22 items found
Page 1 of 1
-
A rare set of four Compton Pottery stoneware “Seasons Pots”
£9,600A rare set of four Compton Pottery stoneware “Seasons Pots”
each tazza with an inset coved rim and a body ornamented with large ribbon-ties and each bearing a Celtic knot "mon" with stylistic representations of the English Rose, the Thistle, the Pomegranate and the Primrose denoting the respective season, each raised on a turned spreading foot,£9,600 -
A pair of colossal rustic English limestone staddle stones
£4,250 the pairA pair of colossal rustic English limestone staddle stones
each with a mossy domed top raised on a rectangular-section spreading base£4,250 the pair -
Exceptional pair of foundry crucibles,
£2,850Exceptional pair of foundry crucibles,
well patinated throughout, previously drilled for used as planters.£2,850 -
Nineteenth century copper log bin,
£2,500Nineteenth century copper log bin,
the riveted body with applied lion's mask handles to each side, on four lion's paw feet, with verdigris surface throughout.£2,500 -
A pair of English composition stone orangery planters
£1,400 the pairA pair of English composition stone orangery planters
circular pots with a splayed rim above the tapered body of basketweave design£1,400 the pair -
A set of four French cast-iron urns,
£1,100 the set of four,A set of four French cast-iron urns,
straight-sided with swags to the sides, distressed paint, one old loss to the rim,£1,100 the set of four, -
Small pair of foundry crucibles,
£500 -
Doulton Lambeth Harvest Ware jug
£125 -
Doulton Lambeth Harvest Ware jug
£125Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and green glaze to the body£125 -
A Small Blue and White transfer printed gold fish bowl.
£120A Small Blue and White transfer printed gold fish bowl.
The late nineteenth century European made porcelain bowl, produced to mimic a Chinese gold fish bowl. The wide rim designed to stop fish escaping, is decorated with blue flower heads, above a bulbous body decorated with layered flower designs. The mark on the base in the form of a simple windmill could indicate the piece was produced in Holland.£120 -
Doulton Lambeth Harvest Ware jug
£95Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and further impressed backstamps to the base, with green glaze to the body£95 -
Antique copper saucepan and lid
£95 -
Antique copper frying pan and lid
£95 -
Four buff terracotta chimneypots,
£90 eachFour buff terracotta chimneypots,
of similar design, tapering from a square footprint to an octagonal everted rim, slight variation in size,£90 each -
Antique copper saucepan and lid
£85 -
Antique copper saucepan and lid
£85 -
Antique copper saucepan and lid
£75 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
stoneware body with line-engraved silver rim, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£45Doulton Lambeth Harvest Ware jug
stoneware with silver rim, with hallmarks to the silver and further impressed stamps to the base, small chip to the inside of the rim.£45
Featured Items
-
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600