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  • A plan of the cities of London and Westminster, and borough of Southwark,-0

    A plan of the cities of London and Westminster, and borough of Southwark,

    £6,500 the set of 24 sheets Stock code: P01001
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    A plan of the cities of London and Westminster, and borough of Southwark,

    The idea to do a new survey had come from the engraver George Vertue, but he and John Rocque could not come to an agreement. Rocque, began the painstaking project in 1737 in partnership with another engraver, John Pine, to survey the central area of London and Westminster, which eventually took 9 years. The completed map measured 6 ½ feet by 13 and comprised of 24 separate sheets. It encompassed an area of 10,000 acres and drawn at a scale of 200ft to the 1inch.
    Dimensions: 213.5cm (84") High, 413.5cm (162¾") Wide
    Stock code: P01001
    £6,500 the set of 24 sheets
  • Opening of WellHouse, by George charlton

    Opening of Well House, by George Charlton

    £1,600 Stock code: GC007
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    Opening of Well House, by George Charlton

    In 1929 Charlton married Daphne a student at the Slade, he was 30 and she 19. They later purchased 40 New End Square, Hampstead, in 1932 which quickly became a hub of artistic activity. This painting shows the official opening of the flats. Framed
    Dimensions: 49.5cm (19½") High, 59cm (23¼") Wide, 2.5cm (1") Deep
    Stock code: GC007
    £1,600
  • Walton-on-the-Naze by George Charlton

    Walton-on-the-Naze by George Charlton

    £1,500 Stock code: GC006
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    Walton-on-the-Naze by George Charlton

    Painted in 1947. Framed watercolour
    Dimensions: 44.5cm (17½") High, 57cm (22½") Wide, 2cm (0¾") Deep
    Stock code: GC006
    £1,500
  • Life in London by Pierce Egan

    Life in London by Pierce Egan

    £1,500 Stock code: P00568
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    Life in London by Pierce Egan

    The names are Tom and Jerry are these days synonymous with the cat and mouse cartoons of 1940s, but to a nineteenth century ear, whether Regency or Victorian, they belonged to the rakish Corinthian Tom and his cousin from the country Jerry Hawthorne who, along with their friend Bob Logic, roamed the streets of the capital in search of a good time in Egan’s boisterous comic serial Life in London. Described as ‘a faithful Portraiture of High & Low Life’ from the West End to the East End, Pierce Egan’s comical monthly was one of the popular sensations of its day. The central characters, Tom, Jerry and Logic were well-heeled young men about town, keen to see ‘a bit of life’ in the poorer districts of London. Their escapades and misadventures were largely autobiographical, being drawn from the lives of Egan himself and his illustrators, George and Robert Cruikshank and Isaac Richard. One of the key achievements of Egan’s Life in London was using contemporary slang as the basis of its style. As a result of the success of Life in London, the names Tom and Jerry became proverbial for young men causing disorder.
    Dimensions: 24cm (9½") High, 16cm (6¼") Wide, 4cm (1½") Thick
    Stock code: P00568
    £1,500
  • Dutch style chandelier-0

    Dutch style chandelier

    £1,500 Stock code: 73993
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    Dutch style chandelier

    the brass baluster column issuing two tiers of twelve aluminium foliate branches,

    restored, rewired and PAT tested (with dents to ball)

     

    Dimensions: 94cm (37") High, 85cm (33½") Wide
    Stock code: 73993
    £1,500
  • A number of 20th century copper winsor lanterns-0

    A number of 20th century copper winsor lanterns

    £1,450 Stock code: 73508
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    A number of 20th century copper winsor lanterns

    .
    Dimensions: 86cm (33¾") High, 42cm (16½") Wide, height of bracket: 24cm
    Stock code: 73508
    £1,450
  • Stable lantern with two simulated oil lamp fittings-0

    Stable lantern with two simulated oil lamp fittings

    £1,400 Stock code: 19089
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    Stable lantern with two simulated oil lamp fittings

    .
    Dimensions: 57cm (22½") High, 32cm (12½") Wide, 21.5cm (8½") Deep
    Stock code: 19089
    £1,400
  • Philips’ A Map of Europe To Illustrate The Territorial Changes Since 1914

    £1,200 Stock code: P01261
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    Philips’ A Map of Europe To Illustrate The Territorial Changes Since 1914

    The Royal Geographical Society was founded in 1830 as an institution to promote the 'advancement of geographical science'.
    Dimensions: 42cm (16½") High, 50cm (19¾") Wide, 5cm (2") Deep
    Stock code: P01261
    £1,200
  • An early twentieth century carved wood wine press-0

    An early twentieth century carved wood wine press

    £1,200 Stock code: 72527
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    An early twentieth century carved wood wine press

    Wood wine press.
    Dimensions: 30cm (11¾") Wide, 30cm (11¾") Thick, 280cm (110¼") Long
    Stock code: 72527
    £1,200
  • Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059 XXX
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059 XXX
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AZ
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AZ
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AX
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AX
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AS
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AS
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AP
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AP
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AN
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AN
    £900 each
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AB
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AB
    £900 each
  • Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821-0

    Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821

    £900 Stock code: P00791
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    Rare example of a reversed engraving on glass, depicting Caroline of Brunswick, made c1821

    Reverse glass printing is a process whereby a print is transferred to a sheet of glass, varnished and coloured to resemble an oil painting.

    The Prince of Wales, son of King George III was introduced to his potential bride, Caroline of Brunswick out of need for money as he was in great debt. Caroline famously, short, fat, ugly and never changed her undergarments, and rarely washed. Her body odour was overwhelming.

    Caroline was very popular with the London public whilst King George was not. Every day when attending the House of Lords her coach was escorted by the cheering mob. George IV’s Coronation was to be the 29th April 1821 but Caroline was told that she would not be taking part in it. Undaunted Caroline arrived at the door of Westminster Abbey on the day demanding to be admitted, but the doors were slammed in her face.

    She died 19 days after her frustrated attempt to get into the Abbey and was buried in Brunswick, and on her coffin was inscribed… ‘CAROLINE THE INJURED QUEEN OF ENGLAND’.

    Dimensions: 32cm (12½") High, 42cm (16½") Wide, 3cm (1¼") Deep
    Stock code: P00791
    £900
  • Portrait of a Gentleman-0

    Portrait of a Gentleman

    £900 Stock code: P00725
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    Portrait of a Gentleman

    .
    Dimensions: 105cm (41¼") Wide, 10cm (4") Deep, 122cm (48") Long
    Stock code: P00725
    £900
  • Highly decorative swag pelmets-0

    Highly decorative swag pelmets

    £890 - £2'000.00 depending on size Stock code: t112
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    Highly decorative swag pelmets

    in moss green silk with dusty rose rope and tassel trimmings. Decorative hold ups of matching rose detailed tassels. Three sections available.
    Dimensions: 200cm (78¾") Wide, (cm) 204 W 110 H, 280 W 110 H, 420 W 110 H
    Stock code: t112
    £890 - £2'000.00 depending on size
  • Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 H
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    Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 H
    £800
  • Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800
  • Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 C
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    Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 C
    £800
  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 D
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    Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 D
    £800
  • Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 C
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    Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 C
    £800
  • Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 B
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 B
    £800
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • One pair of printed silk twill curtains,-0

    One pair of printed silk twill curtains,

    £800 pair Stock code: t146
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    One pair of printed silk twill curtains,

    Bird and foliate design with burgundy, cream and navy plait trimming. Headed with a box pleat, lined and interlined. Made by Harrods.
    Dimensions: 103cm (40½") Wide, 215cm (84¾") Long, each curtain
    Stock code: t146
    £800 pair
  • A wrought iron demi-lune over door-0

    A wrought iron demi-lune over door

    £700 Stock code: 73946
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    A wrought iron demi-lune over door

    Dimensions: 71cm (28") High, 161cm (63½") Wide, 4cm (1½") Deep
    Stock code: 73946
    £700
  • England and France, after William Hogarth published c1805-0

    England and France, after William Hogarth published c1805

    £650 the set Stock code: P00802
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    England and France, after William Hogarth published c1805

    William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.

    Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.

    In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."

    Dimensions: 56cm (22") High, 62cm (24½") Wide, 2cm (0¾") Deep
    Stock code: P00802
    £650 the set
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 F
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    Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 F
    £600
  • Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 E
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    Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 E
    £600
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 A
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    The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 A
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 J
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 J
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 H
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 H
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 G
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 G
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 F
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 F
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 E
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 E
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 D
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 D
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 B
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 B
    £540 each
  • Snakes by Albertus Seba

    Snakes by Albertus Seba (1665-1736)

    £540 each Stock code: P01103 A
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    Snakes by Albertus Seba (1665-1736)

    Published to illustrate Seba's 'cabinet of curiosities' Framed
    Dimensions: 65cm (25½") High, 48cm (19") Wide, 2cm (0¾") Deep
    Stock code: P01103 A
    £540 each
  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500
  • A cast iron lamp post

    A number of cast iron lamp posts

    £500 each Stock code: 73791
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    A number of cast iron lamp posts

    Lanterns not included.
    Dimensions: 410cm (161½") High, approximately
    Stock code: 73791
    £500 each
  • Original World War Two Poster,

    ‘The signal is against holiday travel this Easter’

    £420 Stock code: P00464
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    ‘The signal is against holiday travel this Easter’

    Born in Yarmouth, Reginald Mayes’ career began in the design studio of the Eastern Daily Press in Norwich. He moved to London where he designed water marks for paper manufacturers and studied life drawing at the Regent Street Polytechnic and Lithography under Gardiner, Clive. In the early 1930s he became chief staff artist at the London Midland and Scottish Railway public relations department, designing leaflets and posters. In the Second World War, Mayes produced a wide range of anti-travel and propaganda posters for the Railway Executive Committee. They discouraged railway travel with some humorous slogans such as ‘The signal is against holiday travel this Easter’. After the war he did freelance work before retiring to Kent where he relaxed painting landscapes.
    Dimensions: 75cm (29½") High, 63cm (24¾") Wide, 3cm (1¼") Deep
    Stock code: P00464
    £420
  • Lord Leighton wedded

    Lord Leighton, Wedded,

    £395 Stock code: P00940
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    Lord Leighton, Wedded,

    in original Tunbridge style frame.
    Dimensions: 78cm (30¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P00940
    £395
  • Harry by Sheila Steafel,

    £300 Stock code: P01110
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    Harry by Sheila Steafel,

    Framed portrait of the artist's then husband, Harry H. Corbett.
    Dimensions: 77cm (30¼") High, 66cm (26") Wide, 4cm (1½") Deep
    Stock code: P01110
    £300
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 60
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black. Showing Marsyas.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 60
    £295 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 138
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 138
    £295 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 150
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 150
    £295 each
  • Copper-engravings of Classical Sculptures

    17th century copper-engravings of Classical Sculptures

    £295 each Stock code: P00601 71
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    17th century copper-engravings of Classical Sculptures

    These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.
    Dimensions: 64cm (25¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: P00601 71
    £295 each
  • Harry reading by Sheila Steafel

    Harry reading by Sheila Steafel

    £200 Stock code: P01109
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    Harry reading by Sheila Steafel

    Oil sketch on masonite board of Harry H. Corbett, signed and dated 59. Framed
    Dimensions: 60.5cm (23¾") Wide, 60cm (23½") Deep, 1.5cm (0½") Thick
    Stock code: P01109
    £200
  • Harry seated by Sheila Steafel,

    Harry seated by Sheila Steafel,

    £200 Stock code: P01106
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    Harry seated by Sheila Steafel,

    Framed study of the artist's then husband, Harry H. Corbett c1959
    Dimensions: 58cm (22¾") High, 48cm (19") Wide, 3.5cm (1½") Deep
    Stock code: P01106
    £200
  • Original chemist shop advertising poster, Baldwin's Lungwort-0

    Original chemist shop advertising poster, Baldwin’s Lungwort

    £200 Stock code: P00025 E
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    Original chemist shop advertising poster, Baldwin’s Lungwort

    Original woodblock, letterpress poster published c1880 for G. Baldwin & Co, Walworth Road A great historical item for those living south of the river, a very small quantity are available, but once gone, they are gone forever! Condition consistent with a 120 year old loose piece of paper, tears, stains small losses etc.
    Dimensions: 83.5cm (32¾") High, 59cm (23¼") Wide
    Stock code: P00025 E
    £200
  • Original chemist shop advertising poster, Baldwin's Kidney and Gravel Pills-0

    Original chemist shop advertising poster, Baldwin’s Kidney and Gravel Pills

    £200 Stock code: P00025 A
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    Original chemist shop advertising poster, Baldwin’s Kidney and Gravel Pills

    Original woodblock, letterpress poster published c1880 for G. Baldwin & Co, Walworth Road A great historical item for those living south of the river, a very small quantity are available, but once gone, they are gone forever! Condition consistent with a 120 year old loose piece of paper, tears, stains small losses etc.
    Dimensions: 83.5cm (32¾") High, 59cm (23¼") Wide
    Stock code: P00025 A
    £200
  • The Best London Gin

    The Best London Gin,

    £195 Stock code: P01005 J
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    The Best London Gin,

    During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed
    Dimensions: 68cm (26¾") High, 56cm (22") Wide, 1.5cm (0½") Deep
    Stock code: P01005 J
    £195
  • Step Inside and Prove It,-0

    Step Inside and Prove It,

    £195 Stock code: P01005 I
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    Step Inside and Prove It,

    During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed
    Dimensions: 68cm (26¾") High, 56cm (22") Wide, 1.5cm (0½") Deep
    Stock code: P01005 I
    £195
  • Come Over Here If You Want A Good Clean Shave

    Come Over Here If You Want A Good Clean Shave

    £195 Stock code: P01005 H
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    Come Over Here If You Want A Good Clean Shave

    During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed
    Dimensions: 68cm (26¾") High, 56cm (22") Wide, 1.5cm (0½") Deep
    Stock code: P01005 H
    £195
  • Hot Stewed Eels

    Hot Stewed Eels,

    £195 Stock code: P01005 F
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    Hot Stewed Eels,

    During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed
    Dimensions: 68cm (26¾") High, 56cm (22") Wide, 1.5cm (0½") Deep
    Stock code: P01005 F
    £195
  • Bed and Breakfast

    Bed and Breakfast,

    £195 Stock code: P01005 C
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    Bed and Breakfast,

    During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed
    Dimensions: 68cm (26¾") High, 56cm (22") Wide, 1.5cm (0½") Deep
    Stock code: P01005 C
    £195
  • There is not a Cross Word from our Customers,

    There is Not a Cross Word from our Customers,

    £195 Stock code: P01005 B
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    There is Not a Cross Word from our Customers,

    During the late 19th and early 20th centuries this type of poster was a ubiquitous feature of every corner shop, café and public house. Printed with wood block type onto poor quality newsprint paper they were a transient form of advertising designed to be used then discarded, so hardly any originals exist. These reproductions are based on some surviving originals printed by London firm of Samuel Reeves Ltd, which have been scanned, restored and reprinted onto fine art paper using archival quality ink. Framed
    Dimensions: 68cm (26¾") High, 56cm (22") Wide, 1.5cm (0½") Deep
    Stock code: P01005 B
    £195
  • Anatomical prints

    Anatomical prints,

    £175 each Stock code: P00963 B
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    Anatomical prints,

    reproduction based on the 1765 work by the Rev. Middleton. In black frame. 'Facing Muscle Plate LX'.
    Dimensions: 44.5cm (17½") High, 32cm (12½") Wide, 2cm (0¾") Deep
    Stock code: P00963 B
    £175 each
  • Original aquatint,-0

    Original aquatint,

    £160 Stock code: P00728 D
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    Original aquatint,

    framed.
    Dimensions: 47cm (18½") High, 40cm (15¾") Wide
    Stock code: P00728 D
    £160
  • Original aquatint,-0

    Original aquatint,

    £160 Stock code: P00728 C
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    Original aquatint,

    framed.
    Dimensions: 47cm (18½") High, 40cm (15¾") Wide
    Stock code: P00728 C
    £160
  • Original aquatint,-0

    Original aquatint,

    £160 Stock code: p00728 A
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    Original aquatint,

    framed.
    Dimensions: 47cm (18½") High, 40cm (15¾") Wide
    Stock code: p00728 A
    £160
  • Reclaimed small green enamel pendant lights,

    £150 each Stock code: 78728
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    Reclaimed small green enamel pendant lights,

    with glass dome and aluminium suspension hook, re-wired with brown braided flex and PAT tested. Ceiling rose not provided. Some shades with minor chips, dings and dents.  Only two left
    Dimensions: 25cm (9¾") High, 26cm (10¼") Wide, 26cm (10¼") in Diameter
    Stock code: 78728
    £150 each
  • Philips’ The West India Committee map of The West Indies

    £120 Stock code: P00448 B
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    Philips’ The West India Committee map of The West Indies

    .
    Dimensions: 91cm (35¾") High, 117cm (46") Wide
    Stock code: P00448 B
    £120
  • Across the gardens by Sheila Steafel,

    Across the gardens by Sheila Steafel,

    £120 Stock code: P01105
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    Across the gardens by Sheila Steafel,

    North-west London seen from the artist's home. Framed
    Dimensions: 70cm (27½") High, 60.5cm (23¾") Wide, 2cm (0¾") Deep
    Stock code: P01105
    £120
  • Pregnant Lady, by Sheila Steafel

    Pregnant Lady, by Sheila Steafel

    £100 Stock code: P01113
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    Pregnant Lady, by Sheila Steafel

    Signed and dated 1964. Framed
    Dimensions: 124.5cm (49") High, 63cm (24¾") Wide, 2cm (0¾") Deep
    Stock code: P01113
    £100
  • Wild animals by Captain Brown

    Wild Animals by Captain Brown

    £95 Stock code: P01078 Guenons
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    Wild Animals by Captain Brown

    19th century engravings based on the drawings of famed naturalist; Captain Thomas Brown. Framed in natural ash. 'Cercopithecus, Guenons'
    Dimensions: 38.5cm (15¼") High, 28cm (11") Wide, 2cm (0¾") Deep
    Stock code: P01078 Guenons
    £95
  • Wild animals by Captain Brown

    Wild Animals by Captain Brown

    £95 Stock code: P01078 Rhinoceros
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    Wild Animals by Captain Brown

    19th century engravings based on the drawings of famed naturalist; Captain Thomas Brown. Framed in natural ash. 'Rhinoceros'.
    Dimensions: 38.5cm (15¼") High, 28cm (11") Wide, 2cm (0¾") Deep
    Stock code: P01078 Rhinoceros
    £95
  • Wild animals by Captain Brown

    Wild Animals by Captain Brown

    £95 Stock code: P01078 Bulls
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    Wild Animals by Captain Brown

    19th century engravings based on the drawings of famed naturalist; Captain Thomas Brown. Framed in natural ash. 'Bos, Bulls'
    Dimensions: 38.5cm (15¼") High, 28cm (11") Wide, 2cm (0¾") Deep
    Stock code: P01078 Bulls
    £95
  • 'Brunswick Fig'.

    Fruit published by William Mackenzie

    £95 each Stock code: P01027 I
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    Fruit published by William Mackenzie

    These chromolithographs by Belgian lithographer Severyns are based on J Macfarlane and published by William Mackenzie. Mackenzie specialized in horticulture based on the latest discoveries from around the world. Framed in natural oak. 'Brunswick Fig'.
    Dimensions: 28cm (11") High, 19.5cm (7¾") Wide, 1.5cm (0½") Deep
    Stock code: P01027 I
    £95 each
  • 'Madresfield Court Grape'.

    Fruit published by William Mackenzie

    £95 each Stock code: P01027 G
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    Fruit published by William Mackenzie

    These chromolithographs by Belgian lithographer Severyns are based on J Macfarlane and published by William Mackenzie. Mackenzie specialized in horticulture based on the latest discoveries from around the world. Framed in natural oak. 'Madresfield Court Grape'.
    Dimensions: 28cm (11") High, 19.5cm (7¾") Wide, 1.5cm (0½") Deep
    Stock code: P01027 G
    £95 each
  • Original 18th century Anatomical prints-0

    Original 18th century Anatomical prints

    £95 each Stock code: P00777 M
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    Original 18th century Anatomical prints

    Published in Paris circa 1782.
    Dimensions: 26cm (10¼") High, 20cm (7¾") Wide, 2cm (0¾") Deep
    Stock code: P00777 M
    £95 each
  • Original 18th century Anatomical prints-0

    Original 18th century Anatomical prints

    £95 each Stock code: P00777 L
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    Original 18th century Anatomical prints

    Published in Paris circa 1782.
    Dimensions: 26cm (10¼") High, 20cm (7¾") Wide, 2cm (0¾") Deep
    Stock code: P00777 L
    £95 each
  • Original 18th century Anatomical prints-0

    Original 18th century Anatomical prints

    £95 each Stock code: P00777 E
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    Original 18th century Anatomical prints

    Published in Paris circa 1782.
    Dimensions: 26cm (10¼") High, 20cm (7¾") Wide, 2cm (0¾") Deep
    Stock code: P00777 E
    £95 each
  • Original 18th century Anatomical prints-0

    Original 18th century Anatomical prints

    £95 each Stock code: P00777 A
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    Original 18th century Anatomical prints

    Published in Paris circa 1782.
    Dimensions: 26cm (10¼") High, 20cm (7¾") Wide, 2cm (0¾") Deep
    Stock code: P00777 A
    £95 each
  • Runts by Harrison Weir

    Nineteenth century framed pigeon chromolithographs,

    £90 each Stock code: p01024 N
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    Nineteenth century framed pigeon chromolithographs,

    original chromolithographs based on the drawings of Harrison Weir, published by George Routledge and Sons, circa 1875. 'Runts'.
    Dimensions: 25cm (9¾") High, 20cm (7¾") Wide, 1.5cm (0½") Deep
    Stock code: p01024 N
    £90 each
  • Magpies and Ice Pigeons by Harrison Weir

    Nineteenth century framed pigeon chromolithographs,

    £90 each Stock code: p01024 e
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    Nineteenth century framed pigeon chromolithographs,

    original chromolithographs based on the drawings of Harrison Weir, published by George Routledge and Sons, circa 1875. 'Magpies. Ice Pigeons'.
    Dimensions: 25cm (9¾") High, 20cm (7¾") Wide, 1.5cm (0½") Deep
    Stock code: p01024 e
    £90 each
  • Phycologia Britannica – A History of British sea-weeds,

    £85 each Stock code: P00952 GG
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    Phycologia Britannica – A History of British sea-weeds,

    original colour lithographs by Reeve Brothers for William Henry Harvey. Framed.   Plate CXCIII
    Dimensions: 27cm (10¾") High, 17cm (6¾") Wide, 3cm (1¼") Deep
    Stock code: P00952 GG
    £85 each
  • Phycologia Britannica – A History of British sea-weeds,

    £85 each Stock code: P00952 Q
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    Phycologia Britannica – A History of British sea-weeds,

    original colour lithographs by Reeve Brothers for William Henry Harvey. Framed.   Plate CCXXX
    Dimensions: 27cm (10¾") High, 17cm (6¾") Wide, 3cm (1¼") Deep
    Stock code: P00952 Q
    £85 each
  • Phycologia Britannica – A History of British sea-weeds,

    £85 each Stock code: P00952 1
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    Phycologia Britannica – A History of British sea-weeds,

    original colour lithographs by Reeve Brothers for William Henry Harvey. Framed.   Plate CCXIX
    Dimensions: 27cm (10¾") High, 17cm (6¾") Wide, 3cm (1¼") Deep
    Stock code: P00952 1
    £85 each
  • Phycologia Britannica – A History of British sea-weeds,

    £85 each Stock code: P00952 L
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    Phycologia Britannica – A History of British sea-weeds,

    original colour lithographs by Reeve Brothers for William Henry Harvey. Framed.   Plate CLXXIX
    Dimensions: 27cm (10¾") High, 17cm (6¾") Wide, 3cm (1¼") Deep
    Stock code: P00952 L
    £85 each
  • Phycologia Britannica – A History of British sea-weeds,

    £85 each Stock code: P00952 B
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    Phycologia Britannica – A History of British sea-weeds,

    original colour lithographs by Reeve Brothers for William Henry Harvey. Framed.   Plate C
    Dimensions: 27cm (10¾") High, 17cm (6¾") Wide, 3cm (1¼") Deep
    Stock code: P00952 B
    £85 each
  • Phycologia Britannica – A History of British sea-weeds,

    £85 each Stock code: P00952 FF
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    Phycologia Britannica – A History of British sea-weeds,

    original colour lithographs by Reeve Brothers for William Henry Harvey. Framed.   Plate CCLXXXI.
    Dimensions: 27cm (10¾") High, 17cm (6¾") Wide, 3cm (1¼") Deep
    Stock code: P00952 FF
    £85 each
  • Mrs Beeton. Dinner Table-old-fashioned style

    Mrs Beeton. Dinner Table-old-fashioned style

    £85 Stock code: P01092
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    Mrs Beeton. Dinner Table-old-fashioned style

    Published c1907, showing an old fashioned table setting. Framed
    Dimensions: 36cm (14¼") High, 43cm (17") Wide, 2cm (0¾") Deep
    Stock code: P01092
    £85
  • Fish. Hand-coloured steel engravings, based on the work of Lorenz Oken c1835-0

    Fish. Hand-coloured steel engravings, based on the work of Lorenz Oken c1835

    £85 each Stock code: p00877 A
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    Fish. Hand-coloured steel engravings, based on the work of Lorenz Oken c1835

    Olken was influenced by Pythagorean mysticism, becoming a self-proclaimed pantheist.To Oken, God exhibited himself in nature, and when God meets man he meets himself, for man is a god created by God.
    Dimensions: 37cm (14½") High, 31cm (12¼") Wide, 2.5cm (1") Deep
    Stock code: p00877 A
    £85 each
  • Self portrait, by Sheila Steafel

    Self portrait, by Sheila Steafel

    £80 Stock code: P01112
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    Self portrait, by Sheila Steafel

    Signed and dated 65. Framed
    Dimensions: 100cm (39¼") High, 64cm (25¼") Wide, 3cm (1¼") Deep
    Stock code: P01112
    £80
  • Self portrait as a Renaissance Lady, by Sheila Steafel

    Self portrait as a Renaissance Lady, by Sheila Steafel

    £80 Stock code: P01108
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    Self portrait as a Renaissance Lady, by Sheila Steafel

    Signed and dated 1969. Framed
    Dimensions: 57cm (22½") High, 47cm (18½") Wide, 4.5cm (1¾") Deep
    Stock code: P01108
    £80
  • Old Carnations and Pinks Lithographs

    Old Carnations and Pinks

    £75 each Stock code: P01039 H
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    Old Carnations and Pinks

    Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Paisley Gem, William Brownhill, Murray's Laced Pink'.
    Dimensions: 39cm (15¼") High, 26.5cm (10½") Wide, 2cm (0¾") Deep
    Stock code: P01039 H
    £75 each
  • Old Carnations and Pinks Lithographs

    Old Carnations and Pinks

    £75 each Stock code: p01039 A
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    Old Carnations and Pinks

    Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Nutmeg Clove'.
    Dimensions: 39cm (15¼") High, 26.5cm (10½") Wide, 2cm (0¾") Deep
    Stock code: p01039 A
    £75 each
  • Natural History, original hand-coloured wood engravings published c1850-0

    Natural History, original hand-coloured wood engravings published c1850

    £75 each Stock code: P00677 P
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    Natural History, original hand-coloured wood engravings published c1850

    The Society for Promoting Christian Knowledge (SPCK) is the third oldest publishing house in England, after the Oxford and Cambridge University Presses. It was founded in 1698 by an Anglican priest, Thomas Bray who believed passionately in the power of the printed word. In its first two hundred years, the Society founded many charity schools for poor students in the 7 to 11 age group. It is from these schools that the modern concept of primary and secondary education has grown. Although the SPCK originally dealt with just Christian subjects, from the 1830s onwards it was publishing general educational topics as well. SPCK's early publications were distributed through a network of supporters who received books and tracts to sell or give away in their own localities. Large quantities of Christian literature were provided for the Navy, and the Society actively encouraged the formation of parish libraries and was also an early provider of teacher training.
    Dimensions: 38cm (15") High, 31cm (12¼") Wide
    Stock code: P00677 P
    £75 each
  • British Fungi, original chromolithograph published c1891-0

    British Fungi, original chromolithograph published c1891

    £65 each Stock code: P00552 B
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    British Fungi, original chromolithograph published c1891

    Rare print by Mordecai Cubitt Cooke, founder the Society of Amateur Botanists and of the Quekett Microscopical Club!   'Cortinarius (Inoloma) Tophaceus, in beech woods, Rothiemurchas, Aug. 1883'.
    Dimensions: 33.5cm (13¼") High, 25cm (9¾") Wide
    Stock code: P00552 B
    £65 each

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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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