24 items found
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Vénus et les Amours
£6,750Vénus et les Amours
Gilt framed, velvet backed oil on board painting showing Venus between her attendants, the spirits of love, and a pair of courting doves. Based on the engraving of 1775 by Rene Gaillard, itself a copy of the painting Venus et Les Amours of 1767 by Francois Boucher.£6,750 -
Portrait of Sir Francis Wood
£6,500Portrait of Sir Francis Wood
By H. Broughton, 1815 A oil on canvas head and shoulders portrait of Sir Francis Wood, Yorkshire landowner, London builder, Reformer, Abolitionist and Whig fixer. Set in a large ornate carved and gilded Maratta frame£6,500 -
King George V Silver Jubilee – George Charlton
£6,500King George V Silver Jubilee – George Charlton
A signed, oil on canvas view of the Royal procession along the Embankment during the Silver Jubilee of King George V in 1935. The 1902 State Landau carrying the King and Queen Mary is shown passing between the steps of the City of London School and the River Thames. This stretch of the Thames, originally known as Blackfriars Reach, was renamed King’s Reach in honour of the Sovereign in his Jubilee Year. The form of Joseph Cubitt’s historic Blackfriars Railway Bridge of 1864 (demolished 1985) can just be made out between the road bridge of 1869 and the rail bridge of 1886 by John Wolfe Barry and Henry Marc Brunel. The scholars of the City of London School can be seen waving and craning to catch a glimpse of the Royal couple as the carriage processes from St Pauls Cathedral to Buckingham Palace. The City of London School departed this site at Blackfriars in 1984 and the former school building now houses the British and European headquarters of the Financiers J.P. Morgan.£6,500 -
Henry Barraud, ‘Girl Feeding Cow and Calf’
£5,500Henry Barraud, ‘Girl Feeding Cow and Calf’
A framed circular 'Tondo' oil painting in oils by the Victorian artist Henry Barruad. A young maid is shown feeding a cow and her calf in a rustic barn. Set in a massy gilt frame.£5,500 -
Manner of Nicolas Lancret, dessus de porte, Shepherds Idyll
£4,800 -
Portrait of a Young Bride.
£4,000Portrait of a Young Bride.
Large half length portrait in oils showing a dark young bride seated on a red silk chair. Set within a heavily decorated, carved, moulded and gilded Morant style frame. She is dressed in blue with a gold pendant necklace and prominent wedding band and ruby ring.£4,000 -
The Age of Innocence
£3,800The Age of Innocence
A 19th Century genre painting in oils after Sir Joshua Reynolds originally entitled A Little Girl but better known as The Age of Innocence. A barefooted small child in a white dress is shown seated in a sylvan bower. Set in fine, ornate, carved and gilded Maratta frame with scalloped corners.£3,800 -
Henry Howard, 6th Earl of Suffolk
£3,750Henry Howard, 6th Earl of Suffolk
A large framed oil painting showing Henry Howard, First Earl Bindon, MP for Arundel in Sussex, Deputy Earl Marshall. Commissary General of the Musters for the King in 1705 and charged with oversight of His Majesty’s forces on land. He was appointed to the Privy Council in 1708 and in 1709 upon succeeding as Earl of Suffolk was appointed Lord Lieutenant of Essex and Furst Lord of Trade.£3,750 -
Portrait of an Homme du Monde.
£3,300Portrait of an Homme du Monde.
Large gilt framed half length portrait in oils showing a silk-coated, mustachioed gentleman with double breasted waistcoat and gold watch-chain. His wing tip collar, open at the neck, with silk ascot and tie ring, touseled coiffure and somewhat portly presentation hint at a man of the world.£3,300 -
Continental School, floral still-life
£3,200Continental School, floral still-life
Continental still-life of a vase of flowers on a stone ledge. Gilt Frame. Old repairs and slight loss on paint.£3,200 -
Girl With a Bird,
£3,000Girl With a Bird,
Gilt framed oil on panel 'subject picture' of a girl holding a bird cage. After Sir Joshua Reynolds P.R.A. The companion piece to Age of Innocence Early 19th Century.£3,000 -
Dunstanburgh Castle
£2,600Dunstanburgh Castle
A dark and impressionistic view of Dunstanburgh Castle, picked out in pale sunlight looking north across the stormy waters of Northumberland coast. In the late manner of JMW Turner. Oil on canvas in original gilded frame.£2,600 -
The Caravan
£1,400The Caravan
The Caravan Signed and dated 'George Charlton 1935' A Gypsy caravan shown shaded by the boughs of two Elm trees on Hampstead Heath. The painter George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.£1,400 -
The Startled Shepherd, Robert Mendham
£1,200The Startled Shepherd, Robert Mendham
A genre painting of a shepherd and his faithful dog being startled by a bolt of lightinging in the woods. Attributed to the painter and portraitist Robert Mendham of Suffolk and London. Oil on Canvas, early 19th Century.£1,200 -
A matched pair of genre paintings,
£1,200 the pairA matched pair of genre paintings,
‘The Toy Boat’ and 'The Bird Cage'. A pair of mid 19th Century domestic interior scenes showing benevolent fathers bestowing gifts upon their children. Both works are painted oil-on-canvas and signed by the artist. Canvas stamped with the hallmark of George Rowney & Co. print publishers, printers, suppliers of artists' materials, of Rathbone Place, Picadilly and Oxford Street.£1,200 the pair -
French Riviera Garden, by George Charlton,
£900French Riviera Garden, by George Charlton,
Intimate scene of a lady sitting at a table in a garden on the French Riviera. Oil-on-board. Framed£900 -
Evening Eros by Michael Quirke
£850Evening Eros by Michael Quirke
A framed oil painting depicting a night scene around London's Picadilly Circus with the Shaftesbury Memorial, 'Eros', silhouetted against the famous illumnated signage. Signed by the artist.£850 -
Blue Bicycle by Gary Sargeant
£750Blue Bicycle by Gary Sargeant
Framed oil on panel painting of a blue bicycle in the foreground of a derelict industrial scene by the acclaimed and widely exhibited blind painter, Gary Sergeant.£750 -
The George Inn, Borough High Street
£600The George Inn, Borough High Street
Typical heavy impasto work of Ben Maile painted in 1969. Framed£600 -
Palace of Westminster
£580Palace of Westminster
Bert Pugh (1904-2001) sometimes known as Sullivan Pugh, born in Kilmarnock, Ayrshire. When he was young his family moved to London, where he spent much of his life, joining the Chelsea Art Club. Pugh studied for three years at a building school, at 17 becoming an architectural and ecclesiastical draughtsman, church craftsman and woodcarver, afterwards designing bookplates and practising calligraphy. While owning a commercial art studio in the Strand, he spent evenings studying from life and painting and began to exhibit in the capital. Pugh also spent some time as a commercial artist with the advertising agency J. Walter Thompson.£580 -
Still-life of Fruit
£450 -
Primitive painting of Herstmonceux Castle
£220Primitive painting of Herstmonceux Castle
The brick-built Herstmonceux Castle dates from the 15th century and is situated in East Sussex four miles inland from Eastbourne. The castle was dismantled in 1777 to become a picturesque ruin until restoration in the early 20th century.£220 -
An English Village and Country Lane
£180An English Village and Country Lane
A summers morning view down a holloway in rural Surrey. A chimney gently smokes over a row of well kept alms houses lying obliquely along an unmetalled country lane overlooked by elm trees. In the foreground neighbours are in discussion while a woodsman sets off with a polesaw over his shoulder. Set in a gilt and painted wooden frame.£180 -
Path through a wood. Oil on Canvas
£160
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600