No products in the basket.
95 items found
Page 1 of 1
-
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals,
£175 eachLinden Botanicals,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published in London c1880. Mounted in cream framed in pale gold. 'Hawthorn'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Elder'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Horse Chestnut'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Scotch Fir'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Apple'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Sweet Chestnut'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Larch'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Hornbeam'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Mountain Ash'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Lime'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Lombardy Poplar'.£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Beech'.£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Holm Oak'.£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Sycamore'.£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Plane'.£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Holly'.£140 each -
Nineteenth century arboreal prints
£140 eachNineteenth century arboreal prints
European trees published c1880. Mounted in cream framed in pale gold. 'Cherry'.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
Curtis’s Botanical Lithographs,
£140 eachCurtis’s Botanical Lithographs,
Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.£140 each -
The Profitable Farm and Garden 1902,
£140The Profitable Farm and Garden 1902,
Published in 1902 by W.H & L. Collingbridge, of London. Framed in natural ash. Two Good Market Damsons - The Shropshire, and Frogmore Prolific.£140 -
The Profitable Farm and Garden 1902,
£140The Profitable Farm and Garden 1902,
Published in 1902 by W.H & L. Collingbridge, of London. Framed in natural ash. Black Currants.£140 -
The Profitable Farm and Garden 1902,
£140The Profitable Farm and Garden 1902,
Published in 1902 by W.H & L. Collingbridge, of London. Framed in natural ash. The Hollow Crown Parsnip.£140 -
The Profitable Farm and Garden 1902,
£140The Profitable Farm and Garden 1902,
Published in 1902 by W.H & L. Collingbridge, of London. Framed in natural ash. The Mushroom.£140 -
Wright’s Poultry, original chromolithograph from 1873
£130 eachWright’s Poultry, original chromolithograph from 1873
Published by Cassells c1873. Framed in natural ash. 'Brown-Breasted Red Game'£130 each -
Wright’s Poultry, original chromolithograph from 1873
£130 eachWright’s Poultry, original chromolithograph from 1873
Published by Cassells c1873. Framed in natural ash. 'Brown-Breasted Red Game'£130 each -
Wright’s Poultry, original chromolithograph from 1873
£130 eachWright’s Poultry, original chromolithograph from 1873
Published by Cassells c1873. Framed in natural ash. 'Wheaten Game Hen'£130 each -
Wright’s Poultry, original chromolithograph from 1873
£130 eachWright’s Poultry, original chromolithograph from 1873
Published by Cassells c1873. Framed in natural ash. 'Black East India Ducks, Black Cayuga Ducks'£130 each -
British Dogs 1882 – Scotch Terrier & Welsh Terrier,
£120 each -
British Dogs 1882 – Great Dane
£120 each -
British Dogs 1882 – Dachshunds,
£120 each -
British Dogs 1882 – Gordon Setter,
£120 each -
British Dogs 1882 – Fox Terriers,
£120 each -
British Dogs 1882 – Mastiff,
£120 each -
British Dogs 1882 – St. Bernard,
£120 each -
British Dogs 1882 – Deerhound,
£120 each -
British Dogs 1882 – Black & Tan Terrier, Yorkshire Terrier, Italian Greyhound,
£120 eachBritish Dogs 1882 – Black & Tan Terrier, Yorkshire Terrier, Italian Greyhound,
Illustrations of 'Dogs of the Day'£120 each -
British Dogs 1882 – Irish Water Spaniel
£120 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Alpine Flowers
£110 eachAlpine Flowers
Anton Hartinger was an Austrian artist who specialized in still life paintings of fruit and flowers. He was born in Vienna in 1806 and a member of the Academy of Fine Arts Vienna from 1843 to 1851. He later became a pioneer in the field of chromolithographic printing. He died in Vienna in 1890.£110 each -
Ferns, 19th century scientific prints by Edward Lowe,
£75Ferns, 19th century scientific prints by Edward Lowe,
Chromolithographs published by Groombridge and Sons, London, 1865. Plain wood frames.'Blechnum Spicant:A. Var. Heterophyllum.B. Var. Imbricatum.C. Var. ContractumD. Var. Contractum-Ramosum.'£75 -
Ferns, 19th century scientific prints by Edward Lowe,
£75Ferns, 19th century scientific prints by Edward Lowe,
Chromolithographs published by Groombridge and Sons, London, 1865. Plain wood frames.'Nothochlaena Nivea'.£75 -
Ferns, 19th century scientific prints by Edward Lowe,
£75Ferns, 19th century scientific prints by Edward Lowe,
Chromolithographs published by Groombridge and Sons, London, 1865. Plain wood frames.'Polypodium Sporadocarpum'.£75 -
Ferns, 19th century scientific prints by Edward Lowe,
£75Ferns, 19th century scientific prints by Edward Lowe,
Chromolithographs published by Groombridge and Sons, London, 1865. Plain wood frames.'Cystopteris Fragilis Var. Dickieana'.£75
Featured Items
-
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each