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A Dutch lead statue of a young swain
£16,500A Dutch lead statue of a young swain
the cheerful minstrel in a wide-brimmed hat having downed his lute and, leaning against a supportive tree-stump, slakes his thirst from a large gourd, raised on a baluster shaped square section stone pedestal,£16,500 -
A pair of Victorian plaster statues
£11,000A pair of Victorian plaster statues
one, a group of St Anne teaching the Virgin Mary to read - the standing pair, in robed attire, looking down into the pages of a book, the mother tenderly supporting her young daughter as she reads; the other, the figure of St Augustine with bishop’s mitre and robes - clutching a drape and administering the sacrament to diminutive supplicants£11,000 -
A pair of lead garden statues
£9,850A pair of lead garden statues
the standing couple in 18th Century attire and poised elegantly, she holding her skirts, he with a feather in his wide-brimmed cap; three-quarter life-size each is raised on a composition stone square-section plinth with fluted and lobed mouldings to the base,£9,850 -
“Charity” a Victorian plaster cast of one of the marble Virtues intended for the early 16th Century tomb of Gaston de Foix
£5,600“Charity” a Victorian plaster cast of one of the marble Virtues intended for the early 16th Century tomb of Gaston de Foix
the classically dressed standing figure with a veiled head, sandalled feet, and her right breast bared, carrying an infant who grasps the veil and turns away, a coin proffered from her right hand, raised on a torus plinth,£5,600 -
A Victorian statuary marble figure of Cupid
£5,250A Victorian statuary marble figure of Cupid
the young putto modelled on a stylised rock with his right index finger held to his lips, his quiver at his side, raised on a circular plinth,£5,250 -
Nineteenth century marble statue of Summer,
£5,000Nineteenth century marble statue of Summer,
Italian, in the manner of Andrea Bertozzi, attractively weathered.£5,000 -
“The Bruges Madonna”, a full-size painted plaster Madonna and Child group after the marble original by Michelangelo
£4,980“The Bruges Madonna”, a full-size painted plaster Madonna and Child group after the marble original by Michelangelo
the seated Virgin in ruched gowns supporting the naked young Christ child standing against her leg, a book in her lap, both raised on a circular plinth,£4,980 -
Continental figure of Cupid after a model by Étienne Maurice Falconet,
£2,800Continental figure of Cupid after a model by Étienne Maurice Falconet,
cupid is modelled sat on a stylised cloud with his right finger held to his lips, his full quiver at his feet. Some loses to feet. Unsigned. Plaster with terracotta finish.£2,800 -
Pair of plaster statues of Hebe and Diana of Gabii,
£2,500 the pair -
Nineteenth century gilt bronze model of Sappho,
£2,200Nineteenth century gilt bronze model of Sappho,
set atop Verde Antico marble base, with ball feet.£2,200 -
An English composition stone figural garden statue of a girl,
£1,975An English composition stone figural garden statue of a girl,
the figure modelled in a Tudor tunic and leggings, leaning against a naturalistic stump with a leg raised, her head craning and a hand cupping her ear as if to catch the sound of birdsong, all raised on a pedestal naturalistically modelled as a hollow log,£1,975 -
Plaster statue of Hermes fastening his sandle,
£1,850Plaster statue of Hermes fastening his sandle,
A French Mid-Nineteenth Century copy of the so called Sandal-binder Hermes. The Roman figure is held in the Musée du Louvre in Paris. The statue in the Louvre is a Roman marble copy of an original Greek Bronze by Lysippus. The appearance of the original, which stood in the Thermae of Zeuxippos in Constantinople, was described in detail by Christodoros of Koptos (491-518) : "There was Hermes ... He stood and fastened up the thongs of his winged sandal with his right hand, yearning to rush forth upon his course. His swift right leg was bent at the knee, and on it he rested his left hand, and meanwhile he was turning his face up to heaven, as if he were hearing the commands of his king and father" Three other complete copies of the Sandal-binder Hermes have been discovered or unearthed since Gavin Hamilton recovered the first complete antique figure from the swamp of the Pantello in 1749, thereby establishing it's identity firmly as Hermes and acknowledging it's status as one of the received masterpieces in the canon of antiquity. It appears to have been placed ornamentally in baths and gymnasia.£1,850 -
Lead statue of the Neopolitan Fisherboy
£1,850 -
An Italian marble and alabaster bust of “Beatrice”
£1,650An Italian marble and alabaster bust of “Beatrice”
the female head with downcast eyes, a wrapped head-scarf and chemise, raised on a rectangular plinth engraved "BEATRICE",£1,650 -
“The Pitti Tondo”, a full-size painted plaster Madonna and Child roundel after the unfinished marble original by Michelangelo
£1,250“The Pitti Tondo”, a full-size painted plaster Madonna and Child roundel after the unfinished marble original by Michelangelo
the seated Virgin modelled in relief as she turns to look to her right and supporting the naked Christ Child with a book on her lap, the young St John the Baptist peers over her shoulder, the cherub on her brow indicating her knowledge of the prophesies,£1,250 -
Large Italian figure of Venus after the Bath
£1,250Large Italian figure of Venus after the Bath
recently made in reconstituted marble, with surface wear and minor marks, suitable for exterior use.£1,250 -
An English lead figure of a boy fishing
£1,165An English lead figure of a boy fishing
clutching his catch in a net, a dropped fish at his feet, craning to look into the water,£1,165 -
An English composition stone figure of “Summer”
£865An English composition stone figure of “Summer”
the standing putto, holding a sheaf of wheat to his shoulder, his sickle lying at his feet,£865 -
An English composition stone figure of “Autumn”
£865An English composition stone figure of “Autumn”
the standing putto, his knee resting on a Halloween pumpkin, holding aloft a fruit filled bowl,£865 -
Composition stone figure of a young boy
£750 -
A cast plaster bust of the Florentine merchant, Pietro Mellini,
£630A cast plaster bust of the Florentine merchant, Pietro Mellini,
the head and neck bust, an abbreviation of the opulently robed head and upper torso original, mounted on a circular socle base. Cast by LASSCO in our Three Pigeons workshops,£630 -
Lead sculpture of a stork
£450 -
Cast terracotta lion’s mask plinth
£350 -
Early nineteenth century brass spread eagle,
£300Early nineteenth century brass spread eagle,
the well cast spread eagle perched upon a rocky outcrop with a snake in its talons. The eagle was possible from an Empire period standard, the eagle was an iconic symbol used during the Napoleonic period£300 -
A cast plaster head of a girl,
£170
Featured Items
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Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800