8 items found
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“Erin”: an early Victorian stoneware statue personifying Ireland – in tribute to poet Thomas Moore
POA“Erin”: an early Victorian stoneware statue personifying Ireland – in tribute to poet Thomas Moore
the lifesize female figure with a shamrock diadem, scantily dressed - her dress fallen to her hips and her long hair falling to her waist; her weight borne on her right leg, she leans against an ivy-covered stump on which her harp is supported, her right arm reaches-up to pluck the strings, a portrait medallion of the poet hangs from the stumpPOA -
An Edward VII Royal Mail cast-iron wall-mounted post box
£2,150An Edward VII Royal Mail cast-iron wall-mounted post box
the fascia plate cast in relief with the crown and monogram of Edward VII, the hooded slot cast in relief with "POST OFFICE" above the hinged door - with working lock and key - and bearing the maker's name "W.T.ALLEN, LONDON", the interior with sections of the collection basket and two enamelled indicators "Good Friday" and "Bank Holiday",£2,150 -
Eighteenth century mahogany chest of drawers,
£1,750Eighteenth century mahogany chest of drawers,
attractively patinated and of typical form, with brushing slide above four graduated drawers with original swan's-neck brasses, on bracket feet. Provenance: Farmleigh House, Ireland£1,750 -
A late Victorian cast iron firegrate
£925A late Victorian cast iron firegrate
the arched backplate centred with a sunflower boss, the railed basket with knopped central bar and topped with ball finials, raised on baluster supports,£925 -
Pair of Neo-Celtic bog oak candlesticks,
£550 the pairPair of Neo-Celtic bog oak candlesticks,
Victorian c.1880, lathe turned and intricately carved.£550 the pair -
‘A Young Poodle, but not one of the Sagacious Breed’
£520‘A Young Poodle, but not one of the Sagacious Breed’
Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.£520 -
A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.
£520A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.
Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.£520
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500