8 items found
Page 1 of 1
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Pair of Victorian terracotta tazza urns
£3,500 the pairPair of Victorian terracotta tazza urns
mid-nineteenth century, with stiff-leaf rims and gadrooned body, on waited socle and square plinth base.£3,500 the pair -
Pair of antique ‘Doulton ‘stoneware urns and pedestals,
£2,800 the pairPair of antique ‘Doulton ‘stoneware urns and pedestals,
of squat form with gadrooned body, the fielded plinths with egg and dart and guilloche bands.£2,800 the pair -
Nineteenth century copper log bin,
£2,500Nineteenth century copper log bin,
the riveted body with applied lion's mask handles to each side, on four lion's paw feet, with verdigris surface throughout.£2,500 -
Pair of Victorian salt glazed terracotta faux-bois strawberry planters,
£1,850 the pairPair of Victorian salt glazed terracotta faux-bois strawberry planters,
each naturalistically modelled as tree trunks.£1,850 the pair -
Pair of late nineteenth century glazed jardinieres on pedestals,
£1,800Pair of late nineteenth century glazed jardinieres on pedestals,
the gadrooned bodies with flower-head bosses to the concave rim, on pedestals with foliate panels.£1,800 -
Pair of late nineteenth century French cast iron urns,
£1,500Pair of late nineteenth century French cast iron urns,
each having egg and dart rim above lobed bodies on fluted stem socles and raised square base,£1,500 -
A set of four French cast-iron urns,
£1,100 the set of four,A set of four French cast-iron urns,
straight-sided with swags to the sides, distressed paint, one old loss to the rim,£1,100 the set of four, -
A Victorian salt glazed stoneware ‘faux bois’ garden planter,
£925A Victorian salt glazed stoneware ‘faux bois’ garden planter,
the wrythen bowl with branch stubs raised on a naturalistic trunk-form stem, the picket fence base with voids (with drainage holes) for planting to the four quadrants; some wear to edges,£925
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800