the West End. During his long residence at the Lyceum, beginning with his production of The Bells in 1871, he cemented his own and his theatre company's position as the keeper and type of the English classical theatrical tradition. Irving would later became the model for Bram Stoker's Dracula and was the first actor to be conferred the honour of Knighthood. Irving died on stage in 1905 after giving the final lines of Beckett by Alfred Lord Tennyson ''Into thy hands, O Lord, into thy hands". His ashes are interred in Westminster Abbey, the first cremation prior to internment permitted at the Abbey.£220 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Public and Private Life of Animals, by J. J. Grandville, ‘Les études sont pénibles…’,
£220 eachPublic and Private Life of Animals, by J. J. Grandville, ‘Les études sont pénibles…’,
First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king. It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.£220 each