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A magnificent set of four English pine and composition neo-Classical pilasters
POAA magnificent set of four English pine and composition neo-Classical pilasters
each rectangular section stem with recessed panels to each side bordered with lambrequin mouldings, the face applied with scrolling Etruscan style stylised foliate ornament incorporating urns, and headed by composition order capitals and raised on a stepped block foot; all painted post-restorations with a unifying white wash,POA -
A rare George III pine and composition doorcase
£14,250A rare George III pine and composition doorcase
the triangular pediment with reeded soffit, dentil mouldings and repeated ogee brackets, the endblocks applied with painted composition relief-cast urn motifs, raised on fluted columns with reeded capitals and square footblocks; the back-board cut with an arched aperture,£14,250 -
Early twentieth century brass, steel and iron firegrate
£3,000Early twentieth century brass, steel and iron firegrate
the pierced serpentine apron with applied oval paterae, the basket and front legs surmounted by engraved classical urns, on tapered front legs, c.1900.£3,000
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800