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Victorian brass Suffolk latch
£200 -
William Tonk & Sons brass Suffolk latch
£200 -
Antique rose brass Suffolk latch
£200 -
Victorian Arts and Crafts brass finger plates
£200 the set -
Pair of large Victorian pierced hinges
£200 the pair -
Large Victorian brass night chain
£200 -
Victorian brass table lamp
£190Victorian brass table lamp
glazed, originally a lantern and later converted to electricity (n.b. will not work if hung).£190 -
A Victorian cast iron door porter
£185A Victorian cast iron door porter
modelled as the Field Marshall mounted on horseback wearing a pith helmet, the regimental colours below, flat-backed for the securing of an open door,£185 -
A Victorian cast iron door porter
£180A Victorian cast iron door porter
modelled as a spreading sheaf of acanthus, traditional pattern flat-backed for the securing of an open door,£180 -
Pair of Victorian brass candlesticks
£180 -
Pair of gilt-brass and porcelain coat hooks
£180 the pair -
A Victorian cast iron door porter
£175A Victorian cast iron door porter
modelled as a galleon in full sale, flat-backed for the securing of an open door, the loop handle a later restoration in brass,£175 -
Two Victorian Rococo brass centre pulls
£175 eachTwo Victorian Rococo brass centre pulls
c.1860s, with central cabochon to each handle. Sold separately.£175 each -
A late Victorian polished cast iron door porter
£165A late Victorian polished cast iron door porter
modelled as a Knight within a gothic arcade - flat-backed for the securing of an open door,£165 -
Pair of Victorian finger plates
£150Pair of Victorian finger plates
gilt-brass, cast with flower-heads and meandering foliage, c.1880£150 -
Victorian brass finger plates
£150 -
A late Victorian polished cast iron door porter, modelled as Judy and Baby
£145A late Victorian polished cast iron door porter, modelled as Judy and Baby
flat-backed for the securing of an open door,£145 -
Antique cast iron door knocker,
£125 -
Pair of Victorian brass finger plates
£100 the pair -
Set of three Victorian escutcheons
£100 the set of three -
Pair of Victorian brass door knobs
£100 -
Brass ram’s head door knocker,
£95 -
Pair of Victorian brass sash lifts
£80 the pairPair of Victorian brass sash lifts
by William Tonks & Sons, stamped to the reverse, in the neo-classical revival manner.£80 the pair -
Pair of Victorian shield escutcheons
£75 the pair -
Nineteenth century style ebonised beehive door knobs,
£65 a pairNineteenth century style ebonised beehive door knobs,
with conforming reeded brass back-plate, a reproduction item so available in quantity.£65 a pair -
Brass beehive door knobs,
£65 a pairBrass beehive door knobs,
the reeded handle with conforming circular reeded back-plate, a reproduction item so available in quantity.£65 a pair -
Victorian double cord hook
£50 -
A Victorian cast iron door wedge
£35A Victorian cast iron door wedge
modelled as a wedge, later embellished with a fleur-de-lys finial, for the securing of an open door,£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Nineteenth century brass beehive escutcheons
£35 each
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800