24 items found
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“Erin”: an early Victorian stoneware statue personifying Ireland – in tribute to poet Thomas Moore
POA“Erin”: an early Victorian stoneware statue personifying Ireland – in tribute to poet Thomas Moore
the lifesize female figure with a shamrock diadem, scantily dressed - her dress fallen to her hips and her long hair falling to her waist; her weight borne on her right leg, she leans against an ivy-covered stump on which her harp is supported, her right arm reaches-up to pluck the strings, a portrait medallion of the poet hangs from the stumpPOA -
A fantastical lead figural fountain of a faun riding a dolphin
POAA fantastical lead figural fountain of a faun riding a dolphin
the faun leaning back with one of his cloven hoofs resting on the head of the fish and blowing a conch-shell horn, he grasps a trident in his right hand; the dolphin with twin bi-furcated tails raising its mouth, all presented on a naturalistically modelled integral plinth,POA -
An impressive William IV Coadestone corner pilaster capital
£11,350An impressive William IV Coadestone corner pilaster capital
the large fired stoneware capital, in the neo-classical taste, cast in deep relief with pierced volutes, flowerheads and scrolled ornament to its two principle sides£11,350 -
A rare set of four Compton Pottery stoneware “Seasons Pots”
£9,600A rare set of four Compton Pottery stoneware “Seasons Pots”
each tazza with an inset coved rim and a body ornamented with large ribbon-ties and each bearing a Celtic knot "mon" with stylistic representations of the English Rose, the Thistle, the Pomegranate and the Primrose denoting the respective season, each raised on a turned spreading foot,£9,600 -
A rare series of eight early Victorian stoneware bracket-consoles for a balustrade
£5,600 the eightA rare series of eight early Victorian stoneware bracket-consoles for a balustrade
each console comprising a pierced panel of strapwork, with mirrored foliate forms,£5,600 the eight -
Pair of antique ‘Doulton ‘stoneware urns and pedestals,
£2,800 the pairPair of antique ‘Doulton ‘stoneware urns and pedestals,
of squat form with gadrooned body, the fielded plinths with egg and dart and guilloche bands.£2,800 the pair -
A French composition stone garden urn on pedestal
£2,600A French composition stone garden urn on pedestal
the vase modelled as a wrythen naturalistic flowerhead raised on a socle, the pedestal shaped with an ogee profile and ornamented with scallops and stiff-leaf clasps to the corners, on a plinth foot£2,600 -
An English limestone pedestal sundial
£1,650An English limestone pedestal sundial
the brass sundial plate (later) with a sail-shaped gnomen and a Tuscan order top raised on a cylindrical stem and torus foot and square plinth, restorations£1,650 -
A large English cast iron urn
£925A large English cast iron urn
the bowl with an everted scalloped rim and raised on a tall socle£925 -
A small English neo-classical stoneware anthemion roof finial
£895A small English neo-classical stoneware anthemion roof finial
delicately modelled with a mask of Mercury, sporting his trademark winged cap, set within the splayed lobes of an anthemion, a pair of pineapple finials and an opposed pair of scrolls below, fragments of old paint,£895 -
A Victorian painted cast iron campana urn on stand
£880A Victorian painted cast iron campana urn on stand
with an everted rim above a waisted semi-lobed body with mask-and-loop handles and a spreading socle foot, all raised on a slightly tapered square section pedestal,£880 -
An English wrought steel gazebo,
£725 -
A pair of Victorian painted cast iron tazza terrace urns
£680 the pairA pair of Victorian painted cast iron tazza terrace urns
each with an everted rim and squat lobed body raised on a spreading socle foot,£680 the pair -
A pair of Victorian painted cast iron tazza terrace urns
£680 the pairA pair of Victorian painted cast iron tazza terrace urns
each with an everted rim and squat lobed body raised on a spreading socle foot,£680 the pair -
A pair of Victorian painted cast iron tazza terrace urns
£680 the pairA pair of Victorian painted cast iron tazza terrace urns
each with an everted rim and squat lobed body raised on a spreading socle foot,£680 the pair -
A pair of Victorian painted cast iron decorative garden urns
£625 the pairA pair of Victorian painted cast iron decorative garden urns
each with a lobed rim above a waisted body with relief cast foliate ornament,£625 the pair -
Doulton Lambeth Harvest Ware jug
£125 -
Doulton Lambeth Harvest Ware jug
£125Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and green glaze to the body£125 -
Doulton Lambeth Harvest Ware jug
£95Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and further impressed backstamps to the base, with green glaze to the body£95 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
stoneware body with line-engraved silver rim, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£45Doulton Lambeth Harvest Ware jug
stoneware with silver rim, with hallmarks to the silver and further impressed stamps to the base, small chip to the inside of the rim.£45
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600