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“The Bruges Madonna”, a full-size painted plaster Madonna and Child group after the marble original by Michelangelo
£4,980“The Bruges Madonna”, a full-size painted plaster Madonna and Child group after the marble original by Michelangelo
the seated Virgin in ruched gowns supporting the naked young Christ child standing against her leg, a book in her lap, both raised on a circular plinth,£4,980 -
A Victorian Gothic carved limestone tracery window header
£2,650A Victorian Gothic carved limestone tracery window header
the double-sided lancet-arched window pierced with trefoil lights to the tracery and blind trefoils to the spandrels, the header in three sections with a fragment of tracery below,£2,650 -
“The Pitti Tondo”, a full-size painted plaster Madonna and Child roundel after the unfinished marble original by Michelangelo
£1,250“The Pitti Tondo”, a full-size painted plaster Madonna and Child roundel after the unfinished marble original by Michelangelo
the seated Virgin modelled in relief as she turns to look to her right and supporting the naked Christ Child with a book on her lap, the young St John the Baptist peers over her shoulder, the cherub on her brow indicating her knowledge of the prophesies,£1,250 -
Pair of late Nineteenth century stained and painted glass panels.
£1,250 the pairPair of late Nineteenth century stained and painted glass panels.
Each panel having a hammered metal framed light box, one depicts the Saint John the Evangelist, with the bible in one hand and communion chalice in the other. The second panel depicts Saint Augustine, the Bishop of Hippo, in his characteristic purple robes, many consider him to be one of the most influential thinkers in the ancient western church.£1,250 the pair -
Henry Rushbury, St. Pauls from the North,
£1,200Henry Rushbury, St. Pauls from the North,
A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.£1,200 -
The Strand, William Walcot
£850The Strand, William Walcot
Framed and mounted black line etching by the artist-engraver William Walcot showing the The Strand during the construction of the Aldwych in 1924. Issued as part of Walcot's London Set at the height of his success.£850 -
Steeple of St Mary-Le-Bow, Cheapside
£700Steeple of St Mary-Le-Bow, Cheapside
Pre-war pen and ink drawing showing the Steeple of St Mary-Le-Bow on Cheapside in the City of London. Signed by the artist.£700 -
Nathaniel Sparks, St Mary-le-Bow, Cheapside,
£570Nathaniel Sparks, St Mary-le-Bow, Cheapside,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.£570 -
Frederick Farrell, St. Margarets Church, Westminster,
£550Frederick Farrell, St. Margarets Church, Westminster,
A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.£550 -
Sydney R Jones, St. Mary le Bow, Cheapside,
£450Sydney R Jones, St. Mary le Bow, Cheapside,
A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.£450 -
Sydney R Jones, St. Edmund King & Martyr from Lombard Street,
£450Sydney R Jones, St. Edmund King & Martyr from Lombard Street,
A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.£450 -
Nathaniel Sparks, St. Botolphs Church,
£450Nathaniel Sparks, St. Botolphs Church,
Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.£450 -
Dorothy Woollard, St. Martin in the Fields,
£350Dorothy Woollard, St. Martin in the Fields,
A framed and mounted original etching by Dorothy Woollard of St Martin-in-the-Fields church, Trafalgar Square. Signed in pencil by the artist.£350 -
St. Pauls from Cheapside
£280St. Pauls from Cheapside
A framed pencil drawing by Dorothy Sweet showing the northern transept and part of the north quire aisle of St Pauls over St Pauls Churchyard, viewed from the the junction of Cheapside and Paternoster Row. Signed by the artist in pencil.£280 -
St. George’s Hanover Square
£140St. George’s Hanover Square
One of the Fifty Churches projected by Queen Anne's Act of 1711, it was built between 1721-1724 to the designs of John James.£140 -
Silver plated communion cups,
£95 each
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each