9 items found
Page 1 of 1
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Early eighteenth century brass and iron fire grate,
£2,800 -
Queen Anne brass and wrought iron fire basket
£2,800Queen Anne brass and wrought iron fire basket
with urn finials, the cabriole legs with claw and ball feet, the rear legs replaced.£2,800 -
A pair of early eighteenth century oak side chairs,
£600A pair of early eighteenth century oak side chairs,
the cupid's bow top rail and raised and fielded back panel over the box stretcher seats with bobbin and baluster turned fore-timbers, dowel joined, seats rebuilt; condition commensurate with age, but sound overall,£600 -
An English oak joint table stool
£550An English oak joint table stool
the radius moulded rectangular top raised on cylindrical legs, ring turned top and bottom, with inverted cup detail, united by a moulded box stretcher,£550 -
A set of ten hand painted delft tiles,
£440 the set,A set of ten hand painted delft tiles,
typical blue and white tin glazed with sea and shore scenes, no repeats, slight losses commensurate with age,£440 the set, -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
St. George’s Hanover Square
£140St. George’s Hanover Square
One of the Fifty Churches projected by Queen Anne's Act of 1711, it was built between 1721-1724 to the designs of John James.£140 -
A hand painted delft tile
£55A hand painted delft tile
blue and white tin glazed painted with a rural scene, slight losses commensurate with age,£55
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800