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Victorian parcel-gilt cast iron and specimen marble table
£5,000Victorian parcel-gilt cast iron and specimen marble table
the top inlaid with marbles to a geometric design, c.1870-1880£5,000 -
Nineteenth century satinwood writing table
£2,950Nineteenth century satinwood writing table
the attractively worn leather skiver with traces of gilt to the tooled border.£2,950 -
Maison Bagues gilt-bronze coffee table,
£1,800 -
Pietra Dura marble table top
£1,500 -
Pair of brass and leather occasional tables,
£1,500 the pairPair of brass and leather occasional tables,
with gilt-tooled tops, twentieth century.£1,500 the pair -
Regency yew wood occasional table,
£1,200Regency yew wood occasional table,
the checkerboard top crossbanded with coromandel, the turned column stem with shaped tripod base with further coromandel embellishment, terminating in ball feet.£1,200 -
Nineteenth century Burmese hardwood occasional table
£950Nineteenth century Burmese hardwood occasional table
profusely carved throughout with foliage, snakes, birds and mythical beasts, with some losses to the apron.£950 -
An English glazed pitch pine bookcase,
£875An English glazed pitch pine bookcase,
the top section with a pair of glazed doors with adjustable timber shelves within, the deeper lower section a folio cupboard with a pair of panelled doors,£875 -
Made by LASSCO 8ft pine dining table,
£800Made by LASSCO 8ft pine dining table,
constructed from reclaimed Victorian floor boards, suitable for ten people.£800 -
Mid-twentieth century American wrought iron corner table,
£350Mid-twentieth century American wrought iron corner table,
in the manner of Pacific Iron Products Co, with glass shelves and hairpin legs. Top is 50.5 cm x 50.5 cm£350 -
Twentieth century oak side table
£140
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800