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  • Henry Rushbury, St. Pauls from the North,

    £1,200 Stock code: AD1554 A
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    Henry Rushbury, St. Pauls from the North,

    A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1554 A
    £1,200
  • W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    £850 Stock code: AD1536 A
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    W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931) showing Old Waterloo Bridge from the Surrey shore with three steam Toshers working on the Lambeth Reach of the River Thames. Mounted and in its original frame. Old Waterloo bridge, designed and built by the engineer John Rennie was built in 1827 and stood until 1924 when the increased scour of the river, caused by the removal of the many-piered Old London Bridge, made necessary its dismantling and replacement. Signed by the artist in pencil in he margin.
    Dimensions: 36.2cm (14¼") High, 51cm (20") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 A
    £850
  • W. L Wylie R. A., Sugar boats Greenwich Reach,

    £850 Stock code: AD1536 B
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    W. L Wylie R. A., Sugar boats Greenwich Reach,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931). Signed in pencil by the artist "A view of Greenwich from the Isle of Dogs (i.e. the north-west) with figures, probably local boys, swimming off the beach in the foreground around a small lighter. The Royal Naval College is to the left and the Royal Observatory high in the background above the Park and the riverside town centre of Greenwich proper. In the centre cargo ships are unloading sugar into lighters alongside, in the deep-water mooring tier between Greenwich and Deptford. The atmosphere beyond over the shoreline is one of industrial haze through which a Thames barge, chimneys and a crane can be seen. Astern of the ships small steamers cluster off Greenwich Pier." National Maritime Museum listing.
    Dimensions: 29.5cm (11½") High, 47.8cm (18¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 B
    £850
  • Alderney Street by J. M. Whistler

    £850 Stock code: AD1551 1
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    Alderney Street by J. M. Whistler

    A mounted black line etching in original frame by James McNeill Whistler printed in black ink on ivory laid paper. First published in the "Gazette des Beaux-Arts," in 1881 it depicts Alderney Street in Pimlico. First state of two. The sparing using of line and sketch-like quality in the image reflects an adherence to the theories of Frances Seymour Hayden, the champion and initiator of the late 19th Century 'Etching Revival', who advocated the use of a "learned omission". According to this theory the fewer lines there were on a plate, "the greater would be the thought and creativity residing in each line". This would later be relevant to the thought of the Impressionist movement. A copy is kept at the Metropolitan Museum of Art in New York.
    Dimensions: 35.8cm (14") High, 30.5cm (12") Wide, 1.7cm (0¾") Deep
    Stock code: AD1551 1
    £850
  • Nathaniel Sparks, The Clock Tower, St. Pauls,

    £750 Stock code: AD1557 C
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    Nathaniel Sparks, The Clock Tower, St. Pauls,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby  in 1893 and is still maintained by them to this day. Signed by the artist on the plate.    
    Dimensions: 57cm (22½") High, 40.7cm (16") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 C
    £750
  • Poplar

    £650 Stock code: AD1609
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    Poplar

    An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.
    Dimensions: 50cm (19¾") High, 42cm (16½") Wide, 2cm (0¾") Thick
    Stock code: AD1609
    £650
  • Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    £570 Stock code: AD1557 A
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    Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.
    Dimensions: 59.1cm (23¼") High, 39.9cm (15¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 A
    £570
  • Frederick Farrell, St. Margarets Church, Westminster,

    £550 Stock code: AD1555 D
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    Frederick Farrell, St. Margarets Church, Westminster,

    A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.
    Dimensions: 45.5cm (18") High, 35.1cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 D
    £550
  • Charles Watson, Chelsea

    £550 Stock code: AD1559
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    Charles Watson, Chelsea

    A framed and mounted etching by the English artist Charles Watson (1846-1927) depicting the foreshore at Chelsea with two barges at low tide. In the distance is shown the tower of Chelsea Old Church and a part of Old Battersea Bridge, replaced in 1890. The vantage is from close to the current site of the Chelsea Yacht and Boat Yard. Signed on the plate.
    Dimensions: 31cm (12¼") High, 41cm (16¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1559
    £550
  • Sydney R Jones, St. Mary le Bow, Cheapside,

    £450 Stock code: AD1555 B
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    Sydney R Jones, St. Mary le Bow, Cheapside,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.
    Dimensions: 52cm (20½") High, 32.5cm (12¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 B
    £450
  • Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    £450 Stock code: AD1555 C
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    Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.
    Dimensions: 46cm (18") High, 28.1cm (11") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 C
    £450
  • Nathaniel Sparks, Westminster from the Horseguards,

    £450 Stock code: AD1558 B
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    Nathaniel Sparks, Westminster from the Horseguards,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the North Door and Lady Chapel of Westminster Abbey viewed across Parliament Square. Signed proof impression from the only edition.
    Dimensions: 37.7cm (14¾") High, 46.5cm (18¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 B
    £450
  • Nathaniel Sparks, St. Botolphs Church,

    £450 Stock code: AD1556 B
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    Nathaniel Sparks, St. Botolphs Church,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.
    Dimensions: 45.3cm (17¾") High, 50cm (19¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 B
    £450
  • Nathaniel Sparks, St. James Palace,

    £450 Stock code: AD1556 A
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    Nathaniel Sparks, St. James Palace,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the north gatehouse of St James's Palace viewed across Pall Mall from the east side of St James's Street. Signed by the artist.
    Dimensions: 49.5cm (19½") High, 55cm (21¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 A
    £450
  • Nathaniel Sparks, Waterloo Bridge,

    £450 Stock code: AD1558 A
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    Nathaniel Sparks, Waterloo Bridge,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the northernmost arch of Old Waterloo Bridge with Charing Cross and Westminster bridges beyond and the Palace of Westminster in the distance. Signed by the artist.
    Dimensions: 45cm (17¾") High, 43.5cm (17¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 A
    £450
  • Dorothy Woollard, St. Martin in the Fields,

    £350 Stock code: AD1555 E
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    Dorothy Woollard, St. Martin in the Fields,

    A framed and mounted original etching by Dorothy Woollard of St Martin-in-the-Fields church, Trafalgar Square. Signed in pencil by the artist.  
    Dimensions: 42.3cm (16¾") High, 29cm (11½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 E
    £350
  • St. Pauls from Cheapside

    £280 Stock code: AD1567
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    St. Pauls from Cheapside

    A framed pencil drawing by Dorothy Sweet showing the northern transept and part of the north quire aisle of St Pauls over St Pauls Churchyard, viewed from the the junction of Cheapside and Paternoster Row. Signed by the artist in pencil.    
    Dimensions: 24cm (9½") High, 16.5cm (6½") Wide
    Stock code: AD1567
    £280
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl1
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl1
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl11
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl11
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl9
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl9
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl6
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl6
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl4
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl4
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl5
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl5
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl3
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl3
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl2
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl2
    £140 each
  • The Comforts of Bath, published 1858

    £140 each Stock code: AD1024 pl12
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    The Comforts of Bath, published 1858

    The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'
    Dimensions: 32cm (12½") High, 39.5cm (15½") Wide, 1.5cm (0½") Deep
    Stock code: AD1024 pl12
    £140 each

Featured Items

  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
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    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
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    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800
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    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
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