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Victorian parcel-gilt cast iron and specimen marble table
£5,000Victorian parcel-gilt cast iron and specimen marble table
the top inlaid with marbles to a geometric design, c.1870-1880£5,000 -
Joined oak trestle table
£3,950Joined oak trestle table
the framed top with patch repairs, the whole attractively patinated throughout and of good medium oak colour, supplied with sympathetically conceived later extensions. Similar examples shown in 'Oak Furniture, The British Tradition', Victor Chinnery, p.285.£3,950 -
Maison Bagues gilt-bronze coffee table,
£1,800 -
Pietra Dura marble table top
£1,500 -
Pair of brass and leather occasional tables,
£1,500 the pairPair of brass and leather occasional tables,
with gilt-tooled tops, twentieth century.£1,500 the pair -
Ten person reclaimed pine dining table
£975Ten person reclaimed pine dining table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£975 -
Ten person reclaimed pine dining table
£975Ten person reclaimed pine dining table
constructed from Victorian floor boards, supplied 'raw'/sanded and without a finish.£975 -
1920s oak table
£9501920s oak table
showing significant signs of wear and lacking leather skiver, with three frieze drawers, the baluster legs united by stretcher.£950 -
An English glazed pitch pine bookcase,
£875An English glazed pitch pine bookcase,
the top section with a pair of glazed doors with adjustable timber shelves within, the deeper lower section a folio cupboard with a pair of panelled doors,£875 -
Featherbanded burr elm bureau ,
£800Featherbanded burr elm bureau ,
the fall-front opening to reveal an arrangement of drawers and secret compartments, with two short over two long drawers below.£800 -
Iroko and beechwood prep table
£550 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed timber table,
£275Reclaimed timber table,
the base constructed from Victorian floorboard, with laminated bamboo (?) top, supplied 'raw'/sanded without a finish.£275 -
Iroko and pine table,
£225Iroko and pine table,
with slatted top (requiring finish i.e. oil or wax) and dark green gloss painted base.£225 -
1980s melamine table
£80
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600