6 items found
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Portrait of Sir Francis Wood
£6,500Portrait of Sir Francis Wood
By H. Broughton, 1815 A oil on canvas head and shoulders portrait of Sir Francis Wood, Yorkshire landowner, London builder, Reformer, Abolitionist and Whig fixer. Set in a large ornate carved and gilded Maratta frame£6,500 -
‘Merry Company’ or Récréation Galante
£5,980‘Merry Company’ or Récréation Galante
After Jean-Antoine Watteau Antoine (1664-1721) A full-size Mid 19th Century studio copy of the 18th Century genre picture entitled Récréation Galante by the French Roccoco painter Antoine Watteau. Set in a broad, faded-gilt composition french style frame with deep scoop sides, decorated all over in husk-and-guilloche with gadrooned and heavy applied corners of shell-and-foliage.£5,980 -
The Age of Innocence
£3,800The Age of Innocence
A 19th Century genre painting in oils after Sir Joshua Reynolds originally entitled A Little Girl but better known as The Age of Innocence. A barefooted small child in a white dress is shown seated in a sylvan bower. Set in fine, ornate, carved and gilded Maratta frame with scalloped corners.£3,800 -
Girl With a Bird,
£3,000Girl With a Bird,
Gilt framed oil on panel 'subject picture' of a girl holding a bird cage. After Sir Joshua Reynolds P.R.A. The companion piece to Age of Innocence Early 19th Century.£3,000 -
The Startled Shepherd, Robert Mendham
£1,200The Startled Shepherd, Robert Mendham
A genre painting of a shepherd and his faithful dog being startled by a bolt of lightinging in the woods. Attributed to the painter and portraitist Robert Mendham of Suffolk and London. Oil on Canvas, early 19th Century.£1,200
Featured Items
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The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600