Salvaged Building Materials
We carefully source the best Yorkstone paving from the gardens and pavements of houses and institutions. Add to that runs of coping, stone church ornament. We have a glorious Castings gallery too.
205 items found
Page 3 of 3
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A run of Staffordshire blue wall coping bricks,
£20 eachA run of Staffordshire blue wall coping bricks,
triangular, square edged; approximately 66 available, a range of variously angled corner pieces also available,£20 each -
An English plaster cast of a caryatid’s feet,
£12.50An English plaster cast of a caryatid’s feet,
the bare feet, aligned together, the ankles concealed by the ending of a fluted drape,£12.50 -
A small English plaster cast of a Regency caryatid’s feet,
£10A small English plaster cast of a Regency caryatid’s feet,
the naturalistically modelled feet, positioned together with well-defined toes,£10 -
A quantity of Staffordshire Blue triangular coping bricks
£10 each + VAT -
A small parcel of Staffordshire blue stable paviors,
£4.50 eachA small parcel of Staffordshire blue stable paviors,
incised diamond pattern, 10" x 5", approximately 200 available, around 7 sqm,£4.50 each
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600