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41 items found

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  • Henry Rushbury, St. Pauls from the North,

    £1,200 Stock code: AD1554 A
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    Henry Rushbury, St. Pauls from the North,

    A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1554 A
    £1,200
  • The Strand, William Walcot

    £850 Stock code: AD1587
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    The Strand, William Walcot

    Framed and mounted black line etching by the artist-engraver William Walcot showing the The Strand during the construction of the Aldwych in 1924. Issued as part of Walcot's London Set at the height of his success.
    Dimensions: 29cm (11½") High, 42cm (16½") Wide, 1cm (0½") Thick
    Stock code: AD1587
    £850
  • W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    £850 Stock code: AD1536 A
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    W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931) showing Old Waterloo Bridge from the Surrey shore with three steam Toshers working on the Lambeth Reach of the River Thames. Mounted and in its original frame. Old Waterloo bridge, designed and built by the engineer John Rennie was built in 1827 and stood until 1924 when the increased scour of the river, caused by the removal of the many-piered Old London Bridge, made necessary its dismantling and replacement. Signed by the artist in pencil in he margin.
    Dimensions: 36.2cm (14¼") High, 51cm (20") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 A
    £850
  • W. L Wylie R. A., Sugar boats Greenwich Reach,

    £850 Stock code: AD1536 B
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    W. L Wylie R. A., Sugar boats Greenwich Reach,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931). Signed in pencil by the artist "A view of Greenwich from the Isle of Dogs (i.e. the north-west) with figures, probably local boys, swimming off the beach in the foreground around a small lighter. The Royal Naval College is to the left and the Royal Observatory high in the background above the Park and the riverside town centre of Greenwich proper. In the centre cargo ships are unloading sugar into lighters alongside, in the deep-water mooring tier between Greenwich and Deptford. The atmosphere beyond over the shoreline is one of industrial haze through which a Thames barge, chimneys and a crane can be seen. Astern of the ships small steamers cluster off Greenwich Pier." National Maritime Museum listing.
    Dimensions: 29.5cm (11½") High, 47.8cm (18¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 B
    £850
  • The Reconstruction of Piccadilly, William Walcot

    £840 Stock code: AD1590
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    The Reconstruction of Piccadilly, William Walcot

    Framed and mounted black line etching by the artist-engraver William Walcot showing the rebuilding of Picadilly Circus and the Swan and Edgar building following destruction by Zeppelin raid in 1917. Issued as part of Walcot's London Set in 1924
    Dimensions: 28cm (11") High, 42cm (16½") Wide
    Stock code: AD1590
    £840
  • Nathaniel Sparks, The Clock Tower, St. Pauls,

    £750 Stock code: AD1557 C
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    Nathaniel Sparks, The Clock Tower, St. Pauls,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby  in 1893 and is still maintained by them to this day. Signed by the artist on the plate.    
    Dimensions: 57cm (22½") High, 40.7cm (16") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 C
    £750
  • Poplar

    £650 Stock code: AD1609
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    Poplar

    An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.
    Dimensions: 50cm (19¾") High, 42cm (16½") Wide, 2cm (0¾") Thick
    Stock code: AD1609
    £650
  • St. James’s Church Clerkenwell

    £650 Stock code: AD1611
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    St. James’s Church Clerkenwell

    A framed and mounted black line etching by the English artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968) depicting St James's Church Clerkenwell. Signed in pencil by the artist. Clerkenwell contained a notorious slum at the turn of the 20h Century and was the setting for George Gissing's Novel, The Netherworld - "Opposite, the shapes of poverty-eaten houses and grimy workshops stood huddling in the obscurity. From near at hand came shrill voices of children chasing each other about – children playing at midnight between slum and gaol!"
    Dimensions: 1cm (0½") Wide
    Stock code: AD1611
    £650
  • St. Paul’s Cathedral from Cannon Street

    £625 Stock code: AD1520
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    St. Paul’s Cathedral from Cannon Street

    A famed drypoint engraving of a bomb-damaged St Pauls viewed from Cannon Street dated 1942 by the War Artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968). Signed and dated by the artist.
    Dimensions: 43cm (17") High, 57.5cm (22¾") Wide, 1.2cm (0½") Deep
    Stock code: AD1520
    £625
  • Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    £570 Stock code: AD1557 A
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    Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.
    Dimensions: 59.1cm (23¼") High, 39.9cm (15¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 A
    £570
  • Buildings & Boats

    £550 Stock code: AD1610
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    Buildings & Boats

    A framed and mounted black line etching by the artist-engraver Norman Jones RWS RE RSMA, showing a riverside wharf scene in the Lower Pool of the River Thames, possibly corresponding to the river frontage of Narrow Street, Limehouse. Signed in pencil by the artist.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1610
    £550
  • Frederick Farrell, St. Margarets Church, Westminster,

    £550 Stock code: AD1555 D
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    Frederick Farrell, St. Margarets Church, Westminster,

    A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.
    Dimensions: 45.5cm (18") High, 35.1cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 D
    £550
  • Charles Watson, Chelsea

    £550 Stock code: AD1559
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    Charles Watson, Chelsea

    A framed and mounted etching by the English artist Charles Watson (1846-1927) depicting the foreshore at Chelsea with two barges at low tide. In the distance is shown the tower of Chelsea Old Church and a part of Old Battersea Bridge, replaced in 1890. The vantage is from close to the current site of the Chelsea Yacht and Boat Yard. Signed on the plate.
    Dimensions: 31cm (12¼") High, 41cm (16¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1559
    £550
  • Sydney R Jones, St. Mary le Bow, Cheapside,

    £450 Stock code: AD1555 B
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    Sydney R Jones, St. Mary le Bow, Cheapside,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.
    Dimensions: 52cm (20½") High, 32.5cm (12¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 B
    £450
  • Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    £450 Stock code: AD1555 C
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    Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.
    Dimensions: 46cm (18") High, 28.1cm (11") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 C
    £450
  • Nathaniel Sparks, Westminster from the Horseguards,

    £450 Stock code: AD1558 B
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    Nathaniel Sparks, Westminster from the Horseguards,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the North Door and Lady Chapel of Westminster Abbey viewed across Parliament Square. Signed proof impression from the only edition.
    Dimensions: 37.7cm (14¾") High, 46.5cm (18¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 B
    £450
  • Nathaniel Sparks, St. Botolphs Church,

    £450 Stock code: AD1556 B
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    Nathaniel Sparks, St. Botolphs Church,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.
    Dimensions: 45.3cm (17¾") High, 50cm (19¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 B
    £450
  • Nathaniel Sparks, St. James Palace,

    £450 Stock code: AD1556 A
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    Nathaniel Sparks, St. James Palace,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the north gatehouse of St James's Palace viewed across Pall Mall from the east side of St James's Street. Signed by the artist.
    Dimensions: 49.5cm (19½") High, 55cm (21¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 A
    £450
  • Nathaniel Sparks, Waterloo Bridge,

    £450 Stock code: AD1558 A
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    Nathaniel Sparks, Waterloo Bridge,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the northernmost arch of Old Waterloo Bridge with Charing Cross and Westminster bridges beyond and the Palace of Westminster in the distance. Signed by the artist.
    Dimensions: 45cm (17¾") High, 43.5cm (17¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 A
    £450
  • Sad Sloppy Weather

    £400 Stock code: AD1607 A
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    Sad Sloppy Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a prosperous, elderly gentleman walking along a soggy pavement past mean dwellings after a rain shower. Holding a closed and reversed umbrella as a walking-stick he examines his white stockings as they become soiled with the filth of the poorly paved street.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 A
    £400
  • Raw Weather

    £400 Stock code: AD1607 B
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    Raw Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a sour faced, skinny gentleman walking along a country road on a raw, dry, freezing, winters day. Wrapping his coat close against the biting cold he grimaces in discomfort.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 B
    £400
  • Very Slippy Weather

    £400 Stock code: AD1607 D
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    Very Slippy Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. "An elderly man bumps violently on the pavement outside Hannah Humphrey's print shop in a sitting position; his legs (in tasselled Hessians) fly up, but he carefully holds a thermometer in a vertical position. Hat and wig fly off, coins pour from his breeches pocket, a snuff-box bowls away, a dog barks at him. He is unobserved by four men who gaze at the shop-window, and by a grotesquely ugly ragged boy with skates, who walks past, intent on the window. he shop-front is depicted in detail: a glass-paned door (r.), with a fan-light above it. 'Humphrey' over the door; 'N° 27' on the door-post. Through the glass door two men, one a fat drink-blotched parson, are seen inspecting 'Catholic Emancipation'. Next the door (l.) is a bow-fronted shop-window, every pane filled with one of Gillray's prints. The upper rightow are (l. to r.): 'Taking Physick' , 'A Gentle Emetic', 'A Brisk Cathartic'  .'Breathing a Vein' , 'Charming Well again', all probably drawn by Sneyd. The next row: 'in at the Death', 'French Gingerbd Baker', 'King of Brobdingg & Gulliver', 'Kick at ye Broad Bottoms', 'Oh that this too Solid Flesh'. The titles of the four following are hidden by the heads of the window-gazers: ['A Decent Story'] , ['Ladies Dress, as it soon will be,'] , ['Two-Penny Whist'], a print, largely obscured, and probably drawn to fill a small space: a man raises a club to smite down Napoleon, whose head, cocked hat, and hands only are visible, 'Palemon & Lavinia'. The lower prints are hidden by the railings. " - British Museum listing
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 D
    £400
  • Dreadful Hot Weather

    £400 Stock code: AD1607 C
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    Dreadful Hot Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray in which a corpulent city merchant pauses on the highway next to a milestone on which he has placed his hat and gold tipped walking stick. His waistcoat unbuttoned and holding his horsehair wig in his left hand he pauses to mop his brow all while being stung by insects beneath a burning sun. Though set in fields and near a windmill, the person of the merchant and the milestone likely indicate he is visiting a coutry tavern a short walk from London
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 C
    £400
  • Delicious Weather

    £400 Stock code: AD1607 E
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    Delicious Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. A smartly dressed, rosy cheeked gentleman enjoys a pinch of snuff in the fine summer weather.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 E
    £400
  • Fine Bracing Weather

    £400 Stock code: AD1607 F
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    Fine Bracing Weather

    A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. A stout, well dressed, gentleman skates across a forzen pond on a clear, cold, icy early winters day.
    Dimensions: 41cm (16¼") High, 34.8cm (13¾") Wide, 1.5cm (0½") Deep
    Stock code: AD1607 F
    £400
  • Dorothy Woollard, St. Martin in the Fields,

    £350 Stock code: AD1555 E
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    Dorothy Woollard, St. Martin in the Fields,

    A framed and mounted original etching by Dorothy Woollard of St Martin-in-the-Fields church, Trafalgar Square. Signed in pencil by the artist.  
    Dimensions: 42.3cm (16¾") High, 29cm (11½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 E
    £350
  • The Finding of Moses by John Keyse Sherwin

    £320 Stock code: A006
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    The Finding of Moses by John Keyse Sherwin

    Etching /engraving, lettered with title flanking the Royal arms; and with names 'Painted and Engraved by J. K. Sherwin Historical Engraver / to his Majesty & to His Royal Highness the Prince of Wales / London. Published Jany. 18 1789 by R. Wilkinson No.58 Cornhill & I. K. Sherwin No.67 New Bond Street'. Presented in original gilt frame.
    Dimensions: 76cm (30") High, 96cm (37¾") Wide, 7cm (2¾") Long
    Stock code: A006
    £320
  • St. Pauls from Cheapside

    £280 Stock code: AD1567
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    St. Pauls from Cheapside

    A framed pencil drawing by Dorothy Sweet showing the northern transept and part of the north quire aisle of St Pauls over St Pauls Churchyard, viewed from the the junction of Cheapside and Paternoster Row. Signed by the artist in pencil.    
    Dimensions: 24cm (9½") High, 16.5cm (6½") Wide
    Stock code: AD1567
    £280
  • Lambeth Bridge, by J. H. Wiley

    £180 Stock code: P01100 C
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    Lambeth Bridge, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 26cm (10¼") High, 38cm (15") Wide, 1.5cm (0½") Deep
    Stock code: P01100 C
    £180
  • St John Gate, Clerkenwell, by J. H. Wiley

    £180 Stock code: P01100 B
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    St John Gate, Clerkenwell, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 38cm (15") High, 26cm (10¼") Wide, 1.5cm (0½") Deep
    Stock code: P01100 B
    £180
  • William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray

    £160 Stock code: AD1662
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    William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray

    A whole length hand-coloured  Georgian caricature-portrait of Prince William Frederick of Gloucester. Designed in an oval setting, the Prince is shown in profile, facing rightwards, and bearing a strong and suggestive resemblance to his uncle King George III. He is shown wearing military uniform, having served in Flanders in 1794 during the Revolutionary Wars. The Prince, later the Duke, of Gloucester had become popularly and affectionately known as 'Slice of Gloster' or simply 'Slice' by the early 1700s.
    Dimensions: 45cm (17¾") High, 30.5cm (12") Wide
    Stock code: AD1662
    £160
  • Pont Neuf, Paris, by Herbert Hillier

    £160 Stock code: AD1422 / 3
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    Pont Neuf, Paris, by Herbert Hillier

    Signed in pencil. Framed
    Dimensions: 36cm (14¼") High, 43cm (17") Wide, 1.5cm (0½") Deep
    Stock code: AD1422 / 3
    £160
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 55
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 55
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 62
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 62
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 57
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 57
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 58
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 58
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 56
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 56
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 64
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 64
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 66
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 66
    £140 each
  • Picasso, Vollard Suite, 1956,

    £140 each Stock code: P01232 89
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    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 89
    £140 each
  • Picasso, Vollard Suite, 1956

    £140 each Stock code: P01232 23
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    Picasso, Vollard Suite, 1956

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 23
    £140 each

Featured Items

  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500
  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600