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Suite of neo-classical brass door furniture
£2,500 the setSuite of neo-classical brass door furniture
comprising twelve pairs of door handles and fifteen push-plates, English mid-twentieth century, thought to be by Beardmore. Dimensions of push-plates, h.26cm, w.7cm, dimensions of the handles, h. 5.5cm, w.5.2cm, d. 7cm£2,500 the set -
Set of eight pairs of Edwardian rose brass lever handles,
£2,500 the setSet of eight pairs of Edwardian rose brass lever handles,
surmounted by scallop shells, stamped to rear 'B2716'.£2,500 the set -
Set of nine Victorian brass finger plates
£500 the setSet of nine Victorian brass finger plates
with repeating cabochon detail to the borders.£500 the set -
Set of Edwardian brass fingerplates
£400 the set -
Antique brass door knocker
£400 -
Set of William IV brass finger plates
£350 the set of sixSet of William IV brass finger plates
lightweight pressed brass with a border of fruits and flowers. Six to the set£350 the set of six -
Set of five reeded brass finger plates
£300 the set -
Pair of Victorian finger plates
£150Pair of Victorian finger plates
gilt-brass, cast with flower-heads and meandering foliage, c.1880£150 -
Victorian brass finger plates
£150 -
Six large pressed brass escutcheons
£150 the set of six -
Pair of pressed brass escutcheons
£50 the pair -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Nineteenth century brass beehive escutcheons
£35 each -
Art Deco escutcheons
£30 each -
Slim brass beehive escutcheons
£30 each -
Bronze Art Deco escutcheon
£30 -
Twentieth century brass beehive escutcheons
£25 each -
Brass beehive escutcheons
£25 each -
Gilt-brass foliate cupboard knobs
£25 each -
Mahogany and brass escutcheons
£20 each
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600