6 items found
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Queen Anne oak cricket table,
£3,850Queen Anne oak cricket table,
with single piece quarter-sawn top on elegant turned legs united by stretchers.£3,850 -
Early eighteenth century brass and iron fire grate,
£2,800 -
Queen Anne brass and wrought iron fire basket
£2,800Queen Anne brass and wrought iron fire basket
with urn finials, the cabriole legs with claw and ball feet, the rear legs replaced.£2,800 -
A pair of early eighteenth century oak side chairs,
£600A pair of early eighteenth century oak side chairs,
the cupid's bow top rail and raised and fielded back panel over the box stretcher seats with bobbin and baluster turned fore-timbers, dowel joined, seats rebuilt; condition commensurate with age, but sound overall,£600 -
A set of ten hand painted delft tiles,
£440 the set,A set of ten hand painted delft tiles,
typical blue and white tin glazed with sea and shore scenes, no repeats, slight losses commensurate with age,£440 the set, -
St. George’s Hanover Square
£140St. George’s Hanover Square
One of the Fifty Churches projected by Queen Anne's Act of 1711, it was built between 1721-1724 to the designs of John James.£140
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800