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14 items found

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  • Gothic window header

    A Victorian Gothic carved limestone tracery window header

    £2,650 Stock code: 46271
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    A Victorian Gothic carved limestone tracery window header

    the double-sided lancet-arched window pierced with  trefoil lights to the tracery and blind trefoils to the spandrels, the header in three sections with a fragment of tracery below,
    Dimensions: 124cm (48¾") High, 167cm (65¾") Wide, 49cm (19¼") Deep
    Stock code: 46271
    £2,650
  • Pair of late Nineteenth century stained and painted glass panels.

    £1,250 the pair Stock code: 79185
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    Pair of late Nineteenth century stained and painted glass panels.

    Each panel having a hammered metal framed light box, one depicts the Saint John the Evangelist, with the bible in one hand and communion chalice in the other. The second panel depicts Saint Augustine, the Bishop of Hippo, in his characteristic purple robes, many consider him to be one of the most influential thinkers in the ancient western church.
    Dimensions: 70cm (27½") High, 29cm (11½") Wide, 15cm (6") Deep
    Stock code: 79185
    £1,250 the pair
  • Henry Rushbury, St. Mary le Bow,

    £1,200 Stock code: AD1554 B
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    Henry Rushbury, St. Mary le Bow,

    A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Mary le Bow church on Cheapside after its bombing in the Blitz. First exhibited at the Royal Academy, Summer Exhibition in 1944 as 'Bow Church from Bread Street' the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.
    Dimensions: 43cm (17") High, 35cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1554 B
    £1,200
  • Henry Rushbury, St. Pauls from the North,

    £1,200 Stock code: AD1554 A
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    Henry Rushbury, St. Pauls from the North,

    A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1554 A
    £1,200
  • The Strand, William Walcot

    £850 Stock code: AD1587
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    The Strand, William Walcot

    Framed and mounted black line etching by the artist-engraver William Walcot showing the The Strand during the construction of the Aldwych in 1924. Issued as part of Walcot's London Set at the height of his success.
    Dimensions: 29cm (11½") High, 42cm (16½") Wide, 1cm (0½") Thick
    Stock code: AD1587
    £850
  • Steeple of St Mary-Le-Bow, Cheapside

    £700 Stock code: AD1287 E
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    Steeple of St Mary-Le-Bow, Cheapside

    Pre-war pen and ink drawing showing the Steeple of St Mary-Le-Bow on Cheapside in the City of London. Signed by the artist.
    Dimensions: 57cm (22½") High, 41cm (16¼") Wide, 2cm (0¾") Deep
    Stock code: AD1287 E
    £700
  • Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    £570 Stock code: AD1557 A
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    Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.
    Dimensions: 59.1cm (23¼") High, 39.9cm (15¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 A
    £570
  • Frederick Farrell, St. Margarets Church, Westminster,

    £550 Stock code: AD1555 D
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    Frederick Farrell, St. Margarets Church, Westminster,

    A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.
    Dimensions: 45.5cm (18") High, 35.1cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 D
    £550
  • Sydney R Jones, St. Mary le Bow, Cheapside,

    £450 Stock code: AD1555 B
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    Sydney R Jones, St. Mary le Bow, Cheapside,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.
    Dimensions: 52cm (20½") High, 32.5cm (12¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 B
    £450
  • Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    £450 Stock code: AD1555 C
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    Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.
    Dimensions: 46cm (18") High, 28.1cm (11") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 C
    £450
  • Nathaniel Sparks, St. Botolphs Church,

    £450 Stock code: AD1556 B
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    Nathaniel Sparks, St. Botolphs Church,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.
    Dimensions: 45.3cm (17¾") High, 50cm (19¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 B
    £450
  • Dorothy Woollard, St. Martin in the Fields,

    £350 Stock code: AD1555 E
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    Dorothy Woollard, St. Martin in the Fields,

    A framed and mounted original etching by Dorothy Woollard of St Martin-in-the-Fields church, Trafalgar Square. Signed in pencil by the artist.  
    Dimensions: 42.3cm (16¾") High, 29cm (11½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 E
    £350
  • St. Pauls from Cheapside

    £280 Stock code: AD1567
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    St. Pauls from Cheapside

    A framed pencil drawing by Dorothy Sweet showing the northern transept and part of the north quire aisle of St Pauls over St Pauls Churchyard, viewed from the the junction of Cheapside and Paternoster Row. Signed by the artist in pencil.    
    Dimensions: 24cm (9½") High, 16.5cm (6½") Wide
    Stock code: AD1567
    £280
  • Silver plated communion cups,

    £95 each Stock code: 77028
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    Silver plated communion cups,

    two available, one stamped Mappin and Webb.
    Dimensions: 19.5cm (7¾") High, 9.9cm (4") Wide
    Stock code: 77028
    £95 each

Featured Items

  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AZ
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AZ
    £900 each