9 items found
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A pair of early Victorian magnesian limestone parapet obelisks
POAA pair of early Victorian magnesian limestone parapet obelisks
each tapered finial with canted corners and a pointed top and Jacobean style strapwork belts and nodules carved to the waist, dropped into a keyed cuboid base with a raised rectangular lozenge panel to each face,POA -
A massive Victorian carved bathstone keystone
£1,850 the single keystoneA massive Victorian carved bathstone keystone
this tapered keystone bearing the Title "THEOLOGY" carved in relief as a tablet suspended from a lion-mask with foliate ornament below,£1,850 the single keystone -
A massive Victorian carved bathstone keystone
£1,850 the single keystoneA massive Victorian carved bathstone keystone
this tapered keystone bearing the Title "FICTION" carved in relief as a tablet suspended from a roundel with foliate ornament below,£1,850 the single keystone -
A massive Victorian carved bathstone keystone
£1,850 the single keystoneA massive Victorian carved bathstone keystone
this tapered keystone bearing the Title "TRAVEL" carved in relief as a tablet suspended from a lion mask with foliate ornament below,£1,850 the single keystone -
A massive Victorian carved bathstone keystone
£1,850 the single keystoneA massive Victorian carved bathstone keystone
this tapered keystone bearing the Title "BIOGRAPHY" carved in relief as a tablet suspended from a lion mask with foliate ornament below,£1,850 the single keystone -
A massive Victorian carved bathstone keystone
£1,850 the single keystoneA massive Victorian carved bathstone keystone
this tapered keystone bearing the Title "HISTORY" carved in relief as a tablet suspended from a lion mask with foliate ornament below,£1,850 the single keystone -
A small English neo-classical stoneware anthemion roof finial
£895A small English neo-classical stoneware anthemion roof finial
delicately modelled with a mask of Mercury, sporting his trademark winged cap, set within the splayed lobes of an anthemion, a pair of pineapple finials and an opposed pair of scrolls below, fragments of old paint,£895 -
A pair of Victorian limestone gothic gate pier finials
£650 the pairA pair of Victorian limestone gothic gate pier finials
each triangular section pier top with lancet arch recesses to the obverse, recessed to the reverse, weathered and mossy, some losses,£650 the pair -
An English limestone church fragment
£175An English limestone church fragment
the foliate carving of leafy clasps, well weathered, flat to the underside,£175
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600