28 items found
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An Alphabet by William Nicholson, A was an Artist,
£400 eachAn Alphabet by William Nicholson, A was an Artist,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, B for Beggar,
£400 eachAn Alphabet by William Nicholson, B for Beggar,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, C is for Countess,
£400 eachAn Alphabet by William Nicholson, C is for Countess,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, D is for Dandy,
£400 eachAn Alphabet by William Nicholson, D is for Dandy,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, F is for Flower Girl,
£400 eachAn Alphabet by William Nicholson, F is for Flower Girl,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, G for Gentleman,
£400 eachAn Alphabet by William Nicholson, G for Gentleman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, H for Huntsman,
£400 eachAn Alphabet by William Nicholson, H for Huntsman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, I for Idiot,
£400 eachAn Alphabet by William Nicholson, I for Idiot,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, J for Jockey,
£400 eachAn Alphabet by William Nicholson, J for Jockey,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, K is for Keeper,
£400 eachAn Alphabet by William Nicholson, K is for Keeper,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, L is for Lady,
£400 eachAn Alphabet by William Nicholson, L is for Lady,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, M for Milkmaid,
£400 eachAn Alphabet by William Nicholson, M for Milkmaid,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, N for Nobleman,
£400 eachAn Alphabet by William Nicholson, N for Nobleman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, O for Ostler,
£400 eachAn Alphabet by William Nicholson, O for Ostler,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, P for Publican,
£400 eachAn Alphabet by William Nicholson, P for Publican,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, Q for Quaker,
£400 eachAn Alphabet by William Nicholson, Q for Quaker,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, R is for Robber,
£400 eachAn Alphabet by William Nicholson, R is for Robber,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, S for Sportsman,
£400 eachAn Alphabet by William Nicholson, S for Sportsman,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, T for Trumpeter,
£400 eachAn Alphabet by William Nicholson, T for Trumpeter,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, U for Urchin,
£400 eachAn Alphabet by William Nicholson, U for Urchin,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, V is for Villain,
£400 eachAn Alphabet by William Nicholson, V is for Villain,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, W for Waitress,
£400 eachAn Alphabet by William Nicholson, W for Waitress,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, X Xylographer,
£400 eachAn Alphabet by William Nicholson, X Xylographer,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, Y is for Yokel,
£400 eachAn Alphabet by William Nicholson, Y is for Yokel,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
An Alphabet by William Nicholson, And Z for Zoologist,
£400 eachAn Alphabet by William Nicholson, And Z for Zoologist,
Nicholson was recommended by his friend, James McNeil Whistler to the publishers Heinemann as an original and expert wood-cut artist. The relationship with the publisher was highly successful, establishing Nicholson’s reputation as an illustrator. Between 1897 and 1900 he illustrated five works: An Alphabet, An Almanac of Twelve Sports, Twelve Portraits, London Types, and The Square Book of Animals.£400 each -
Paradisi in Sole Paradisus Terrestris by John Parkinson (1567-1650)
£350 eachParadisi in Sole Paradisus Terrestris by John Parkinson (1567-1650)
John Parkinson, born c1566, started his working life in medicine, beginning his apprenticeship to a London apothecary. He went on to become one of the most respected apothecaries in Britain. He was elected junior warden of the Society of Apothecaries in August 1620 but at the beginning of 1622, he asked for, and was granted, permission to give up his duties in the Society and then concentrated on his garden in London's Long Acre. Here he started researching and writing his first book: Paradisi in sole paradisus terrestris, and maintained close relations with other important English and Continental botanists, herbalists and plantsmen.£350 each -
Paradisi in Sole Paradisus Terrestris by John Parkinson (1567-1650)
£350 eachParadisi in Sole Paradisus Terrestris by John Parkinson (1567-1650)
John Parkinson, born c1566, started his working life in medicine, beginning his apprenticeship to a London apothecary. He went on to become one of the most respected apothecaries in Britain. He was elected junior warden of the Society of Apothecaries in August 1620 but at the beginning of 1622, he asked for, and was granted, permission to give up his duties in the Society and then concentrated on his garden in London's Long Acre. Here he started researching and writing his first book: Paradisi in sole paradisus terrestris, and maintained close relations with other important English and Continental botanists, herbalists and plantsmen.£350 each -
Paradisi in Sole Paradisus Terrestris by John Parkinson (1567-1650)
£350 eachParadisi in Sole Paradisus Terrestris by John Parkinson (1567-1650)
John Parkinson, born c1566, started his working life in medicine, beginning his apprenticeship to a London apothecary. He went on to become one of the most respected apothecaries in Britain. He was elected junior warden of the Society of Apothecaries in August 1620 but at the beginning of 1622, he asked for, and was granted, permission to give up his duties in the Society and then concentrated on his garden in London's Long Acre. Here he started researching and writing his first book: Paradisi in sole paradisus terrestris, and maintained close relations with other important English and Continental botanists, herbalists and plantsmen.£350 each
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The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500