10 items found
Page 1 of 1
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Pair of Regency rosewood pier tables,
£8,500Pair of Regency rosewood pier tables,
with statuary marble tops supported by gilt Tuscan columns, with pilasters to the rear flanking mirrored backs, on plinth bases.£8,500 -
Large nineteenth century Rococo giltwood console table,
£8,250Large nineteenth century Rococo giltwood console table,
with shaped and moulded Carrara marble top, the table boldly carved with c and s scrolls, trails and festoons of foliage and a cabochon to the centre. on scrolled feet. English c.1850.£8,250 -
Victorian parcel-gilt cast iron and specimen marble table
£5,000Victorian parcel-gilt cast iron and specimen marble table
the top inlaid with marbles to a geometric design, c.1870-1880£5,000 -
Queen Anne oak cricket table,
£3,850Queen Anne oak cricket table,
with single piece quarter-sawn top on elegant turned legs united by stretchers.£3,850 -
Pair of brass and leather occasional tables,
£1,500 the pairPair of brass and leather occasional tables,
with gilt-tooled tops, twentieth century.£1,500 the pair -
Nineteenth century Burmese hardwood occasional table
£950Nineteenth century Burmese hardwood occasional table
profusely carved throughout with foliage, snakes, birds and mythical beasts, with some losses to the apron.£950 -
Made by LASSCO 8ft pine dining table,
£800Made by LASSCO 8ft pine dining table,
constructed from reclaimed Victorian floor boards, suitable for ten people.£800 -
Mid-twentieth century American wrought iron corner table,
£350Mid-twentieth century American wrought iron corner table,
in the manner of Pacific Iron Products Co, with glass shelves and hairpin legs. Top is 50.5 cm x 50.5 cm£350 -
Victorian style cast iron table,
£275 -
Victorian style cast iron table,
£275
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600