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Page 4 of 8
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 I
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 I
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 B
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 B
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 D
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 D
    £200
  • Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769

    £200 Stock code: P01305 C
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    Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 C
    £200
  • Pompei Interior, copper-engravings published 1796

    £200 Stock code: P01305 Q
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    Pompei Interior, copper-engravings published 1796

    From a London interior design project
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 Q
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 F
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 F
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 R
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 R
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 S
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 S
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 L
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 L
    £200
  • Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.

    £200 Stock code: P01305 K
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    Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 K
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 O
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    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 O
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 P
    Add to Wishlist

    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 P
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 T
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    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 T
    £200
  • Pompei Interior, copper-engravings published 1796

    £200 Stock code: P01305 G
    Add to Wishlist

    Pompei Interior, copper-engravings published 1796

    From a London interior design project
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 G
    £200
  • The Queen’s Lord Steward,

    £200 Stock code: AD1562 38
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    The Queen’s Lord Steward,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Gavin Campbell 1st Marquess of Breadalbane KG PC JP DL. Scotch Nobleman and Liberal politician. Lord Steward to the Royal Household of Queen Victoria.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 38
    £200
  • Ficelle Dramatique,

    £200 Stock code: AD1562 30
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    Ficelle Dramatique,

    Framed Chromolithograph by T (Theobald Chartran) picturing Victorien Sardou, French dramatist, playwright of the original 'Tosca' and developer, along with Eugene Scribe, of the 'Well Made Play'. Much maligned by 'socially radical' playwrights, his method of composition which focused on concise plotting, compelling narrative and a solid structure shorn of intellectual or philosophical pretensions was nonetheless adapted for use by figures such as George Bernard Shaw, Oscar Wilde and J.B. Priestly. Shaw in particular affected to scorn Sardou's creations as 'Sardoodles' but still condescended to employ a Sardou structure on his breakout success, 'Man and Superman' in 1902.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 30
    £200
  • He insists that his pen is mightier than his sword,

    £200 Stock code: AD1562 9
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    He insists that his pen is mightier than his sword,

    Framed chromolithograph by Spy (Sir Leslie Ward) picturing Mr Egerton Castle MA FRSA, author, antiquarian and swordsman. He was an early practitioner of reconstrucred historical fencing he went on to be apponted British fencing and sabre captain in two Olympic Games. A keen collector of bookplates, he also published several novels, often in partnership with his wife Agnes Sweetman Castle, a number of which were turned into early motion pictures.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 9
    £200
  • Seven Shilling Pieces

    £200 Stock code: A096
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    Seven Shilling Pieces

    A hand coloured Georgian satire on the cost of female companionship at the Covent Garden Opera. Two courtesans fashionably dressed in the style of the period are shown arm-in-arm, walking along a pavement. One (right) holds up an open sunshade and a card inscribed 'Miss Oldprice Covent Garden'.
    Dimensions: 47.5cm (18¾") High, 36.5cm (14¼") Wide, 1.5cm (0½") Thick
    Stock code: A096
    £200
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX J
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX J
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX G
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX G
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX F
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX F
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX E
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX E
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX B
    Add to Wishlist

    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX B
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX A
    Add to Wishlist

    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX A
    £195
  • Lord Justice Barry,

    £195 Stock code: AD1562 37
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    Lord Justice Barry,

    Framed Chromolithograph by LIB (Liberio Prospero), depicting Charles Robert Barry QC PC, Lord Justice of Appeal for Ireland. As Solicitor General he had been responsible for the prosecution of the men captured during and after the failed Fenian rising of 1867.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 37
    £195
  • Mr. Frank Crisp,

    £195 Stock code: AD1562 35
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    Mr. Frank Crisp,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Sir Frank Crisp, 1st Baronet. Lawyer, forensic scientist, microscopist and horticulturalist. The owner of Friar Park, Henley-on-Thames, lately the residence of the Beatle George Harrison, he also drew up the contract for the cutting of the Cullinan Diamond in Amsterdam by Jospeh Asscher in 1893.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 35
    £195
  • East Birmingham,

    £195 Stock code: AD1562 34
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    East Birmingham,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Sir John Benjamin Stone, Conservative politician, pioneer of photography, MP for Birmingham East and first Mayor of Sutton Coldfield. He was a prolific early documentary photographer and undertook photographic expeditions to Spain, Norway, Japan and Brazil where he captured the 1893 total solar eclipse. The National Portrait Gallery holds 62 of his photographic portraits and he was appointed the official photographer of the coronation of George V in 1911.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 34
    £195
  • The Master Builder,

    £195 Stock code: AD1562 24
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    The Master Builder,

    Framed chromolithograph by SNAPP picturing the Norwegian playwright and theatre director Henrik Ibsen, 'the father of realism' in the dramatic arts, writer of 'A Dolls House', 'Peer Gynt' and 'The Master Builder', three time Nobel Prize nominee.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 24
    £195
  • The Posters of Picasso,

    £195 each Stock code: P01216 pl. 46
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    The Posters of Picasso,

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 46
    £195 each
  • The Posters of Picasso,

    £195 each Stock code: P01216 pl. 2
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    The Posters of Picasso,

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 2
    £195 each
  • The Posters of Picasso,

    £195 each Stock code: P01216 pl. 32
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    The Posters of Picasso,

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 32
    £195 each
  • The Posters of Picasso,

    £195 each Stock code: P01216 pl. 16
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    The Posters of Picasso,

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 16
    £195 each
  • The Posters of Picasso,

    £195 each Stock code: P01216 pl. 42
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    The Posters of Picasso,

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 42
    £195 each
  • The Posters of Picasso,

    £195 each Stock code: P01216 pl. 33
    Add to Wishlist

    The Posters of Picasso,

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 33
    £195 each
  • The Posters of Picasso

    £195 each Stock code: P01216 pl. 40
    Add to Wishlist

    The Posters of Picasso

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 40
    £195 each
  • The Posters of Picasso

    £195 each Stock code: P01216 pl. 48
    Add to Wishlist

    The Posters of Picasso

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 48
    £195 each
  • The Posters of Picasso

    £195 each Stock code: P01216 pl. 24
    Add to Wishlist

    The Posters of Picasso

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 24
    £195 each
  • The Posters of Picasso

    £195 each Stock code: P01216 pl. 30
    Add to Wishlist

    The Posters of Picasso

    Original lithographs showing the output of Picasso for his exhibition posters. Mounted and framed black.
    Dimensions: 44cm (17¼") High, 36cm (14¼") Wide, 2cm (0¾") Deep
    Stock code: P01216 pl. 30
    £195 each
  • William Nicholson, Sports as Months of the Year

    £195 Stock code: AA1280 January
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    William Nicholson, Sports as Months of the Year

    Original lithograph. Framed.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2cm (0¾") Deep
    Stock code: AA1280 January
    £195
  • William Nicholson, Sports as Months of the Year

    £195 Stock code: AA1280 April
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    William Nicholson, Sports as Months of the Year

    Original lithograph. Framed.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2cm (0¾") Deep
    Stock code: AA1280 April
    £195
  • William Nicholson, Sports as Months of the Year

    £195 Stock code: AA1280 May
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    William Nicholson, Sports as Months of the Year

    Original lithograph. Framed.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2cm (0¾") Deep
    Stock code: AA1280 May
    £195
  • William Nicholson, Sports as Months of the Year

    £195 Stock code: AA1280 June
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    William Nicholson, Sports as Months of the Year

    Original lithograph. Framed.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2cm (0¾") Deep
    Stock code: AA1280 June
    £195
  • William Nicholson, Sports as Months of the Year

    £195 Stock code: AA1280 September
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    William Nicholson, Sports as Months of the Year

    Original lithograph. Framed.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2cm (0¾") Deep
    Stock code: AA1280 September
    £195
  • William Nicholson, Sports as Months of the Year

    £195 Stock code: AA1280 February
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    William Nicholson, Sports as Months of the Year

    Original lithograph. Framed.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2cm (0¾") Deep
    Stock code: AA1280 February
    £195
  • William Nicholson, London Types

    £195 Stock code: AA1280
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    William Nicholson, London Types

    Framed.
    Dimensions: 35cm (13¾") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: AA1280
    £195
  • The Working Man Member,

    £190 Stock code: AD1562 21
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    The Working Man Member,

    Framed chromolithograph picturing Mr Henry Broadhurst MP. A leading early British trade-unionist, Mr Broadhurst worked his way up from a stonemason's apprentice to become leader of the Labour Representation League, a forerunner of the Labour Party. From working as a mason on the clock tower of the rebuilt Palace of Westminster he eventually secured a seat in the House of Commons as MP, firstly  for Stoke-on-Trent, as well as chairmanship of the forerunner of the TUC. Appointed Under-Secretary of State for the Home Department in the Liberal government he became the first person from a working-class or labour movement background to hold a ministerial post.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 21
    £190
  • A hard rider,

    £190 Stock code: AD1562 13
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    A hard rider,

    Framed Chromolithograph by SPY (Sir Leslie Ward) picturing 'Captain' David Longfield Beatty, infamous soldier and amateur sportsman of the late Victorian period. An Anglo-Irish horse dealer and trainer from County Wexford, Captain Beatty was considered a violent and unpleasant bully. After cuckolding a brother Officer in the 4th Hussars he was dismissed from his regiment although he continued to be referred to as 'Captain' - a rank he had never achieved and held only in an honorary capacity. His natural son, David Richard Beatty went on to become Admiral of the Fleet and the 1st Earl Beatty, Viscount Borodale and Baron Beatty of the North Sea and Brooksby sometimes described as 'Britain's last naval hero'.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 13
    £190
  • The Record Revolver Shot,

    £190 Stock code: AD1562 8
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    The Record Revolver Shot,

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing Mr Walter Winans, American marksman, hunter, horsebreeder, sculptor and painter. A twice Olympic shooting gold medalist, he also won the gold medal for sculpture at the Stockholm Arts Competition in 1912 for his equestrian bronze 'An American Trotter'.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 8
    £190
  • Stay, Please,

    £190 Stock code: AD1562 5
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    Stay, Please,

    A framed chromolithograph picturing Mr Justice William Ventris Field, Baron Field of Wakenham. Queen's Council, later Queen's Bench, he oversaw the reorganisation of the court system following the Judicature Act of 1881 which established Judges Chambers in England and served (especially in the court of Chancery) to make trial without a jury the normal mode of trial, except in certain instances. In 1890, he retired from the bench and was raised to the peerage as Baron Field, of Wakenham in the County of Surrey, on 10 April 1890. He had been sworn of the Privy Council earlier the same year.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 5
    £190
  • Westminster from Vauxhall

    £190 Stock code: A077
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    Westminster from Vauxhall

    A hand-coloured engraving by George Cooke of a watercolour by Samuel Prout showing a view across the Thames from the Vauxhall shore towards Westminster Cathedral and the Palace of Westminster. Taken from Cooke's 'Views in London and its Vicinity'. In the immediate foreground we are presented with a scene outside a Lambeth boat-builders yard while barges and wherries crowd the river in the middle distance. On the Westminster shore we can see St John's Smith Square and beyond that the massy bulk of Westminster Abbey, later to sit in a somewhat diminished relation to Barry and Pugin's rebuilt Houses of Parliament of 1840-1876 Samuel Prout was a great favourite of John Ruskin who went as far as to comment in 1844, "Sometimes I tire of Turner, but never of Prout". Prout was noted for his paintings of great European cities and picturesque ruins and particularly for his ability to imbue his subjects with 'breadth and largeness'. George Cooke was leading English line-engraver of the 19th Century and commissioned eight of leading British landscape artists to create works, including this, for his 1826 collection of 'Views in London and its Vicinity'. This is a first edition of 1827. Interestingly the old Palace of Westminster, depicted here, would burn to the ground only seven years after this work was created.
    Dimensions: 1cm (0½") Wide
    Stock code: A077
    £190
  • Cricket at Kennington Oval

    £180 Stock code: P01286
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    Cricket at Kennington Oval

    Engraved by Henry Winkles from the original study by William Tombleson. Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
    Dimensions: 33cm (13") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01286
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 P
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 P
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 O
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 O
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 N
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 N
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 M
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 M
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 L
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 L
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 K
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 K
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 I
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 I
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 G
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 G
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 F
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 F
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 E
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 E
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 C
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 C
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 A
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 A
    £180
  • Lambeth Bridge, by J. H. Wiley

    £180 Stock code: P01100 C
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    Lambeth Bridge, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 26cm (10¼") High, 38cm (15") Wide, 1.5cm (0½") Deep
    Stock code: P01100 C
    £180
  • St John Gate, Clerkenwell, by J. H. Wiley

    £180 Stock code: P01100 B
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    St John Gate, Clerkenwell, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 38cm (15") High, 26cm (10¼") Wide, 1.5cm (0½") Deep
    Stock code: P01100 B
    £180
  • Bill,

    £180 Stock code: AD1562 6
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    Bill,

    A framed chromolithograph by ELF picturing Robert Henry Foster, lawyer, author, poet, oarsmen and pioneering Romano-British archaeologist. His excavations at Roman Corbridge on Hadrian's Wall were seminal in the fledgling field of British archaeology. He wrote widely about Hadrian's Wall and the Roman presence in his native Northumberland. A keen oarsman, he rowed in the first boat of his college's Lady Margaret Boat Club and in the crew sent to Henley in 1888, winning both the Thames cup and Ladies plate. He later became joint secretary of the Thames Rowing Club in 1892. Starting out with a legal career in mind, he was called to the Bar in 1892, having been McMahon Law Student the year before. However, his writing soon took precedence, to be joined by his archaeological interests.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 6
    £180
  • The Ball,

    £180 Stock code: A086
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    The Ball,

    hand-coloured copper engraving published circa 1800, framed
    Dimensions: 1cm (0½") Wide
    Stock code: A086
    £180
  • A Match for the King’s Plate,

    £180 Stock code: A095
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    A Match for the King’s Plate,

    A hand coloured etching by George Cruikshank commenting on the contest for seat of Westminster. George Lamb and John Cam Hobhouse, 1st Baron Broughton are shown astride a lamb, Sir Francis Burdett, 5th Baronet, on a fine but injured charger and Henry 'Orator' Hunt straggles behind on an old carthorse representing the 'Father of Reform' Major John Cartwright. All five figures are shown racing for the winning post at the gate of His Majesty's Treasury with an implication that the contest is for one for both power and political patronage while the twin devils or radical reform and universal suffrage inadvertently 'steal a ride' on the Baronet's charger. The election of 1818 was the first to be staged after the end of the Napoleonic wars and was to become both a distillation of the latent class-conflicts bubbling over in the United Kingdom, and a fore-warning of the growth of militant radicalism that was to envenom and fracture British politics in the early parts of the 19th Century. Sir Francis Burdett was the Radical incumbent in Westminster and yet was firmly set against the new Radicalism which was beginning to colour the politics of the manufacturing districts of the North. This extreme and confident movement for universal manhood suffrage and political reform was by now associated with Henry Hunt, Major Cartwright and the writer and journalist William Cobbett. Caught in a cleft stick by his need both to mollify the prosperous and respectable Westminster electorate and yet maintain his own character as a tribune of the plebeians and Radical leader, Burdett was in a classic political double-bind. To the eye of the exiled Cobbett the Baronet was a placeman and an establishment 'traitor' but to his Tory opponents and the wavering freeholders and burgesses of Westminster he was beginning to appear a dangerous extremist. The suicide of Sir Samuel Romilly, the second member for Westminster, in November 1818 threw the situation wide open and the resulting by-election became something of a national sensation.      
    Dimensions: 30.48cm (12") High, 38.1cm (15") Wide
    Stock code: A095
    £180
  • Linden Botanicals

    £175 each Stock code: P01278 Y
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    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 Y
    £175 each
  • Linden Botanicals,

    £175 each Stock code: P01278 Z
    Add to Wishlist

    Linden Botanicals,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 Z
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 N
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 N
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 M
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 M
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 G
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 G
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 E
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 E
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 D
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 D
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 H
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 H
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 G
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 G
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 F
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 F
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 E
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 E
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 D
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 D
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 B
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 B
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 A
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 A
    £175 each
  • Chess,

    £175 Stock code: AD1562 15
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    Chess,

    Framed chromolithograph by APE (Carlo Pellegrini) picturing Joseph Henry Blackburne, British chess master nicknamed 'The Black Death'. Despite only taking up the game at the age of 17 Blackburn became a world champion many times over and an icon of 'Romantic Chess'.    
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 15
    £175
  • Steam

    £175 Stock code: AD1562 14
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    Steam

    A framed chromolithograph by SPY (Leslie Ward) depicting Frederic Abernethy Coleman, writer, journalist, military historian & motoring pioneer. He popularised the White Steam Car in England and was a fierce opponent of the 'petrol car brigade' preferring and championing steam powered motorcars. Steam powered cars had the ascendancy in early British motoring, particularly in hill-climbs until they were banned from competition by advocates of the petrol engine,
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 14
    £175
  • Her Majesty the Queen Empress,

    £170 Stock code: AD1562 39
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    Her Majesty the Queen Empress,

    Victorian, framed chromolithograph
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 39
    £170
  • In His Military Capacity,

    £170 Stock code: AD1562 36
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    In His Military Capacity,

    Framed Chromolithograph by SPY (Leslie Ward) depicting Mr Montagu Williams QC, teacher, British Army officer, actor, playwright, barrister and magistrate. His succesful defence of Mr John Young in his manslaughter trial, after the death of an opponent in the boxing ring, established a legal precedent around the sport.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 36
    £170
  • Balliol,

    £170 Stock code: AD1562 33
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    Balliol,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Edward Caird FRSA FBA. Scottish philosopher on the latter part of the 19th century, Caird is considered one of the fathers of the British Idealist school, a philosophical movement that was influential in Britain from the mid-nineteenth century until its overthrow by the Analytic Philosophy associated with Bertrand Russell. He served as Master of Balliol college until 1907.
    Dimensions: 36.5cm (14¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: AD1562 33
    £170
  • First Violin,

    £170 Stock code: AD1562 29
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    First Violin,

    Framed Chromolithograph by Spy (Leslie Ward) picturing HRH The Duke of Edinburgh, Alfred Ernest Albert, later Duke of Saxe Coburg and Gotha. The second son of Victoria and Albert he joined the Royal Navy at 14, he rose through the ranks to attain the position of Admiral of the Fleet by 1893 having served as Cadet, Lieutenant and Captain of HMS Galatea which he commanded in the Pacific Ocean. He commanded both the Channel fleet and, later, the Mediterranean Fleet from his flagship HMS Alexandra. The Duke survived an assassination attempt while visiting Sydney Australia and went on to marry a Grand Duchess of Russia. Alfred was a musical enthusiast and took a leading role in the establishment of the the Royal College of Music in 1882. He was a particularly keen violinist although his playing was not of the first quality. After a dinner party given by one of his brothers where he was persuaded to play Sir Henry Ponsonby would write: 'Fiddle out of tune and noise abominable'
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 29
    £170
  • Eduard Strauss,

    £170 Stock code: AD1562 28
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    Eduard Strauss,

    Framed Chromolithograph signed EBN depicting the Austrian composer and conductor Eduard Strauss, brother of Johann II and Josef Strauss.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 28
    £170
  • Crystal Palace,

    £170 Stock code: AD1562 27
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    Crystal Palace,

    Framed Chromolithograph by Spy (Leslie Ward) picturing Sir August Friedrich Manns, German born British Composer and a key figure in the musical life of the Crystal Palace where he conducted a 90 piece orchestra.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 27
    £170
  • Jimmy,

    £170 Stock code: AD1562 22
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    Jimmy,

    Framed chromolithograph picturing the Revd. James Leigh Jones, English clergyman and schoolmaster at Eton College. Teacher of Swinburne and the Duke of Argyll. Famed for his application of the birching rod and his regular flogging of his pupils.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 22
    £170
  • Four in hand,

    £170 Stock code: AD1562 11
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    Four in hand,

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing Adolph Wilhelm Reichmann, Baron of Prussia, Knight of the Iron Cross, German businessman and naturalised British subject he oversaw the banking house of Horstmann and Company. A keen carriage driver he was a member of many driving clubs including the Four In Hand and Carriage Clubs. His posterity became a subject of Parliamentary controversy as his sons left England to fight for the Kaiser in 1914 while his widow, the Baroness von Deichman, remained to steward his company which managed loans for prominent members of the German military and aristocracy.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 11
    £170
  • Pont Neuf, Paris, by Herbert Hillier

    £160 Stock code: AD1422 / 3
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    Pont Neuf, Paris, by Herbert Hillier

    Signed in pencil. Framed
    Dimensions: 36cm (14¼") High, 43cm (17") Wide, 1.5cm (0½") Deep
    Stock code: AD1422 / 3
    £160
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 9
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    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 9
    £160 each
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 7
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 7
    £160 each
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 8
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 8
    £160 each
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 13
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 13
    £160 each
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 26
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    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
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    £150 Stock code: P01267 Pl. 25
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    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 25
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