36 items found
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George III style Statuary marble Doric order chimneypiece
£18,000George III style Statuary marble Doric order chimneypiece
the moulded breakfront shelf above central plain plaque, the frieze with triglyphs and plain metopes, with engaged columnar jambs on footblocks. Late nineteenth century in the early George III manner.£18,000 -
Pair of Regency rosewood pier tables,
£8,500Pair of Regency rosewood pier tables,
with statuary marble tops supported by gilt Tuscan columns, with pilasters to the rear flanking mirrored backs, on plinth bases.£8,500 -
William IV Patinated bronze and gilt-lacquered brass Colza form three light chandelier,
£6,500William IV Patinated bronze and gilt-lacquered brass Colza form three light chandelier,
with foliate ceiling-rose, the body with central suspended from three chains, each light fitment with bulbous frosted glass shade. PAT tested rewired.£6,500 -
Dintinctive Regency inlaid flame mahogany secretaire bookcase
£6,500Dintinctive Regency inlaid flame mahogany secretaire bookcase
the glazed doors enclosing interior with adjustable shelving, the secretaire opening to reveal an arrangement of satinwood drawers and a tooled leather writing surface, raised on turned and reeded feet.£6,500 -
An English carrara marble chimneypiece
£6,125An English carrara marble chimneypiece
the rectangular shelf with canted corners and under-moulding above the plain frieze and jambs, with a bead running around the aperture and raised on block feet, together with a heavily moulded curb fender en suite£6,125 -
Early nineteenth century Regency fireplace,
£5,250Early nineteenth century Regency fireplace,
with cushion mould tablet to the centre, with reeded frieze and jambs. Shelf a later replacement.£5,250 -
An early nineteenth century Kilkenny fossil marble chimneypiece,
£5,250An early nineteenth century Kilkenny fossil marble chimneypiece,
the rectangular shelf over plain frieze, the plain jambs with cyma moulded caps and foot-blocks, small areas of restoration,£5,250 -
Nineteenth century Carrara marble roundel fireplace,
£4,500Nineteenth century Carrara marble roundel fireplace,
of simple plain form with deep-undercut roundel corner-blocks£4,500 -
Regency slate bull’s eye roundel fireplace
£4,250Regency slate bull’s eye roundel fireplace
with boldly fluted frieze and jambs, with convex moulded corner blocks.£4,250 -
Regency neo-classical inlaid dove grey and statuary marble fireplace,
£4,250Regency neo-classical inlaid dove grey and statuary marble fireplace,
the moulded shelf above frieze with delicate scagliola inlay of swags and tied ribbons, centred by plaque with carved urn, the corner-blocks with carved paterae above jambs with further scagliola inlay of trailing bellflowers, on square footblocks (replaced shelf).£4,250 -
An early Victorian Painswick limestone chimneypiece
£4,200An early Victorian Painswick limestone chimneypiece
the rectangular shelf raised on plain pilaster jambs with moulded caps and square footblocks, the plain frieze with ovolo mould continuing to the interior jamb returns, some wear and restorations,£4,200 -
A nineteenth century Devonian limestone chimneypiece,
£3,900A nineteenth century Devonian limestone chimneypiece,
the rectangular shelf with chamfer raised on cushion moulded jambs and frieze united by rectangular end-blocks with raised rectangular panels,£3,900 -
English Regency marble fireplace,
£3,800English Regency marble fireplace,
of understated design, the rectangular shelf above plain frieze and jambs, with convex roundel corner-blocks, all in well figured Carrara marble with attractive dry surface.£3,800 -
Antique wrought iron garden bench,
£3,450Antique wrought iron garden bench,
of typical design with arcaded back-rest, in old green paint.£3,450 -
Regency gilded convex mirror
£3,250Regency gilded convex mirror
surmounted by cresting of an eagle perched and poised on rocks, the circular frame with balls and delicate lambrequin mould, a generous reeded and ebonised slip within and surrounding the original convex mirror-plate.£3,250 -
Regency giltwood convex mirror,
£2,800Regency giltwood convex mirror,
having a well carved eagle on a rocky outcrop above interlocking leaf and scrolls leading to detailed circular frame including giltwood ball decoration, reeded ebonised slip and foxed mirror plate.£2,800 -
Regency style steel and brass fire grate with torcheres
£2,500 -
A late George III Yorkstone chimneypiece,
£2,350A late George III Yorkstone chimneypiece,
the rectangular shelf over the plain frieze with central keystone, flanked by relief carved patera end-blocks, raised on plain jambs and square foot-blocks; carved in the solid and rough hewn to the reverse,£2,350 -
A cast-iron, steel and brass fire basket by Thomas Elsley,
£2,200A cast-iron, steel and brass fire basket by Thomas Elsley,
the rocaille crested back plate behind the three bar grate, raised on brass cabriole legs, the two part back with maker's mark to each section,£2,200 -
A set of fifteen pairs of Victorian brass oval door knobs
£1,600 the setA set of fifteen pairs of Victorian brass oval door knobs
each pair comprising two knobs linked with a steel spindle, the ovoid grip on a waisted neck and disc rose-plate pierced with three drill-holes,£1,600 the set -
Nineteenth century gilt convex mirror
£1,250Nineteenth century gilt convex mirror
the concave moulded frame with ebonised and reeded slip within.£1,250 -
Regency giltwood pier mirror,
£1,250 -
An early nineteenth century giltwood convex wall mirror,
£1,200An early nineteenth century giltwood convex wall mirror,
the convex plate within reeded ebonised sight and cavetto mould gilt-pine frame, ribbon tied to edge, with carved foliate crest; the gilding thin with old wear down to the gesso ground,£1,200 -
George III style iron hobgrate
£950George III style iron hobgrate
the shaped and railed basket flanked by panels cast in relief depicting female statues amidst drapes of bellflowers.£950 -
A George IV rosewood whatnot,
£880A George IV rosewood whatnot,
three tiers with drawer to lowest, raised on knopped uprights with acorn type finials and original brass castors; minor wear commensurate with age,£880 -
Nineteenth century coal scuttle
£850 -
A George IV cast-iron bedroom fireplace register grate,
£675A George IV cast-iron bedroom fireplace register grate,
the three bar basket over scrolling honeysuckle flower spandrels, the same device repeated between narrow hob plates, the arched aperture framed by anthemion spandrels, within a lambrequin moulded border,£675 -
Set of early nineteenth century pierced brass finger-plates
£500 the setSet of early nineteenth century pierced brass finger-plates
one very slightly longer than the others, ten in total.£500 the set -
A set of three pairs of Victorian brass oval door knobs
£320 the setA set of three pairs of Victorian brass oval door knobs
each pair comprising two knobs linked with a steel spindle, the ovoid grip on a waisted neck and disc rose-plate pierced with four drill-holes,£320 the set -
William IV brass door stop
£260 -
A Regency style cast bronze mortise set
£130 the pairA Regency style cast bronze mortise set
black/brown patina with reeded detailing, for use with mortise or rim locks,£130 the pair -
A pair of nickel plated door knobs
£85 per pair -
A pair of ebonised wood ‘Beehive’ door knobs,
£65 per pairA pair of ebonised wood ‘Beehive’ door knobs,
the reeded grip and rose, linked by a standard gauge spindle,£65 per pair -
A pair of nickel plated oval door knobs
£60 per pairA pair of nickel plated oval door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£60 per pair -
A pair of spherical nickel plated door knobs,
£60 per pairA pair of spherical nickel plated door knobs,
the spherical grip mounted on a circular rose,£60 per pair -
A pair of oval brass door knobs
£55 per pairA pair of oval brass door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£55 per pair
Featured Items
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The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800