No products in the basket.
6 items found
Page 1 of 1
-
A 15sqm parcel of wide Georgian pine floorboards,
£3,200A 15sqm parcel of wide Georgian pine floorboards,
in widths between 8 1/2" and 9", most boards longer than 2m with lengths up to around 3m, with old stain to the surface, de-nailed (some metal remains in the boards) and trimmed ready for use,£3,200 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Morwell Street Pine Boards
£160 + VAT per sq mMorwell Street Pine Boards
Solid Baltic pine sarking boards. Square Edged with cross cut marks and heavy patination. Salvaged from Victorian shop-houses in Bloomsbury. Suitable for use as flooring, cladding or in joinery. Supplied unfinished in a random mixture of lengths.£160 + VAT per sq m -
Mixed width Edwardian pine floorboards,
£84 per sqm inc. VATMixed width Edwardian pine floorboards,
square edge pine boards, 28mm thick, available to purchase by the square metre, minimum purchase 10sqm, all purchased parcels to include 25% boards at the widest 170mm width, the rest of the parcel to be made up of mixed 120, 130, 140 and 145mm boards; board lengths generally between 1200mm and 2800mm; supplied de-nailed, largely de-pinned, trimmed and otherwise as-found,£84 per sqm inc. VAT
Featured Items
-
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600