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  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X N
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X N
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X M
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X M
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X L
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X L
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X K
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X K
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X I
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X I
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X G
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X G
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X F
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X F
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X D
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X D
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X A
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X A
    £795 each
  • Early nineteenth century nude study,

    £750 Stock code: AD1659 K
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    Early nineteenth century nude study,

    An early nineteenth century framed charcoal life-study of a male figure. The figure is shown heroically nude, from the front, in a full length, slightly serpentina pose with the right arm radiating from the torso. The composition is depicted contraposto and leaning on a spear or staff. The pose depicted is shows a slightly adapted and altered rendering of the famous Doryphorus, or Spear-Barer of Polykleitos. Polykleitos was known as the best sculptor of men in the ancient world, with the primary subjects of his works being male athletes with idealised body proportions. He was interested most chiefly in the mathematical proportions of the human form, which led him to write an essay the famous Kanon, on the proportions of humans. The Doryphoros is an illustration of his writings in Kanon on the symmetry between the body parts
    Dimensions: 71cm (28") High, 55cm (21¾") Wide, 3.2cm (1¼") Thick
    Stock code: AD1659 K
    £750
  • Early nineteenth century nude study,

    £750 Stock code: AD1679 A
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    Early nineteenth century nude study,

    An early nineteenth century framed charcoal life-study of a female figure. The figure, shown side-on, models the Pudica pose, an affected posture of chaste virtue, inherited from classical art.
    Dimensions: 71cm (28") High, 55cm (21¾") Wide, 3.2cm (1¼") Thick
    Stock code: AD1679 A
    £750
  • Early nineteenth century nude study,

    £750 Stock code: AD1659 H
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    Early nineteenth century nude study,

    An early nineteenth century framed charcoal life-study of a male figure. The figure is shown heroically nude, from the front, in a full length, adlocutio pose, contraposto and grasping a shaft or baton. The pose is a famous one in Classical Art, said to embody power, control and leadership, and its most famous example is the Augusto di Prima Porta in the Vatican Museums in Rome.
    Dimensions: 71cm (28") High, 55cm (21¾") Wide, 3.2cm (1¼") Thick
    Stock code: AD1659 H
    £750
  • Early nineteenth century nude study,

    £750 Stock code: AD1659 E
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    Early nineteenth century nude study,

    An early nineteenth century framed charcoal life-study of a male figure. The figure is shown from behind in full length, contraposto, with developed musculature and a sinuous, dramatic, figura serpentina recollecting the Dancing Faun of the Uffizi, and the famous Farnese Hercules.
    Dimensions: 71cm (28") High, 55cm (21¾") Wide, 3.2cm (1¼") Thick
    Stock code: AD1659 E
    £750
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 33
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 33
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 31
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 31
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 26
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44.02cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 26
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 22
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 22
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 21
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 21
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 20
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 20
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 19
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 19
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 17
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 17
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 16
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 16
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 15
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 15
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 14
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 14
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 12
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 12
    £300 each
  • Picasso, Verve 1954

    £295 Stock code: P01181 W
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 W
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 X
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 X
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 V
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 V
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 U
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 U
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 Q
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 Q
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 P
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 P
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 N
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 N
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 M
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 M
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 J
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 J
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 H
    Add to Wishlist

    Picasso, Verve 1954

    Original heliograuvre print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 H
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 G
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 G
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 E
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 E
    £295
  • Feliks Topolski Trafalgar Square

    £250 Stock code: AD1686 F
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    Feliks Topolski Trafalgar Square

    A framed Lithograph by the Anglo-Polish Expressionist artist Feliks Topolski RA showing view of Nelson's Column and Trafalgar Square.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1686 F
    £250
  • Feliks Topolski City

    £250 Stock code: AD1686 E
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    Feliks Topolski City

    A framed Lithograph by the Anglo-Polish Expressionist artist Feliks Topolski RA showing view of the City of London seen from the South Bank of the Thames.
    Dimensions: 60cm (23½") High, 49cm (19¼") Wide, 2cm (0¾") Thick
    Stock code: AD1686 E
    £250
  • Feliks Topolski Trooping the Colour

    £250 Stock code: AD1686 D
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    Feliks Topolski Trooping the Colour

    A framed Lithograph by the Anglo-Polish Expressionist artist Feliks Topolski RA showing the Trooping of the Colour at Horseguards Parade in London.
    Dimensions: 60cm (23½") High, 49cm (19¼") Wide, 2cm (0¾") Thick
    Stock code: AD1686 D
    £250
  • Feliks Topolski Speakers’ Corner

    £250 Stock code: AD1686 C
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    Feliks Topolski Speakers’ Corner

    A framed Lithograph by the Anglo-Polish Expressionist artist Feliks Topolski RA showing a scene at Speakers Corner in London's Hyde Park.
    Dimensions: 60cm (23½") High, 49cm (19¼") Wide, 2cm (0¾") Thick
    Stock code: AD1686 C
    £250
  • Feliks Topolski Westminster

    £250 Stock code: AD1686 B
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    Feliks Topolski Westminster

    A framed Lithograph by the Anglo-Polish Expressionist artist Feliks Topolski RA showing a scene at Wesminster.
    Dimensions: 60cm (23½") High, 49cm (19¼") Wide, 2cm (0¾") Thick
    Stock code: AD1686 B
    £250
  • Feliks Topolski Piccadilly Circus

    £250 Stock code: AD1686 A
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    Feliks Topolski Piccadilly Circus

    A framed Lithograph by the Anglo-Polish Expressionist artist Feliks Topolski RA showing a night scene at Picadilly Circus.
    Dimensions: 64cm (25¼") High, 49cm (19¼") Wide, 2cm (0¾") Thick
    Stock code: AD1686 A
    £250

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  • The Dance, by Henri Matisse, Jan – March 1939 / No. 4.

    £1,200 Stock code: P01273 G
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    The Dance, by Henri Matisse, Jan – March 1939 / No. 4.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 50cm (19¾") High, 67cm (26½") Wide, 2cm (0¾") Deep
    Stock code: P01273 G
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  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
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  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
    Add to Wishlist

    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
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