5 items found
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The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze,
£995The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze,
the rectangular panel cast in low-relief with a rearing horse restrained by a handler wearing a dramatic billowing cloak standing behind,£995 -
The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze
£995The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze
the rectangular panel cast in low-relief with two horsemen, wearing tunics, reining in their mounts, the second wearing a wide-brimmed hat,£995 -
The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze,
£995The Parthenon Marbles: A sculptural relief from the West façade of the Doric Frieze,
the rectangular panel cast in low-relief with two horsemen reining in their mounts, the leader turning, his left arm raised, a cloak billowing from his shoulders,£995 -
A large brass door knocker,
£115 -
An English cast plaster head of a ram
£60An English cast plaster head of a ram
the ovine form with scrolled horns and tightly curled forelock,£60
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600