7 items found
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A very large painted gun-metal ship’s porthole,
£435A very large painted gun-metal ship’s porthole,
with a circular glazed light hinged from a heavy frame with four dogs - two of which have the remaining threaded bar,£435 -
A section of marine teak decking – one from a selection available
£350A section of marine teak decking – one from a selection available
the rectangular panel pierced with a grid lattice,£350 -
A section of marine teak decking – one from a selection available
£350A section of marine teak decking – one from a selection available
the rectangular panel pierced with a grid lattice,£350 -
A section of marine teak decking – one from a selection available
£350A section of marine teak decking – one from a selection available
the rectangular panel pierced with a grid lattice,£350 -
A section of marine teak decking – one from a selection available
£350A section of marine teak decking – one from a selection available
the rectangular panel pierced with a grid lattice,£350 -
A section of marine teak decking – one from a selection available
£350A section of marine teak decking – one from a selection available
the rectangular panel pierced with a grid lattice,£350 -
A ship’s window,
£330A ship’s window,
the rhomboid frame with two glazing bars, hinged at the top edge, the glass slightly smoked, tension clasp to the bottom and an adjustable telescopic stay to each side,£330
Featured Items
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18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500