
Furniture
We supply all manner of reclaimed and antique furniture from fine and historical Georgian sets through to to mid century and modern designs including industrial and repurposed salvaged pieces.
131 items found
Page 2 of 2
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Victorian brass and iron umbrella stand
£375Victorian brass and iron umbrella stand
intended for use in a corner, with brass finials, c.1890£375 -
A mid-Victorian decoupage screen
£355A mid-Victorian decoupage screen
three sections - canvas and timber overlaid with hand-cut and pasted printed images£355 -
Silver communion dishes on stands,
£350 eachSilver communion dishes on stands,
both engraved with sunburst detail and crucifix to centre. One is dated 1878, the other 1877. 285g£350 each -
A Regency mahogany carver,
£325A Regency mahogany carver,
the back-rest, later strengthened with brass collars above the swept arms on bobbin-turned supports, the seat with a vinyl covered squab raised on square section supports, the chair later amended and raised on to rails and castors,£325 -
A George III style mahogany elbow chair
£325 -
An unusual wooden parcel-gilt and painted tazza bowl on plinth
£320An unusual wooden parcel-gilt and painted tazza bowl on plinth
the turned tazza with stippled blue paint finish in simulation of lapis lazuli, the stepped base gilded and painted black,£320 -
Oxford pattern Windsor armchair
£300 -
Iroko and pine table,
£225Iroko and pine table,
with slatted top (requiring finish i.e. oil or wax) and dark green gloss painted base.£225 -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
£200Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Early twentieth century continental glass display dome,
£200 -
Black leather waste paper bin,
£175 -
St Olave’s Grammar School Library Bookcase Doors
£160 -
Four large Industrial steel stacking grab boxes
£156 the fourFour large Industrial steel stacking grab boxes
each tapered cuboid box with drop handles to each short side and internal stops to allow each to stack, rather than nest,£156 the four -
A miniature English oak chest of drawers
£135A miniature English oak chest of drawers
with a serpentine fronted moulded top, bow-fronted with two short above three long drawers, all dovetailed, turned knobs£135 -
1960s German dining chairs by Adam Stegner for Flöttoto,
£125 each1960s German dining chairs by Adam Stegner for Flöttoto,
pagwood on chrome plated tubular legs£125 each -
Made by LASSCO cafe table,
£125 -
1980s melamine table
£80 -
A hand painted delft tile
£55A hand painted delft tile
blue and white tin glazed painted with a rural scene, slight losses commensurate with age,£55 -
A quantity of Industrial steel stacking grab boxes
£25 eachA quantity of Industrial steel stacking grab boxes
each tapered cuboid box with drop handles to each side and internal stops to allow each to stack, rather than nest,£25 each -
A quantity of Industrial steel stacking grab boxes
£22 eachA quantity of Industrial steel stacking grab boxes
each tapered cuboid box with drop handles to each side and internal stops to allow each to stack, rather than nest,£22 each -
Annie Sloan “Chalk Paint” (TM),
£19.95Annie Sloan “Chalk Paint” (TM),
1litre tin: ready to go, Wax Clear or Dark (£9.95 per 100ml tin), Lacquer£19.95
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600