40 items found
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George III style Statuary marble Doric order chimneypiece
£18,000George III style Statuary marble Doric order chimneypiece
the moulded breakfront shelf above central plain plaque, the frieze with triglyphs and plain metopes, with engaged columnar jambs on footblocks. Late nineteenth century in the early George III manner.£18,000 -
Regency style white marble fireplace,
£14,500Regency style white marble fireplace,
with stepped rectangular shelf above a frieze adorned with trails of vine leaves and grapes wrapped round a Thyrsus, all emblematic of the Roman God Bacchus, the jamb panels carved in a similar manner with ewers to the base, on block feet, with deep moulded ingrounds.£14,500 -
Regency Statuary Marble Greek Revival fireplace
£11,500Regency Statuary Marble Greek Revival fireplace
with laurel-wreath corner blocks and plain pilaster jambs. One of a near pair, see stock code BB123 for the other.£11,500 -
Regency Greek Revival Statuary marble fireplace,
£11,000Regency Greek Revival Statuary marble fireplace,
with laurel-wreath corner blocks and plain pilaster jambs. One of a near pair, see stock BB122 for the other.£11,000 -
Early nineteenth century style white marble fireplace,
£9,500Early nineteenth century style white marble fireplace,
the frieze with plain, framed central tablet, the corner blocks with female masks set within circular frames above tapered jambs with delicately carved lotus leaf clasps, on block feet.£9,500 -
Regency Portland stone chimneypiece
£8,500Regency Portland stone chimneypiece
with single reed to the shelf, the reeded frieze flanked by roundels above unusual framed and reeded jambs.£8,500 -
Pair of Regency rosewood pier tables,
£8,500Pair of Regency rosewood pier tables,
with statuary marble tops supported by gilt Tuscan columns, with pilasters to the rear flanking mirrored backs, on plinth bases.£8,500 -
An English carrara marble chimneypiece
£6,125An English carrara marble chimneypiece
the rectangular shelf with canted corners and under-moulding above the plain frieze and jambs, with a bead running around the aperture and raised on block feet, together with a heavily moulded curb fender en suite£6,125 -
An early Victorian Devonian marble chimneypiece
£5,750An early Victorian Devonian marble chimneypiece
the rectangular shelf with bead mould over cushion mould jambs and frieze united by step and facet cut end-blocks, all raised on square foot-blocks, restorations,£5,750 -
Early nineteenth century Regency fireplace,
£5,250Early nineteenth century Regency fireplace,
with cushion mould tablet to the centre, with reeded frieze and jambs. Shelf a later replacement.£5,250 -
An early nineteenth century Kilkenny fossil marble chimneypiece,
£5,250An early nineteenth century Kilkenny fossil marble chimneypiece,
the rectangular shelf over plain frieze, the plain jambs with cyma moulded caps and foot-blocks, small areas of restoration,£5,250 -
Regency slate bull’s eye roundel fireplace
£4,250Regency slate bull’s eye roundel fireplace
with boldly fluted frieze and jambs, with convex moulded corner blocks.£4,250 -
An early Victorian Painswick limestone chimneypiece
£4,200An early Victorian Painswick limestone chimneypiece
the rectangular shelf raised on plain pilaster jambs with moulded caps and square footblocks, the plain frieze with ovolo mould continuing to the interior jamb returns, some wear and restorations,£4,200 -
William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
£4,000William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
with foliate ceiling-rose, the body with central suspended from three chains, each light fitment with bulbous frosted glass shade.£4,000 -
William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
£4,000William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
with foliate ceiling-rose, the body with central suspended from three chains, each light fitment with bulbous frosted glass shade. PAT tested rewired.£4,000 -
A nineteenth century Devonian marble chimneypiece
£3,900A nineteenth century Devonian marble chimneypiece
the rectangular shelf with chamfer raised on cushion moulded jambs and frieze united by rectangular end-blocks with raised rectangular panels,£3,900 -
A French Empire style Carrara marble chimneypiece
£3,850A French Empire style Carrara marble chimneypiece
the rectangular moulded shelf above a panelled frieze centred with a roundel, all raised on console jambs with lion paw feet and a block plinth,£3,850 -
Regency gilded convex mirror
£3,250Regency gilded convex mirror
surmounted by cresting of an eagle perched and poised on rocks, the circular frame with balls and delicate lambrequin mould, a generous reeded and ebonised slip within and surrounding the original convex mirror-plate.£3,250 -
Regency giltwood convex mirror,
£2,800Regency giltwood convex mirror,
having a well carved eagle on a rocky outcrop above interlocking leaf and scrolls leading to detailed circular frame including giltwood ball decoration, reeded ebonised slip and foxed mirror plate.£2,800 -
Regency style steel and brass fire grate with torcheres
£2,500 -
A late George III Yorkstone chimneypiece,
£2,350A late George III Yorkstone chimneypiece,
the rectangular shelf over the plain frieze with central keystone, flanked by relief carved patera end-blocks, raised on plain jambs and square foot-blocks; carved in the solid and rough hewn to the reverse,£2,350 -
A cast-iron, steel and brass fire basket by Thomas Elsley,
£2,200A cast-iron, steel and brass fire basket by Thomas Elsley,
the rocaille crested back plate behind the three bar grate, raised on brass cabriole legs, the two part back with maker's mark to each section,£2,200 -
Pair of Regency faux-rosewood and parcel-gilt side chairs,
£1,600Pair of Regency faux-rosewood and parcel-gilt side chairs,
the top rails with charming and naïve painted lion portraits flanked by anthemion, the seats caned.£1,600 -
Regency giltwood pier mirror,
£1,250 -
An early nineteenth century giltwood convex wall mirror,
£1,200An early nineteenth century giltwood convex wall mirror,
the convex plate within reeded ebonised sight and cavetto mould gilt-pine frame, ribbon tied to edge, with carved foliate crest; the gilding thin with old wear down to the gesso ground,£1,200 -
Regency faux bamboo armchair,
£950 -
George III style iron hobgrate
£950George III style iron hobgrate
the shaped and railed basket flanked by panels cast in relief depicting female statues amidst drapes of bellflowers.£950 -
A George IV rosewood whatnot,
£880A George IV rosewood whatnot,
three tiers with drawer to lowest, raised on knopped uprights with acorn type finials and original brass castors; minor wear commensurate with age,£880 -
Nineteenth century coal scuttle
£850 -
An English Country House gilt pine and gesso pelmet
£825An English Country House gilt pine and gesso pelmet
the frieze applied with repeating anthemia beneath a stepped foliate moulded cornice, a short return at each end,£825 -
Pair of Regency bronze pastille burners
£700 the pairPair of Regency bronze pastille burners
The pair of pastille burners are well cast decorative pieces, each having lids made up of inverted leaves attached to a rim with stylised pineapple finial, leading to a campana shaped urn with further leaf detail to rim, flanked by s-c scroll handles all raised on the detailed stem on a square stepped base. Early nineteenth century. Pastille burners were popular from the 1600, the pastilles were burnt to make rooms and areas smell more pleasant. The pastille was a form of incense, often made from charcoal (Willow being preferred) along with saltpetre (potassium nitrate) and a fragrance such as rose, sandalwood or lavender.£700 the pair -
Regency cast iron boot scraper, English circa 1815
£550Regency cast iron boot scraper, English circa 1815
having a shaped scraper with inverted leaf detail to base, flanked by supports of framed anthemion cast sections, all within a shaped gadrooned edged drip tray. This example is incredibly well cast and original.£550 -
A set of three pairs of Victorian brass oval door knobs
£320 the setA set of three pairs of Victorian brass oval door knobs
each pair comprising two knobs linked with a steel spindle, the ovoid grip on a waisted neck and disc rose-plate pierced with four drill-holes,£320 the set -
William IV brass door stop
£260 -
A Regency style cast bronze mortise set
£130 the pairA Regency style cast bronze mortise set
black/brown patina with reeded detailing, for use with mortise or rim locks,£130 the pair -
A pair of nickel plated door knobs
£85 per pair -
A pair of ebonised wood ‘Beehive’ door knobs,
£65 per pairA pair of ebonised wood ‘Beehive’ door knobs,
the reeded grip and rose, linked by a standard gauge spindle,£65 per pair -
A pair of nickel plated oval door knobs
£60 per pairA pair of nickel plated oval door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£60 per pair -
A pair of spherical nickel plated door knobs,
£60 per pairA pair of spherical nickel plated door knobs,
the spherical grip mounted on a circular rose,£60 per pair -
A pair of oval brass door knobs
£55 per pairA pair of oval brass door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£55 per pair
Featured Items
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Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800