4 items found
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An Art Deco stained leaded-glass window,
£2,500An Art Deco stained leaded-glass window,
comprising geometric panels of stained glass in a painted steel frame, with eight lights forming an abstract design of textured and coloured glass,£2,500 -
A very large English riveted galvanised steel cistern
£1,200A very large English riveted galvanised steel cistern
the 3500litre tank with riveted seems, well weathered,£1,200 -
A very large English riveted galvanised steel cistern
£1,200A very large English riveted galvanised steel cistern
the 3500litre tank with riveted seems, well weathered,£1,200 -
Mixed width Edwardian pine floorboards,
£84 per sqm inc. VATMixed width Edwardian pine floorboards,
square edge pine boards, 28mm thick, available to purchase by the square metre, minimum purchase 10sqm, all purchased parcels to include 25% boards at the widest 170mm width, the rest of the parcel to be made up of mixed 120, 130, 140 and 145mm boards; board lengths generally between 1200mm and 2800mm; supplied de-nailed, largely de-pinned, trimmed and otherwise as-found,£84 per sqm inc. VAT
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800