5 items found
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Two late Victorian parcel-gilt wrought iron signs
£12,500 eachTwo late Victorian parcel-gilt wrought iron signs
restored and painted in a mid-Brunswick green gloss paint, with oil-gilt lettering and foliate highlights£12,500 each -
An English mahogany framed brilliant-cut mirrored vintner’s trade sign
£2,250An English mahogany framed brilliant-cut mirrored vintner’s trade sign
the oval plate with a bevelled edge and bevelled-cut lettering reading "IMPORTERS & BLENDERS - OF - WINES & SPIRITS", the frame carved in relief with foliate ornament and terminating along the bottom edge with opposing out-swept scrolls,£2,250 -
Perspex and brass illuminated sign
£650Perspex and brass illuminated sign
the typography signwritten, re-wired and PAT tested. Mid-twentieth century.£650 -
Glass and brass illuminated sign
£650 -
A Victorian cast iron weight-limit sign for a canal-bridge
£375A Victorian cast iron weight-limit sign for a canal-bridge
the rectangular plate with a raised border and inset corners, cast in relief with raised lettering: "WARWICK AND BIRMINGHAM CANAL NAVIGATION, TO TRACTION ENGINE DRIVERS AND OTHERS, THIS BRIDGE IS INSUFFICIENT TO CARRY WEIGHTS BEYOND THE ORDINARY TRAFFIC OF THE DISTRICT 24 & 25 VICT GAP 70 , NOTICE, NO LOCOMOTIVE TRACTION OR OTHER ENGINE WILL BE ALLOWED TO PASS OVER THIS BRIDGE WITHOUT THE CONSENT OF THE CANAL COMPANY, BY ORDER"£375
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800