4 items found
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A Victorian Scottish sandstone chimneypiece,
£9,650A Victorian Scottish sandstone chimneypiece,
the architectural frieze incised with stylised flowerhead roundels, the stop-chamfered jambs headed with dogtooth carvings and raised on block feet, the canted overmantel carved in registers,£9,650 -
Unusual nineteenth century cast terracotta and Caen stone fireplace
£9,500Unusual nineteenth century cast terracotta and Caen stone fireplace
the canted corner shelf and plain frieze supported by a pair of elaborately modelled double-fired terracotta jambs in the Renaissance style, likely taking influence from 'The Door of the Frog' (Porta delle Rana), Como Cathedral.£9,500 -
George IV Radford Black fireplace,
£7,500George IV Radford Black fireplace,
the panelled frieze with shaped corbels to each corner, the boldly scrolled and moulded console jambs on block feet. One of a near pair.£7,500 -
A late George III Yorkstone chimneypiece,
£2,350A late George III Yorkstone chimneypiece,
the rectangular shelf over the plain frieze with central keystone, flanked by relief carved patera end-blocks, raised on plain jambs and square foot-blocks; carved in the solid and rough hewn to the reverse,£2,350
Featured Items
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Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200