Categories
Close
Latest Arrivals
Also See
Contact Account
Search Lassco
Close

Tchokwe Pwo mask,

Angolan,

Tchokwe Pwo mask,

Angolan,

The Pwo is a classic Chokwe mask genre that honours their founding female ancestries as guardians of fertility and procreation.

Chokwe masks were made and worn by men, often performed during the celebrations that mark a completion of initiation into adulthood and with means to honour women who had survived the difficulty of childbirth.

Adorned with typical scarification designs to the face, with braided natural fibres alongside draped blue beads.

£195

In stock

Add to Wishlist
Dimensions: 27.5cm (10¾") High, 19.5cm (7¾") Wide, 12cm (4¾") Deep
Stock code: AD1483
Categories:
Location:

Recently Viewed Items

  • Picasso, Vollard Suite, 1956. Paris, March 10, 1934

    £175 each Stock code: P01355 82
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, March 10, 1934

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 10, 1934. Four Models and a Sculptured Head.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 82
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    £175 each Stock code: P01355 85
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Drinking Minotaur and Sculptor with Two Models
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 85
    £175 each
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 LXIII
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 LXIII
    £225
  • Public and Private Life of Animals, by J. J. Grandville, ‘Les savants envoyèrent un académicien…’,

    £220 each Stock code: P01344 Q
    Add to Wishlist

    Public and Private Life of Animals, by J. J. Grandville, ‘Les savants envoyèrent un académicien…’,

    First published in France, these prints are based on the drawings of the famed caricaturist J. J. Grandville. Born Jean Ignace Isidore Gérard, Gradville; he fought on the barricades during the revolution of 1830 which dethroned Charles X, the last Bourban king.  It was during this period that his cartoons appeared in two of the most famous satirical journals of the time; Le Charivari and Le Caricature, but in 1835 these publications were suppressed by the government of Louis-Philippe. This event extinguished his income and means of political expression and forced him to start making a living by book illustration. The ‘Public and Private Life of Animals’ allowed him to criticise society and its effect on individuals through one of the oldest narrative types; the animal fable. His caricaturist’s skills combined the human and animal characteristics giving him a vehicle of expression as to what was not permissible in ‘Society’ but was perfectly acceptable when the material was presented as humorous or satirical.
    Dimensions: 35.5cm (14") High, 29.5cm (11½") Wide, 3cm (1¼") Deep
    Stock code: P01344 Q
    £220 each