71 items found
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A set of 12 “Cries of London” framed hand-coloured engravings
£1,550 the setA set of 12 “Cries of London” framed hand-coloured engravings
each hand-coloured engraving, depicting a street-seller plying their wares, presented in Verre Eglomise frames, [Condition: the prints, faded, foxed and browned in places, the frames with losses and flaking to the Verre Eglomise]£1,550 the set -
Eagle Wharf, Whistler
£1,200Eagle Wharf, Whistler
A framed black-line etching by the American artist and engraver James MacNeil Whistler showing shipping off Eagle Wharf off Wapping in the Pool of London. Taken from 'A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects', otherwise referred to as The Thames Set, the pictures were created over a period of 12 years starting in 1859 and finally published as a complete set by Ellis & Green in London in 1871.£1,200 -
Henry Rushbury, St. Pauls from the North,
£1,200Henry Rushbury, St. Pauls from the North,
A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.£1,200 -
The Strand, William Walcot
£850The Strand, William Walcot
Framed and mounted black line etching by the artist-engraver William Walcot showing the The Strand during the construction of the Aldwych in 1924. Issued as part of Walcot's London Set at the height of his success.£850 -
W. L Wylie R. A., Old Waterloo Bridge from the South Bank,
£850W. L Wylie R. A., Old Waterloo Bridge from the South Bank,
An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931) showing Old Waterloo Bridge from the Surrey shore with three steam Toshers working on the Lambeth Reach of the River Thames. Mounted and in its original frame. Old Waterloo bridge, designed and built by the engineer John Rennie was built in 1827 and stood until 1924 when the increased scour of the river, caused by the removal of the many-piered Old London Bridge, made necessary its dismantling and replacement. Signed by the artist in pencil in he margin.£850 -
W. L Wylie R. A., Sugar boats Greenwich Reach,
£850W. L Wylie R. A., Sugar boats Greenwich Reach,
An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931). Signed in pencil by the artist "A view of Greenwich from the Isle of Dogs (i.e. the north-west) with figures, probably local boys, swimming off the beach in the foreground around a small lighter. The Royal Naval College is to the left and the Royal Observatory high in the background above the Park and the riverside town centre of Greenwich proper. In the centre cargo ships are unloading sugar into lighters alongside, in the deep-water mooring tier between Greenwich and Deptford. The atmosphere beyond over the shoreline is one of industrial haze through which a Thames barge, chimneys and a crane can be seen. Astern of the ships small steamers cluster off Greenwich Pier." National Maritime Museum listing.£850 -
The Reconstruction of Piccadilly, William Walcot
£840The Reconstruction of Piccadilly, William Walcot
Framed and mounted black line etching by the artist-engraver William Walcot showing the rebuilding of Picadilly Circus and the Swan and Edgar building following destruction by Zeppelin raid in 1917. Issued as part of Walcot's London Set in 1924.£840 -
Nathaniel Sparks, The Clock Tower, St. Pauls,
£750Nathaniel Sparks, The Clock Tower, St. Pauls,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby in 1893 and is still maintained by them to this day. Signed by the artist on the plate. Presented in a black frame with a cream mount.£750 -
Poplar
£650Poplar
An original framed and mounted dry-point engraving by the artist engraver Frances Dodd RA showing Poplar Old Town hall on Newby Place in 1930. Hand signed in pencil by the artist.£650 -
St. James’s Church Clerkenwell
£650St. James’s Church Clerkenwell
A framed and mounted black line etching by the English artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968) depicting St James's Church Clerkenwell. Signed in pencil by the artist. Clerkenwell contained a notorious slum at the turn of the 20h Century and was the setting for George Gissing's Novel, The Netherworld - "Opposite, the shapes of poverty-eaten houses and grimy workshops stood huddling in the obscurity. From near at hand came shrill voices of children chasing each other about – children playing at midnight between slum and gaol!"£650 -
St. Paul’s Cathedral from Cannon Street
£625St. Paul’s Cathedral from Cannon Street
A famed drypoint engraving of a bomb-damaged St Pauls viewed from Cannon Street dated 1942 by the War Artist Sir Henry Rushbury KCVO CBE RA (28 October 1889 – 5 July 1968). Signed and dated by the artist.£625 -
Nathaniel Sparks, St Mary-le-Bow, Cheapside,
£570Nathaniel Sparks, St Mary-le-Bow, Cheapside,
An original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist. Presented in a cream mount and black frame.£570 -
Buildings & Boats
£550Buildings & Boats
A framed and mounted black line etching by the artist-engraver Norman Jones RWS RE RSMA, showing a riverside wharf scene in the Lower Pool of the River Thames, possibly corresponding to the river frontage of Narrow Street, Limehouse. Signed in pencil by the artist.£550 -
Frederick Farrell, St. Margarets Church, Westminster,
£550Frederick Farrell, St. Margarets Church, Westminster,
A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.£550 -
Charles Watson, Chelsea
£550Charles Watson, Chelsea
A framed and mounted etching by the English artist Charles Watson (1846-1927) depicting the foreshore at Chelsea with two barges at low tide. In the distance is shown the tower of Chelsea Old Church and a part of Old Battersea Bridge, replaced in 1890. The vantage is from close to the current site of the Chelsea Yacht and Boat Yard. Signed on the plate.£550 -
Westminster Abbey by Mortimer Mempes
£480Westminster Abbey by Mortimer Mempes
Mortimer Luddington Menpes. Printmaker, painter of genre, architectural subjects, and writer was born in Alelaide, Australia and came to England c.1875 where he remained until his death in 1938.£480 -
Sydney R Jones, St. Mary le Bow, Cheapside,
£450Sydney R Jones, St. Mary le Bow, Cheapside,
A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.£450 -
Sydney R Jones, St. Edmund King & Martyr from Lombard Street,
£450Sydney R Jones, St. Edmund King & Martyr from Lombard Street,
A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.£450 -
Nathaniel Sparks, Westminster from the Horseguards,
£450Nathaniel Sparks, Westminster from the Horseguards,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the North Door and Lady Chapel of Westminster Abbey viewed across Parliament Square. Signed proof impression from the only edition.£450 -
Nathaniel Sparks, St. Botolphs Church,
£450Nathaniel Sparks, St. Botolphs Church,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.£450 -
Nathaniel Sparks, St. James Palace,
£450Nathaniel Sparks, St. James Palace,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the north gatehouse of St James's Palace viewed across Pall Mall from the east side of St James's Street. Signed by the artist.£450 -
Nathaniel Sparks, Waterloo Bridge,
£450Nathaniel Sparks, Waterloo Bridge,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the northernmost arch of Old Waterloo Bridge with Charing Cross and Westminster bridges beyond and the Palace of Westminster in the distance. Signed by the artist.£450 -
Sad Sloppy Weather
£400Sad Sloppy Weather
A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a prosperous, elderly gentleman walking along a soggy pavement past mean dwellings after a rain shower. Holding a closed and reversed umbrella as a walking-stick he examines his white stockings as they become soiled with the filth of the poorly paved street.£400 -
Raw Weather
£400Raw Weather
A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray depicting a sour faced, skinny gentleman walking along a country road on a raw, dry, freezing, winters day. Wrapping his coat close against the biting cold he grimaces in discomfort.£400 -
Dreadful Hot Weather
£400Dreadful Hot Weather
A framed and mounted, hand coloured engraving by the Georgian satirist James Gilray in which a corpulent city merchant pauses on the highway next to a milestone on which he has placed his hat and gold tipped walking stick. His waistcoat unbuttoned and holding his horsehair wig in his left hand he pauses to mop his brow all while being stung by insects beneath a burning sun. Though set in fields and near a windmill, the person of the merchant and the milestone likely indicate he is visiting a coutry tavern a short walk from London£400 -
Delicious Weather
£400Delicious Weather
A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. A smartly dressed, rosy cheeked gentleman enjoys a pinch of snuff in the fine summer weather.£400 -
Fine Bracing Weather
£400Fine Bracing Weather
A framed and mounted, hand coloured engraving by the Georgian satirist James Gillray. A stout, well dressed, gentleman skates across a forzen pond on a clear, cold, icy early winters day.£400 -
A total Eclipse, or The Moon passing the Sun’s disc
£380A total Eclipse, or The Moon passing the Sun’s disc
Hand coloured line engraving by John Fairburn. King George IV's star is eclipsed by the crecent moon of Catherine of Brunswick while suspended in the sky over the Brighton Pavillion. In his right hand he holds a sack full of slanders. A commentary on the acrimonious public divorce of the King and the Queen Consort in the 1820s;£380 -
Dorothy Woollard, St. Martin in the Fields,
£350Dorothy Woollard, St. Martin in the Fields,
A framed and mounted original etching by Dorothy Woollard of St Martin-in-the-Fields church, Trafalgar Square. Signed in pencil by the artist.£350 -
The Finding of Moses by John Keyse Sherwin
£320The Finding of Moses by John Keyse Sherwin
Etching /engraving, lettered with title flanking the Royal arms; and with names 'Painted and Engraved by J. K. Sherwin Historical Engraver / to his Majesty & to His Royal Highness the Prince of Wales / London. Published Jany. 18 1789 by R. Wilkinson No.58 Cornhill & I. K. Sherwin No.67 New Bond Street'. Presented in original gilt frame.£320 -
St. Pauls from Cheapside
£280St. Pauls from Cheapside
A framed pencil drawing by Dorothy Sweet showing the northern transept and part of the north quire aisle of St Pauls over St Pauls Churchyard, viewed from the the junction of Cheapside and Paternoster Row. Signed by the artist in pencil.£280 -
Lambeth Bridge, by J. H. Wiley
£180 -
St John Gate, Clerkenwell, by J. H. Wiley
£180 -
Picasso, Vollard Suite, 1956. c. May 1933.
£175 eachPicasso, Vollard Suite, 1956. c. May 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933. Two Catalan Men£175 each -
Picasso, Vollard Suite, 1956. Paris, January 27, 1934.
£175 eachPicasso, Vollard Suite, 1956. Paris, January 27, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, January 27, 1934. Head of Rembrandt and Heads of Three Girls£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, April 23, 1933. Embrace£175 each -
Picasso, Vollard Suite, 1956. Paris, November 7, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 7, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 7, 1933. Bullfight I£175 each -
Picasso, Vollard Suite, 1956. Paris, November 2, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 2, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 2, 1933. Embrace£175 each -
Picasso, Vollard Suite, 1956.
£175 eachPicasso, Vollard Suite, 1956.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931. Two Nudes Resting.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 5, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 5, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 5, 1933. Sculpture of Seated Nude, Sculptured Head, and Vase of Flowers.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 25, 1933,
£175 eachPicasso, Vollard Suite, 1956. Paris, March 25, 1933,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 25, 1933. Sculptor Working from a Model.£175 each -
Picasso, Vollard Suite, 1956. c. May 1933.
£175 eachPicasso, Vollard Suite, 1956. c. May 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933. Four Children Viewing a Monster.£175 each -
Picasso, Vollard Suite, 1956.
£175 eachPicasso, Vollard Suite, 1956.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931. The Rape£175 each -
Picasso, Vollard Suite, 1956. c. 1935.
£175 eachPicasso, Vollard Suite, 1956. c. 1935.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. 1935. Boy Watching over Sleeping Woman by Candlelight.£175 each -
Picasso, Vollard Suite, 1956. June 12, 1936.
£175 eachPicasso, Vollard Suite, 1956. June 12, 1936.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. June 12, 1936. Satyr and Sleeping Woman.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 26, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 26, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 26, 1933. Dying Minotaur.£175 each -
Picasso, Vollard Suite, 1956. Paris, November 11, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 11, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 11, 1933. Acrobats with a Horse.£175 each -
Picasso, Vollard Suite, 1956. Paris, October 23, 1934.
£175 eachPicasso, Vollard Suite, 1956. Paris, October 23, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, October 23, 1934. Blind Minotaur Led through the Night by Girl with Dove.£175 each -
Picasso, Vollard Suite, 1956. c. 1935.
£175 eachPicasso, Vollard Suite, 1956. c. 1935.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c, 1935. Blind Minotaur Led through the Night by Girl with Fluttering Dove.£175 each -
Picasso, Vollard Suite, 1956. Paris, June 16, 1933
£175 eachPicasso, Vollard Suite, 1956. Paris, June 16, 1933
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, June 16, 1933. Minotaur with Girl in His Arms£175 each -
Picasso, Vollard Suite, 1956. Paris, November 8, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 8, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 8, 1933. Bullfight II£175 each -
Picasso, Vollard Suite, 1956. Paris, May 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Drinking Minotaur and Sculptor with Two Models£175 each -
Picasso, Vollard Suite, 1956. c. October 1934.
£175 eachPicasso, Vollard Suite, 1956. c. October 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. October 1934. Blind Minotaur Led by Girl with Fluttering Dove.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 22, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 22, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 22, 1933. Two Nudes Bathing. At left, Sculptured Head and Head of Spectator.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur, Drinking Sculptor, and Three Models.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur over Sleeping Girl.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 23, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 23, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 23, 1933. Minotaur Assaulting a Girl.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Girl Seated by Sleeping Minotaur.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup. September 22, 1934. Blind Minotaur Led by Girl with Bouquet of Wild Flowers.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 10, 1934
£175 eachPicasso, Vollard Suite, 1956. Paris, March 10, 1934
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 10, 1934. Four Models and a Sculptured Head.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 2, 1934
£175 eachPicasso, Vollard Suite, 1956. Paris, March 2, 1934
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 2, 1934. Sculptor and Statue of Three Female Dancers£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup, April 22, 1933. Embrace.£175 each -
Picasso, Vollard Suite, 1956,
£175 eachPicasso, Vollard Suite, 1956,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.£175 each -
Picasso, Vollard Suite, 1956,
£175 eachPicasso, Vollard Suite, 1956,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.£175 each -
Picasso, Vollard Suite, 1956,
£175 eachPicasso, Vollard Suite, 1956,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.£175 each -
Picasso, Vollard Suite, 1956,
£175 eachPicasso, Vollard Suite, 1956,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.£175 each -
Picasso, Vollard Suite, 1956,
£175 eachPicasso, Vollard Suite, 1956,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.£175 each -
William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray
£160William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray
A whole length hand-coloured Georgian caricature-portrait of Prince William Frederick of Gloucester. Designed in an oval setting, the Prince is shown in profile, facing rightwards, and bearing a strong and suggestive resemblance to his uncle King George III. He is shown wearing military uniform, having served in Flanders in 1794 during the Revolutionary Wars. The Prince, later the Duke, of Gloucester had become popularly and affectionately known as 'Slice of Gloster' or simply 'Slice' by the early 1700s.£160 -
Pont Neuf, Paris, by Herbert Hillier
£160 -
Piccadilly Circus
£140Piccadilly Circus
A black line etching of Piccadilly Circus by the artist engraver Henry Lambert showing the Shaftesbury Memorial and the Alliance Life office on the corner of Regent Street.£140 -
Henry Lambert – The Tower of London
£140Henry Lambert – The Tower of London
A framed black line etching by the English artist Terence Henry Lambert showing Tower Hill and the Tower of London from the Lower Pool.£140
Featured Items
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Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600