Categories
Close
Latest Arrivals
Also See
Contact Account
Search Lassco
Close

833 items found

Page 6 of 9
  • St John Gate, Clerkenwell, by J. H. Wiley

    £180 Stock code: P01100 B
    Add to Wishlist

    St John Gate, Clerkenwell, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 38cm (15") High, 26cm (10¼") Wide, 1.5cm (0½") Deep
    Stock code: P01100 B
    £180
  • Bill,

    £180 Stock code: AD1562 6
    Add to Wishlist

    Bill,

    A framed chromolithograph by ELF picturing Robert Henry Foster, lawyer, author, poet, oarsmen and pioneering Romano-British archaeologist. His excavations at Roman Corbridge on Hadrian's Wall were seminal in the fledgling field of British archaeology. He wrote widely about Hadrian's Wall and the Roman presence in his native Northumberland. A keen oarsman, he rowed in the first boat of his college's Lady Margaret Boat Club and in the crew sent to Henley in 1888, winning both the Thames cup and Ladies plate. He later became joint secretary of the Thames Rowing Club in 1892. Starting out with a legal career in mind, he was called to the Bar in 1892, having been McMahon Law Student the year before. However, his writing soon took precedence, to be joined by his archaeological interests.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 6
    £180
  • The Ball,

    £180 Stock code: A086
    Add to Wishlist

    The Ball,

    hand-coloured copper engraving published circa 1800, framed
    Dimensions: 1cm (0½") Wide
    Stock code: A086
    £180
  • A Match for the King’s Plate,

    £180 Stock code: PS0297
    Add to Wishlist

    A Match for the King’s Plate,

    A hand coloured etching by George Cruikshank commenting on the contest for seat of Westminster. George Lamb and John Cam Hobhouse, 1st Baron Broughton are shown astride a lamb, Sir Francis Burdett, 5th Baronet, on a fine but injured charger and Henry 'Orator' Hunt straggles behind on an old carthorse representing the 'Father of Reform' Major John Cartwright. All five figures are shown racing for the winning post at the gate of His Majesty's Treasury with an implication that the contest is for one for both power and political patronage while the twin devils or radical reform and universal suffrage inadvertently 'steal a ride' on the Baronet's charger. The election of 1818 was the first to be staged after the end of the Napoleonic wars and was to become both a distillation of the latent class-conflicts bubbling over in the United Kingdom, and a fore-warning of the growth of militant radicalism that was to envenom and fracture British politics in the early parts of the 19th Century. Sir Francis Burdett was the Radical incumbent in Westminster and yet was firmly set against the new Radicalism which was beginning to colour the politics of the manufacturing districts of the North. This extreme and confident movement for universal manhood suffrage and political reform was by now associated with Henry Hunt, Major Cartwright and the writer and journalist William Cobbett. Caught in a cleft stick by his need both to mollify the prosperous and respectable Westminster electorate and yet maintain his own character as a tribune of the plebeians and Radical leader, Burdett was in a classic political double-bind. To the eye of the exiled Cobbett the Baronet was a placeman and an establishment 'traitor' but to his Tory opponents and the wavering freeholders and burgesses of Westminster he was beginning to appear a dangerous extremist. The suicide of Sir Samuel Romilly, the second member for Westminster, in November 1818 threw the situation wide open and the resulting by-election became something of a national sensation.      
    Dimensions: 30.48cm (12") High, 38.1cm (15") Wide
    Stock code: PS0297
    £180
  • Picasso, Vollard Suite, 1956. c. May 1933.

    £175 each Stock code: P01355 12
    Add to Wishlist

    Picasso, Vollard Suite, 1956. c. May 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933.  Two Catalan Men
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 12
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, January 27, 1934.

    £175 each Stock code: P01355 33
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, January 27, 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, January 27, 1934.   Head of Rembrandt and Heads of Three Girls
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 33
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.

    £175 each Stock code: P01355 31
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, April 23, 1933.   Embrace
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 31
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 7, 1933.

    £175 each Stock code: P01355 15
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, November 7, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 7, 1933.   Bullfight I
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 15
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 2, 1933.

    £175 each Stock code: P01355 32
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, November 2, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 2, 1933.   Embrace
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 32
    £175 each
  • Picasso, Vollard Suite, 1956.

    £175 each Stock code: P01355 10
    Add to Wishlist

    Picasso, Vollard Suite, 1956.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931.   Two Nudes Resting.
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 10
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 5, 1933.

    £175 each Stock code: P01355 76
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 5, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 5, 1933.   Sculpture of Seated Nude, Sculptured Head, and Vase of Flowers.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 76
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, March 25, 1933,

    £175 each Stock code: P01355 47
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, March 25, 1933,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 25, 1933.  Sculptor Working from a Model.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 47
    £175 each
  • Picasso, Vollard Suite, 1956. c. May 1933.

    £175 each Stock code: P01355 13
    Add to Wishlist

    Picasso, Vollard Suite, 1956. c. May 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933.  Four Children Viewing a Monster.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 13
    £175 each
  • Picasso, Vollard Suite, 1956.

    £175 each Stock code: P01355 9
    Add to Wishlist

    Picasso, Vollard Suite, 1956.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931.  The Rape
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 9
    £175 each
  • Picasso, Vollard Suite, 1956. c. 1935.

    £175 each Stock code: P01355 26
    Add to Wishlist

    Picasso, Vollard Suite, 1956. c. 1935.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. 1935.  Boy Watching over Sleeping Woman by Candlelight.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 26
    £175 each
  • Picasso, Vollard Suite, 1956. June 12, 1936.

    £175 each Stock code: P01355 27
    Add to Wishlist

    Picasso, Vollard Suite, 1956. June 12, 1936.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. June 12, 1936.  Satyr and Sleeping Woman.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 27
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 26, 1933.

    £175 each Stock code: P01355 88
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 26, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 26, 1933.  Dying Minotaur.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 88
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 11, 1933.

    £175 each Stock code: P01355 17
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, November 11, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 11, 1933. Acrobats with a Horse.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 17
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, October 23, 1934.

    £175 each Stock code: P01355 96
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, October 23, 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, October 23, 1934. Blind Minotaur Led through the Night by Girl with Dove.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 96
    £175 each
  • Picasso, Vollard Suite, 1956. c. 1935.

    £175 each Stock code: P01355 97
    Add to Wishlist

    Picasso, Vollard Suite, 1956. c. 1935.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c, 1935.  Blind Minotaur Led through the Night by Girl with Fluttering Dove.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 97
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, June 16, 1933

    £175 each Stock code: P01355 91
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, June 16, 1933

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, June 16, 1933.  Minotaur with Girl in His Arms
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 91
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 8, 1933.

    £175 each Stock code: P01355 16
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, November 8, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 8, 1933.  Bullfight II
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 16
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    £175 each Stock code: P01355 85
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Drinking Minotaur and Sculptor with Two Models
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 85
    £175 each
  • Picasso, Vollard Suite, 1956. c. October 1934.

    £175 each Stock code: P01355 95
    Add to Wishlist

    Picasso, Vollard Suite, 1956. c. October 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. October 1934. Blind Minotaur Led by Girl with Fluttering Dove.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 95
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 22, 1933.

    £175 each Stock code: P01355 14
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 22, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 22, 1933. Two Nudes Bathing. At left, Sculptured Head and Head of Spectator.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 14
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    £175 each Stock code: P01355 92
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur, Drinking Sculptor, and Three Models.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 92
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    £175 each Stock code: P01355 93
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur over Sleeping Girl.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 93
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 23, 1933.

    £175 each Stock code: P01355 87
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 23, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 23, 1933. Minotaur Assaulting a Girl.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 87
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    £175 each Stock code: P01355 86
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Girl Seated by Sleeping Minotaur.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 86
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.

    £175 each Stock code: P01355 94
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup. September 22, 1934. Blind Minotaur Led by Girl with Bouquet of  Wild Flowers.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 94
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, March 10, 1934

    £175 each Stock code: P01355 82
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, March 10, 1934

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 10, 1934. Four Models and a Sculptured Head.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 82
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, March 2, 1934

    £175 each Stock code: P01355 81
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Paris, March 2, 1934

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 2, 1934. Sculptor and Statue of Three Female Dancers  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 81
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.

    £175 each Stock code: P01355 30
    Add to Wishlist

    Picasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup, April 22, 1933. Embrace.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 30
    £175 each
  • Linden Botanicals, Odontoglossum Duvivieranum,

    £175 each Stock code: P01278 20
    Add to Wishlist

    Linden Botanicals, Odontoglossum Duvivieranum,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 20
    £175 each
  • Linden Botanicals, Odontoglossum Constricutum,

    £175 each Stock code: P01278 18
    Add to Wishlist

    Linden Botanicals, Odontoglossum Constricutum,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 18
    £175 each
  • Linden Botanicals, Ansellia Congoensis,

    £175 each Stock code: P01278 17
    Add to Wishlist

    Linden Botanicals, Ansellia Congoensis,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 17
    £175 each
  • Linden Botanicals, Vanda Lindeni,

    £175 each Stock code: P01278 16
    Add to Wishlist

    Linden Botanicals, Vanda Lindeni,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 16
    £175 each
  • Linden Botanicals, Vriesea Fulgida,

    £175 each Stock code: P01278 15
    Add to Wishlist

    Linden Botanicals, Vriesea Fulgida,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 15
    £175 each
  • Linden Botanicals, Aerides Reichenbachi,

    £175 each Stock code: P01278 14
    Add to Wishlist

    Linden Botanicals, Aerides Reichenbachi,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 14
    £175 each
  • Linden Botanicals, Vanda Superba,

    £175 each Stock code: P01278 13
    Add to Wishlist

    Linden Botanicals, Vanda Superba,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 13
    £175 each
  • Linden Botanicals, Diacrium Bicornutum,

    £175 each Stock code: P01278 12
    Add to Wishlist

    Linden Botanicals, Diacrium Bicornutum,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 12
    £175 each
  • Linden Botanicals, Coelogyne Lurida,

    £175 each Stock code: P01278 11
    Add to Wishlist

    Linden Botanicals, Coelogyne Lurida,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 11
    £175 each
  • Linden Botanicals, Eria Striolata,

    £175 each Stock code: P01278 10
    Add to Wishlist

    Linden Botanicals, Eria Striolata,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 10
    £175 each
  • Linden Botanicals, Dendiobium Macrophyllum,

    £175 each Stock code: P01278 9
    Add to Wishlist

    Linden Botanicals, Dendiobium Macrophyllum,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 9
    £175 each
  • Linden Botanicals, Rhynchostylis Retusa,

    £175 each Stock code: P01278 7
    Add to Wishlist

    Linden Botanicals, Rhynchostylis Retusa,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 7
    £175 each
  • Linden Botanicals, Cleisostoma Crassifolium,

    £175 each Stock code: P01278 6
    Add to Wishlist

    Linden Botanicals, Cleisostoma Crassifolium,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 6
    £175 each
  • Linden Botanicals, Eriopsis Rutidobulbon,

    £175 each Stock code: P01278 5
    Add to Wishlist

    Linden Botanicals, Eriopsis Rutidobulbon,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 5
    £175 each
  • Linden Botanicals, Odontoglossum Crispum,

    £175 each Stock code: P01278 4
    Add to Wishlist

    Linden Botanicals, Odontoglossum Crispum,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 4
    £175 each
  • Linden Botanicals, Oncidium Papilio,

    £175 each Stock code: P01278 3
    Add to Wishlist

    Linden Botanicals, Oncidium Papilio,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 3
    £175 each
  • Linden Botanicals, Rodriguezia Bungerothi,

    £175 each Stock code: P01278 2
    Add to Wishlist

    Linden Botanicals, Rodriguezia Bungerothi,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 2
    £175 each
  • Linden Botanicals, Catasetum Bungerothi,

    £175 each Stock code: P01278 1
    Add to Wishlist

    Linden Botanicals, Catasetum Bungerothi,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 1
    £175 each
  • Linden Botanicals,

    £175 each Stock code: P01278 Z
    Add to Wishlist

    Linden Botanicals,

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 Z
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 N
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 N
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 M
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 M
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 E
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 E
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 D
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 D
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 B
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 B
    £175 each
  • Linden Botanicals

    £175 each Stock code: P01278 A
    Add to Wishlist

    Linden Botanicals

    L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.
    Dimensions: 45cm (17¾") High, 36cm (14¼") Wide, 2.5cm (1") Deep
    Stock code: P01278 A
    £175 each
  • Chess,

    £175 Stock code: AD1562 15
    Add to Wishlist

    Chess,

    Framed chromolithograph by APE (Carlo Pellegrini) picturing Joseph Henry Blackburne, British chess master nicknamed 'The Black Death'. Despite only taking up the game at the age of 17 Blackburn became a world champion many times over and an icon of 'Romantic Chess'.    
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 15
    £175
  • Steam

    £175 Stock code: AD1562 14
    Add to Wishlist

    Steam

    A framed chromolithograph by SPY (Leslie Ward) depicting Frederic Abernethy Coleman, writer, journalist, military historian & motoring pioneer. He popularised the White Steam Car in England and was a fierce opponent of the 'petrol car brigade' preferring and championing steam powered motorcars. Steam powered cars had the ascendancy in early British motoring, particularly in hill-climbs until they were banned from competition by advocates of the petrol engine,
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 14
    £175
  • Her Majesty the Queen Empress,

    £170 Stock code: PS0003
    Add to Wishlist

    Her Majesty the Queen Empress,

    Victorian, framed chromolithograph
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: PS0003
    £170
  • In His Military Capacity,

    £170 Stock code: AD1562 36
    Add to Wishlist

    In His Military Capacity,

    Framed Chromolithograph by SPY (Leslie Ward) depicting Mr Montagu Williams QC, teacher, British Army officer, actor, playwright, barrister and magistrate. His succesful defence of Mr John Young in his manslaughter trial, after the death of an opponent in the boxing ring, established a legal precedent around the sport.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 36
    £170
  • Balliol,

    £170 Stock code: AD1562 33
    Add to Wishlist

    Balliol,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Edward Caird FRSA FBA. Scottish philosopher on the latter part of the 19th century, Caird is considered one of the fathers of the British Idealist school, a philosophical movement that was influential in Britain from the mid-nineteenth century until its overthrow by the Analytic Philosophy associated with Bertrand Russell. He served as Master of Balliol college until 1907.
    Dimensions: 36.5cm (14¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: AD1562 33
    £170
  • First Violin,

    £170 Stock code: AD1562 29
    Add to Wishlist

    First Violin,

    Framed Chromolithograph by Spy (Leslie Ward) picturing HRH The Duke of Edinburgh, Alfred Ernest Albert, later Duke of Saxe Coburg and Gotha. The second son of Victoria and Albert he joined the Royal Navy at 14, he rose through the ranks to attain the position of Admiral of the Fleet by 1893 having served as Cadet, Lieutenant and Captain of HMS Galatea which he commanded in the Pacific Ocean. He commanded both the Channel fleet and, later, the Mediterranean Fleet from his flagship HMS Alexandra. The Duke survived an assassination attempt while visiting Sydney Australia and went on to marry a Grand Duchess of Russia. Alfred was a musical enthusiast and took a leading role in the establishment of the the Royal College of Music in 1882. He was a particularly keen violinist although his playing was not of the first quality. After a dinner party given by one of his brothers where he was persuaded to play Sir Henry Ponsonby would write: 'Fiddle out of tune and noise abominable'
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 29
    £170
  • Eduard Strauss,

    £170 Stock code: AD1562 28
    Add to Wishlist

    Eduard Strauss,

    Framed Chromolithograph signed EBN depicting the Austrian composer and conductor Eduard Strauss, brother of Johann II and Josef Strauss.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 28
    £170
  • Crystal Palace,

    £170 Stock code: AD1562 27
    Add to Wishlist

    Crystal Palace,

    Framed Chromolithograph by Spy (Leslie Ward) picturing Sir August Friedrich Manns, German born British Composer and a key figure in the musical life of the Crystal Palace where he conducted a 90 piece orchestra.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 27
    £170
  • Jimmy,

    £170 Stock code: AD1562 22
    Add to Wishlist

    Jimmy,

    Framed chromolithograph picturing the Revd. James Leigh Jones, English clergyman and schoolmaster at Eton College. Teacher of Swinburne and the Duke of Argyll. Famed for his application of the birching rod and his regular flogging of his pupils.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 22
    £170
  • Four in hand,

    £170 Stock code: AD1562 11
    Add to Wishlist

    Four in hand,

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing Adolph Wilhelm Reichmann, Baron of Prussia, Knight of the Iron Cross, German businessman and naturalised British subject he oversaw the banking house of Horstmann and Company. A keen carriage driver he was a member of many driving clubs including the Four In Hand and Carriage Clubs. His posterity became a subject of Parliamentary controversy as his sons left England to fight for the Kaiser in 1914 while his widow, the Baroness von Deichman, remained to steward his company which managed loans for prominent members of the German military and aristocracy.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 11
    £170
  • William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray

    £160 Stock code: PS0082
    Add to Wishlist

    William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray

    A whole length hand-coloured  Georgian caricature-portrait of Prince William Frederick of Gloucester. Designed in an oval setting, the Prince is shown in profile, facing rightwards, and bearing a strong and suggestive resemblance to his uncle King George III. He is shown wearing military uniform, having served in Flanders in 1794 during the Revolutionary Wars. The Prince, later the Duke, of Gloucester had become popularly and affectionately known as 'Slice of Gloster' or simply 'Slice' by the early 1700s.
    Dimensions: 45cm (17¾") High, 30.5cm (12") Wide
    Stock code: PS0082
    £160
  • Pont Neuf, Paris, by Herbert Hillier

    £160 Stock code: AD1422 / 3
    Add to Wishlist

    Pont Neuf, Paris, by Herbert Hillier

    Signed in pencil. Framed
    Dimensions: 36cm (14¼") High, 43cm (17") Wide, 1.5cm (0½") Deep
    Stock code: AD1422 / 3
    £160
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 9
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 9
    £160 each
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 7
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 7
    £160 each
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 8
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 8
    £160 each
  • Snakes engravings published c1860

    £160 each Stock code: P01048 Pl. 13
    Add to Wishlist

    Snakes engravings published c1860

    Charles Henry Dessalines d'Orbigny was a French botanist and geologist specializing in the Tertiary of France. He was the younger brother of French naturalist and South American explorer, Alcide d'Orbigny. At the National Museum of Natural History in Paris, d'Orbigny identified many of the flowering plant species returned to France from his brother's natural history collecting journeys through South America.
    Dimensions: 39cm (15¼") High, 30cm (11¾") Wide, 3cm (1¼") Deep
    Stock code: P01048 Pl. 13
    £160 each
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 26
    Add to Wishlist

    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 26
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 25
    Add to Wishlist

    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 25
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 23
    Add to Wishlist

    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 23
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 24
    Add to Wishlist

    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 24
    £150
  • Waterloo Bridge,

    £150 Stock code: AD1577
    Add to Wishlist

    Waterloo Bridge,

    Hand colured and engraved, framed and mounted print depicting John Rennie's Waterloo Bridge by the artist and engraver John Shury after a painting by W.G. Moss.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1577
    £150
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 W
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 W
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 Q
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 Q
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 P
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 P
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 O
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 O
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 N
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 N
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 M
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 M
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 J
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 J
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 I
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 I
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 H
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 H
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 E
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 E
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 D
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 D
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 A
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 A
    £150 each
  • Tracks and Triggers,

    £150 Stock code: AD1562 10
    Add to Wishlist

    Tracks and Triggers,

    A Framed chromolithograph by WHO picturing Mr Walter Winans, American marksman, hunter and artist. Author The Art of Revolver Shooting, Winans owned hunting and shooting rights to 250,000 acres in the Scottish Highlands across Glen Strathfarrar, Glen Cannich and Glen Affric. In 1884 he attempted to prosecute a Scotsman, Muirdoch Macrae, for grazing a lamb on the ancestral lands of Clan McCrae but owned in law by Winans. The failure of Winans' prosecution established the right to roam which was a key element in opening British parklands to the public.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 10
    £150
  • Force No Remedy

    £150 Stock code: AD1562 4
    Add to Wishlist

    Force No Remedy

    A framed chromolithograph by Harry Furniss picturing a prison warder, Charles Stewart Parnell and John Dillon pictured on remand in Kilmainham Gaol, Dublin. Parnell and Dillon were united in opposition to the Irish Land Act of 1881 which aimed to resolve landlord tenant relations in late 19th Century Ireland and neutralise the militancy of the Irish Land League. Accused of "sabotaging the Land Act", the pair were arrested on the 12th of October 1881 for their role in the declaration and propagation of the No Rent Manifesto, a radical proposal by the Land League calling for a campaign of passive resistance by the small tenant farmers of Ireland and the withholding of rent to landlords.

    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 4
    £150
  • The New Judge

    £150 Stock code: AD1562 2
    Add to Wishlist

    The New Judge

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing the Hon. Sir Arthur Charles who presided over the first trial of Oscar Wilde for sodomy and gross indecency in which the Jury failed to agree a verdict.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 2
    £150
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 W
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Didelphys Orientalis Pall.'
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 W
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 V
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra tigrina'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 V
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 U
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Zibetha Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 U
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 T
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 T
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 S
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Die Zahme Katze'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 S
    £150 each

Featured Items

    No records found